Surround Sound System Reviews

Mini A Speaker System
Performance
Build Quality
Value

Model A Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Coordinated on- and off-axis response
Custom drivers
Strong dual-10-inch sub
Minus
Center not fully timbre-matched
Not much to look at
Sub crossover limited to two settings

THE VERDICT
The Bryston Mini A offers refined performance and—though it’s not obvious to the naked eye—serious build quality at a moderate price.

So many audio products start as marketing necessities. But how many start as personal quests? When Bryston’s James Tanner wanted to design a one-off “ultimate loudspeaker” for his own reference system, the resulting Mini T floorstanding tower impressed his colleagues so much that it squirreled its way into the upper-echelon marketing channels usually reserved for Bryston’s formidable preamps and amps (which, incidentally, include surround-friendly three-, five-, and eight-channel models).

InRoom Bronze LR-H Speaker System
Performance
Build Quality
Value

InWall Bronze/4 SlimSub
Performance
Build Quality
Value

AT A GLANCE
Plus
Dolby Atmos enabled
Natural, open character
Superb match with InWall Bronze/4 SlimSub
Minus
Atmos operation limits use in cabinets or behind a screen

THE VERDICT
Awesome for Atmos and awesome at most everything else.

Nine out of 11.4 people (approximately) reading this report are thinking, “Who the hell is Triad?” (Hopefully, fewer folks are asking, “What the hell is Atmos?” If you’re one of them, hang in there. I’ll get to Atmos in a bit.) To answer the original question, Triad is a Swiss Army Knife-like manufacturer of custom-installed speakers. That is, regardless of the particular application, Triad has a blade—er, speaker—designed and built for it (in the U.S. of A., by the way). You need in-room, in-ceiling, or in-wall speakers? Check. Invisible in-wall speakers? Ditto. OK, what kind of subwoofer do you want? The standard in-room or an in-wall design? Yes and yes. (Yawn.) Why not try something a little less common, like one of Triad’s on-wall, in-cabinet, or in-ceiling subwoofers? Then there’s Triad’s esoteric and rather sinister-looking FlexSub, which includes an expandable, flexible tube that channels the bass output from the hidden subwoofer cabinet to a remotely located grate or grille.

Prestige 15B Speaker System
Performance
Build Quality
Value

Seismic 110 Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Advanced driver designs
Fine-grained, transparent, dynamic playback
Compact but powerful subwoofer
Minus
Boxy, non-curved enclosures

THE VERDICT
Paradigm’s Prestige series speakers and Seismic 110 sub employ unusual driver design to achieve remarkable transparency and punch.

As I sat down to write this review of the Paradigm Prestige speaker system, I couldn’t get a seemingly unrelated subject—the Pono hate—out of my head. No joke, folks: I sat at the keyboard for hours mulling it over. What chance did I have to convince readers that a $6,145 speaker system is worth hearing when a $400 music player is greeted with language like “don’t buy” and “snake oil”?

OK, I know I’m preaching to the converted. You probably wouldn’t be reading Sound & Vision if you weren’t open to the idea that a well-designed speaker system has the power to bring you closer to music. That’s what the Paradigms did for me when I informally played a few recent additions to my high-resolution music library (more on them later). I felt as if a curtain had been lifted and music was in the room with me—not just recorded music, but music.

W Studio Soundbar System
Performance
Features
Ergonomics
Value

W9 Wireless Speaker
Performance
Features
Ergonomics
Value

W7 Wireless Speaker
Performance
Features
Ergonomics
Value

W Amp Amplifier
Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Stellar audio quality
Sleek-looking components

Minus
Android app is pretty basic
iOS app very limited
Doesn’t currently support true high-res listening

THE VERDICT
The speakers sound amazing and the W Studio soundbar is a home run even without its multiroom capabilities, but the limited Play-Fi app for streaming leaves Def Tech’s W system lagging behind the best multiroom systems.

For a while, audio manufacturers seemed resigned to give it the ol’ “lie back and think of England” routine when it came to accepting Sonos as the dominant force in the wireless audio world. Sure, they might not have liked it, but they weren’t offering any compelling alternatives of their own. And while there had been some challengers in the past, most fell well short of the Sonos benchmark and quickly faded.

This tide has changed lately, however, and the war for wireless audio is heating up. Multiple systems are now offering their spin on wireless music distribution and hoping to take a bite out of the Wi-Fi audio pie. And unlike past attempts, several of these new solutions are not only good, they’re great. Darryl Wilkinson recently reviewed two top rivals for Sonos’ throne, Bluesound (S&V, June 2014) and Denon’s HEOS (S&V, January 2015). Now, well-regarded speaker manufacturer Definitive Technology is throwing its hat into the ring by embracing Play-Fi in its new Wireless Collection.

Performance
Build Quality
Value

AT A GLANCE
Plus
Awesome potential for clean loudness
Impressive tonal fidelity and finesse
No subwoofer required
Atmos!
Minus
Requires generous spacing and AC power
Connectivity is a bit complex

THE VERDICT
A one-stop, state-of-the-surround loudspeaker solution, especially apt for any who prefer not to accommodate a subwoofer—with the bonus of being Dolby Atmos enabled.

Definitive Technology’s BP-8060ST has remained a highlight of the Baltimore-area maker’s lineup for several years—a dog’s age in the new-and-improved, series-II world of high-end loudspeakers. The longevity suggests that Definitive considers this slim “power tower” a fully evolved design, and indeed it’s hard to argue the point.

Prime Satellite 5.1 Speaker System
Performance
Build Quality
Value

SB-1000 Subwoofer
Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Honest, accurate, full-range sound
Painless sub/sat blending
Cheap!
Minus
Won’t match ultimate volume level of larger, more costly systems

THE VERDICT
If your criterion is un-hyped reproduction, SVS’s Prime Satellite 5.1 system is as good as it gets for $1,000.

Good-sounding small speakers no longer impress me. After all, these days, pretty much anybody with a laptop and an Internet connection can design a small two-way that’s reasonably neutral. The tools are all online (many of them share/freeware), fine-performing drivers ranging from cheap ’n’ cheerful to exotic ’n’ expensive are readily available with complete Thiele-Small parameters, and MDF and veneer are plentiful down at Lowe’s. You don’t even need to know Ohm’s law; fluency in Windows or OSX and some basic woodworking skills are probably more useful.

Performance
Build Quality
Value

AT A GLANCE
Plus
Versatile with movies and music
Superb build quality
Addictively listenable
Minus
Needs sub reinforcement

THE VERDICT
Like David in a world of Goliaths, Silverline Audio’s Minuet Supreme Plus is the kind of small speaker that makes listening to music an addictive pleasure.

Every January, I find myself walking down a hotel corridor lined with audio exhibitors. Sounds like the dream sequence from an audiophile movie, doesn’t it? I’m talking, of course, about the Consumer Electronics Show in Las Vegas. Pretty much every year, I pay a visit to Silverline Audio, and pretty much every year, the reward is sweet, involving sound. This year, that sound was coming from Silverline’s Minuet Supreme Plus. Remarkably, it was powered by one of those tiny Class T amps you can buy on Amazon for $30. Having reviewed the original Minuet in 2008—and having loved it—I was eager to hear what its successor would sound like in my system with a better amp.