The Connected Life

At this year’s CEDIA Expo, held in Atlanta at the end of September, I felt that the mood on the show floor was decidedly upbeat. The positive vibe exuded by many suggested that the worst of the recession is over and that business is actually starting to pick back up.

Friday the 13th is nothing to fear this month as remote control giant URC releases the first wave of its new Total Control platform of housewide automation, control, and audio distribution components today.

Many people love the idea of a house-wide audio system, but they may not love the idea of paying to have one installed. Plus, the fancy features that come with dedicated multiroom audio systems — such as keypad controllers with metadata feedback, and the ability to divide a home into numerous listening zones — might be more than what many people actually need.

In fact, for the way many people actually live, two listening zones may be the perfect amount: a “main” zone linked to the TV/surround system and a secondary zone for playing music, radio, or something else in a different room. Think one person watching Oprah’s Life Lessons, while a second seeks refuge on the patio with ESPN radio and a beer. If a two-zone audio system sounds like it would fit your bill, chances are that you’ve actually got most of the components for it already on hand.

This is the tale of two companies whose products you likely interact with on a daily basis. Two companies that aim to capture the Holy Grail of the consumer electronics world: your living room. One company has had great success with its mission, while the other one has repeatedly failed.

The companies are Apple and Microsoft.

High-rez music is the most exciting audio development to come along in years, and I’ve written quite a bit about it. But I’ve received enough questions concerning high-rez that I felt it was time to devote a column to the subject. What follows is a primer that touches on the basics of high-rez music: what it is, how to get it, and how to play it.