HEADPHONE REVIEWS

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Mark Fleischmann  |  Nov 18, 2005  |  0 comments
One of the most mortifying moments of my life came when I realized I’d lost my Sony MDR-NC10 noise-canceling earbuds. Well, I didn’t exactly lose them—what I lost was one of the rubber earpieces. I was ransacking the front pockets of my Levis in the men’s room of the Dallas airport and the friction of dragging out the earbuds must have dislodged the precious morsel of rubber. That effectively exiled the MDR-NC10 to my useless-gear drawer. Living without them was so impossible that I broke down and bought the successor model, the MDR-NC11.
Chris Chiarella  |  Sep 30, 2005  |  0 comments
5.1 for your head.

After more years writing about sound technology than I care to count, I've had two revelations of note: A full 5.1-channel speaker system is too much for some people, while, for many of those same folks, traditional stereo just isn't enough. With content—movies and games—growing ever more sophisticated, we need adequate gear on which to enjoy it. However, not everyone has the space, the budget, or even the basic technical know-how to wire five speakers and a subwoofer.

Brent Butterworth  |  Mar 21, 2012  |  0 comments

We haven't made any secret of our general disdain for headphones endorsed by hip-hop artists. Not that we have anything against hip-hop artists, nor is there any good reason why hip-hop 'phones should sound bad.  It's just that many of them do.

In last year's celebrity headphone test, we didn't dig the Soul by Ludacris SL300WB at all, and had a mixed reaction to the Beats Pro and Skullcandy Roc Nation Aviator. But our not-unpleasant experience with the Sync by 50 SMS-WS got us thinking that maybe someone in the hip-hop world was starting to understand that while crazy, bass-heavy tonal balances may be initially impressive, they're not something most of us want to live with on a day-to-day basis.

Next up in the battle of the rapperphones is the $275 WeSC Chambers by RZA.

Michael Berk  |  Oct 17, 2012  |  0 comments

We're not sure about you, but here at Sound+Vision we've been eagerly awaiting the arrival of V-Moda's M-100 since we first glimpsed it at the 2012 CES. It's been a long and interesting road for the company's latest full-sized, audiophile-friendly 'phone, with many changes stemming from the active input from the community of headphone enthusiasts at Head-Fi. And the Crossfade M-100 is finally here.

Brent Butterworth  |  Jan 27, 2012  |  0 comments

WHEN I FIRST SAW the Sennheiser HD598’s beige-and-brown color scheme, woodgrain accents, and air-cushioned headband, images of all sorts of 1970s products fl ooded through my head: Kustom guitar amps with “tuck and roll” covering, lacquered driftwood furniture, waterbeds, Roger Dean posters.

Brent Butterworth  |  Mar 27, 2013  |  0 comments

The 808 headphones prove I'm way hipper than any of our West Coast headphone testing panel, who range from 10 to almost 20 years younger than me. "You can tell from the name it's targeted to hip-hop fans," I told them.

Brent Butterworth  |  Jun 25, 2012  |  0 comments

I’m happy to see Polk getting into one of the headphone world’s neglected nether realms: noise-canceling IEMs. The UltraFocus 6000 gives you the easy transportability of an IEM with the noise-canceling technology that’s popular on larger over-ear and on-ear models.

Brent Butterworth  |  Nov 14, 2012  |  0 comments

When I attend trade shows, I’m always reluctant to ask for a review sample of a new product. ’Cause who knows if I’ll see something cooler around the corner? But when I saw the Custom One Pro at the recent Rocky Mountain Audio Fest in Denver, I asked Beyerdynamic’s Pete Carini to send me a sample ASAP. After a quick listen to the Custom One Pro, I knew there was no way I’d find a more interesting headphone that weekend.

Geoffrey Morrison  |  Oct 05, 2011  |  0 comments

The success of Dr. Dre's Beats sent up a signal flare that alerted the rest of the celebrigentsia - who've realized that there's no safe money in music anymore - that there was cash to be had in them thar 'phones. They've since had at it in a big way, with everyone from Justin Bieber to Quincy Jones to the estates of Miles Davis and Bob Marley slapping their names on hardware.

But are any of these headphones any good? We set out to figure out which - if any - of these celebs deserve your hard-earned dollars. We called in a team of expert listeners to pick 'em apart, and then put each headphone through some rigorous lab testing to figure out what was really going on underneath those fancy designs.

Timothy J. Seppala  |  Aug 30, 2012  |  0 comments

When I reviewed the Astro A40 MLG edition headset and wireless mixamp late last year, my complaints were minor. Since then, they've become my go-to cans; I even use them for transcribing interviews. It's overkill, I know. I've used them exclusively for the past eight months because I haven't heard another gaming headset that sounds anywhere near as good. That is until I spent quality time with Astro's new model, the A50.

Brent Butterworth  |  Jan 27, 2012  |  0 comments

THE ONLY MAJOR MANUFACTURER I know of that makes the same headphone in different impedances, Beyerdynamic offers the DT-990 in a 32-ohm version for use with portable devices, a 250-ohm version for average home gear, and a 600-ohm version for high-end headphone amps. We requested the 32-ohm version because the other headphones tested here run in that range and because we figured most S+V readers would at least occasionally want to plug straight into a smartphone or a computer.

Brent Butterworth  |  Feb 24, 2013  |  0 comments

If you're wondering what kind of common thread we've found between two such obviously different headphones, stop wondering. They have nothing in common. Except three things:

1) They're both headphones
2) They both employ unusual engineering.
3) They've both been sitting around my office way too long.

Brent Butterworth  |  Jun 25, 2012  |  0 comments

If you’re sick of trying to choose among dozens of lookalike IEMs in the racks at electronics stores, you’ll find the C5 to be welcome relief. This IEM resembles nothing else on the market. The back of each titanium earpiece holds B&W’s Micro Porous Filter, a layer of hundreds of tiny steel balls that the company says works as a sonic diffuser.

Brent Butterworth  |  Oct 29, 2012  |  0 comments

Like wine, sushi, and plumbers, headphones can get a lot more expensive than most people realize. At Sound+Vision, we focus on under-$500 models. But when Dr. Fang Bian, the visionary entrepreneur behind the HiFiMan headphone company, asked if I’d like to try the company’s top-of-the-line, $1,299 HE-6 headphone and its new $1,599 EF-6 headphone amplifier, I thought it’d be a great chance to give our usual listening panel a sample of what only the most devoted and/or wealthy headphone aficionados usually get to hear.

Michael Berk  |  Jul 31, 2012  |  0 comments

When we last looked at Altec Lansing's headphone offerings, we checked out their affordable universal-fit balanced-armature IEM, the Muzx Ultra. But that's not all there is to the longstanding brand's headphone offerings. Late last year, the company went all-in with a premium headphone line, and we've had a chance to spend some time with them over the last few months.

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