Filmmakers and musicians spend countless hours tweaking their images and sound to perfection. But when their masterworks are played on home A/V systems, that carefully crafted music might sound nothing like it did in the studio, and that hot video might look lukewarm on the average flat-panel monitor.
I'm constantly amazed at the number and variety of super-high-end speakers out there. Among the many manufacturers I'd never heard of before is Marten, a Swedish maker whose flagship is the magnificent Coltrane Supreme.
When you consider the price of a power amp, it's interesting to calculate the cost per watt. In that light, the Gaku-On monoblock from British maker <A href="http://www.audionote.co.uk">Audio Note</A> and distributed in the US by <A href="http://www.audiofederation.com">Audio Federation</A> is the most expensive power amp I know of.
I'm constantly amazed at the number and variety of super-high-end speakers out there. Among the many manufacturers I'd never heard of before is <A href="http://www.marten.se">Marten</A>, a Swedish maker whose flagship is the magnificent Coltrane Supreme.
Is the NL Reference from Florida-based <A href="http://www.edgeamp.com">Edge Electronics</A> just another high-power, high-priced monoblock power amp? I think not.
Of all the various types of audio and video products, speakers seem to offer the most potential for design variation. Case in point—the Magic Flute from Swedish maker <A href="http://www.swspeakers.com">SWSpeakers</A>.
There are power amps, and there are power amps—and then there's the Pivetta Opera One. Standing six feet tall and weighing over half a ton, this monster is designed by Pivetta Andrea (pictured here with his creation), built by the Italian company bearing his given name, and distributed worldwide exclusively by <A href="http://www.higherfi.com">HigherFi</A>.
Scott Wilkinson | May 26, 2010 | First Published: May 27, 2010
Most CD players and transports are relatively featureless, boring rectangular boxes, but not the Kalista from French boutique maker <A href="http://www.metronome-technologie.com">Metronome Technologie</A>. Distributed in the US by <A href="http://tmhaudio.com">TMH Audio</A>, the Kalista looks more like a modern sculpture, though it offers plenty of substance in addition to some serious style.
I don't typically cover so-called multimedia speakers in this blog, but when I came across an ad for the GLA-55 from <A href="http://www.harmankardon.com">Harman Kardon</A> in an upscale magazine, I was intrigued. The cabinet looks like it was chiseled from rock crystal, and its beauty turns out to extend well below the surface.
If the Greek gods had been audiophiles, they might well have used something like the Olympus Sound System (OSS) from Adam Audio, a German high-end maker of products for the professional and consumer markets. This behemoth stands seven feet tall and weighs over 350 pounds with separate enclosures for each set of drivers.
As you may have surmised by now, the Ultimate Gear blog is dedicated to A/V products that are extreme in terms of performance, design, and/or price. I normally try to find items that embody all three elements, but sometimes, one of them takes center stage. So it is with the PrestigeHD Signature Rose LCD TV from British luxury purveyor <A href="http://stuarthughes.com">Stuart Hughes</A>, which can be yours for only £1.5 million, or about $2.2 million as of this writing.
Scott Wilkinson | May 13, 2010 | First Published: May 14, 2010
I had not heard of California-based <A href="http://www.nttaudiolab.com">NttAudiolab</A> before coming across its flagship Model 101 MkII speaker. Judging strictly by the specs, this is one awesome music box.
As an A/V enthusiast, you might well be familiar with <A href="http://www.kaleidescape.com">Kaleidescape</A>, a California-based maker of high-end movie servers. <I>UAV</I> hasn't covered its products lately because we are dedicated to high def, and they have been limited to serving DVDs—until now. The company today announced the introduction of full support for Blu-ray with its new M-Class architecture.
The transition from monaural to two-channel stereo in the 1930s is undoubtedly one of the most important innovations in the history of recorded and reproduced sound. The idea first came to Alan Blumlein when he went to the movies, which had only recently been enhanced with synchronized audio.