Premiere Design

Simple, modern, elegant—the PS1 from Cue Acoustics is definitely not your father’s speaker. Think of it as a forward-looking system for discriminating listeners who crave a simple setup that’s free of wires, hulking speakers, and an ugly stack of components (like the ones collecting dust in the back of your den). Promising big sound and a vivid soundstage, the PS1 system is extremely compact and provides everything you need to pump up the volume except an audio source: a pair of speakers, each with its own built-in 150-watt digital amplifier/processor, and a wireless transmitter that streams uncompressed audio from your TV, PC, smartphone, tablet, you-name-it, to wherever you decide to put the speakers (which, by the way, must be plugged into an AC outlet). Want to grab your tablet and play impromptu DJ at a party? As long as the tablet supports the DLNA connection standard, you can stream audio wirelessly to the PS1’s iPhone-size transmitter, which runs it through a signal processor and sends it to the speakers; otherwise, you can go old school and plug a cable into the transmitter’s digital (optical S/PDIF) or analog (3.5mm stereo) input.

The concept of 3D audio is gaining a lot of traction lately, in both commercial and consumer settings. Tom Norton recently wrote about his experience with a system called Imm Sound, which employs many speakers around and above the audience in commercial cinemas, as does Dolby Atmos and Barco Auro. On the home front, several companies have developed technologies that purport to create 3D soundfields from two speakers or a soundbar, including Gen Audio's Astound Sound and Sonic Emotion's Absolute 3D, both of which have been discussed on the Home Theater Geeks podcast here and here, respectively.

Then there's SRS Labs, which has been working on 3D audio perhaps longer than anyone else. Not only does this company offer a variety of proprietary soundfield-expansion algorithms, it is also the founding member of the 3D Audio Alliance (3DAA), which is working on an open-standard specification called Multi-Dimensional Audio, or MDA.

When the Federal Communications Commission approved the ATSC digital broadcast standard in December 1996, most consumers shrugged as the pundits (us at Home Theater included) heralded the greatest advance in television since the introduction of color in the 1950s. Time has proven us right. With six times the detail of standard-definition video, HDTV has been both a revelation and a revolution. For those who care about picture quality, one quick look was enough to know the world had changed, and we were never going back.

And now for something completely different—a speaker made of concrete! Designed by Shmuel Linski as his final project to graduate from Shenkar College in Israel, the so-called Exposed speaker is nothing if not unique.

Who would have thought that Estonia, a tiny republic on the Baltic Sea in the far northeast corner of the European continent, is home to a high-end speaker maker? Estelon was founded in 2006 to bring the vision of designer Alfred Vassllkov to life. His first product—the Model XA—is still the company's flagship.

Wolf Cinema is known for its extremely high-end home-theater projectors, several of which I've profiled in this blog. Now, the company has announced its latest offering, the SDC-15—also known as "the Cub"—a 1080p projector with full 3D capabilities and a surprisingly affordable price, at least for Wolf.