Projector Reviews

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Kris Deering  |  Feb 27, 2017

2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $35,000

AT A GLANCE
Plus
True 4K (4096 x 2160) D-ILA panels
Improved HDR support including HLG
Reference-quality optics
Minus
Fan noise can be intrusive
HDMI sluggish to sync
Native contrast not quite on par with rest of JVC line

THE VERDICT
While JVC’s first native 4K projector for consumers doesn’t quite deliver the contrast of its 1080p lineup, its projected image is breathtaking with both 1080p and 4K content. With its advanced laser light engine, reference-quality optics, and enough lumens to light up a massive range of screens, you have a true flagship-caliber offering from JVC.

While 4K has become the new norm for the flat-panel industry, its adoption into the home projection market has been slow, to say the least. Until now, Sony has been trailblazing native 4K for the consumer home theater market while others have offered quasi-4K options that use techniques to deliver near4K quality with 1080p imaging systems at more affordable pricing. Among those manufacturers, JVC led the way with their e-shift system, which over time has matured to contend quite convincingly with native 4K designs.

Rob Sabin  |  Jul 06, 2016
With the warm spring beckoning us Northerners to the outdoors, thoughts of week-long beach vacations or camping trips bring on a serious dilemma: How in the world are we going to watch movies? OK, maybe, maybe not. But if you happen to be a millennial or a teenager with a smartphone, you know that its screen handily doubles these days for your old pappy’s big-screen TV. Except, it’s really not so big, is it? You can crowd in only so close when you’re trying to share your latest photos or a download of American Horror Story with a group of friends.
Michael P. Hamilton  |  May 25, 2016
2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $1,399

AT A GLANCE
Plus
Highly accurate and stable colorimetry out of the box
Impressively sharp and detailed images at a reasonable price
Useful calibration adjustments including lockable ISF modes
Minus
Punitive light leakage from lens opening
Limited lens adjustments constrain placement options
3D glasses not supplied

THE VERDICT
BenQ's HT 3050 delivers surprisingly good performance for its price, but noticeable light leakage drags down an otherwise strong recommendation.

For a while now, projector manufacturers who employ three LCD panels for the required red, green, and blue primary colors (we’re talking about you, Epson) have pointed to that technology’s ability to deliver equal lumens output for both white brightness and color brightness. Citing research by various international standards organizations, the 3LCD consortium maintains that single-chip DLP projectors (referred to as 1DLP) may suffer...

Kris Deering  |  Mar 21, 2016
2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $14,999

AT A GLANCE
Plus
Native 4K imaging chips
HDR10 compatible
Minus
Lacks full HDMI v2.0a capabilities
Less than perfect focus uniformity
Careful setup needed for best results

THE VERDICT
Sony’s mid-cycle refresh of the VPL-VW600ES offers decent bumps in dynamic contrast, brightness, and features. While it still lacks some key future-proofing and has a few niggling issues, its compelling native 4K imagery is some of the best we’ve seen from front projectors on the market today.

Here we are now a full four years beyond Sony’s debut of the VPL-VW1000ES, the first consumer-level native 4K projector. And yet the bounty of 4K content that was promised at that time is really now just coming to fruition with an assortment of streaming options and a new Blu-ray format springing forth. In late 2015, Sony did what I’d call a mid-cycle refresh on one of our previous Top Picks, the VPL-VW600ES (May 2014; review at soundandvision.com), adding a few new features like HDR capabilities and improved contrast and brightness. But is the VPL-VW665ES the projector to buy as we head into the land of Ultra HD and all its promises?

Kris Deering  |  Oct 29, 2015

2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $8,000

AT A GLANCE
Plus
Laser light engine
HDCP 2.2 compliance
Excellent contrast and accuracy
UHD color support
Minus
Not true 4K
Pricey
Contrast not quite up to lofty claims

THE VERDICT
Few projectors can compete with Epson’s first salvo in the reflective LCD market, and the company’s laser engine delivers bright images with flagship-level contrast and accuracy.

Last year’s CEDIA Expo was a bit of a buzzkill for projectors. We continued to see a dropoff in the number of manufacturers, and two of the biggest names in consumer projectors, Sony and JVC, both decided to forgo new models altogether. But that didn’t stop Epson from unveiling one of the most exciting projectors I’ve seen in years, the PowerLite Pro Cinema LS10000. Not only is it unlike any previous Epson model, but it’s also the first laser-driven home theater projector I’ve seen—and at a sub-$10,000 price point. But can it compete with the juggernauts from Sony and JVC at these higher price levels? Let’s find out.

Al Griffin  |  Mar 31, 2015
Performance
Features
Ergonomics
Value
PRICE $1,199

AT A GLANCE
Plus
Crisp, bright image for a portable projector
Accurate color
Provides built-in Smart TV and streaming features
Minus
So-so black levels and picture contrast
Visible DLP rainbow effect
Limited installation options

THE VERDICT
LG’s portable PF85U has cool features and impressive picture quality for a portable projector, but its performance isn’t exactly up to snuff for regular home theater use.

LG’s PF85U DLP projector brings some interesting things to the table (literally, in many cases). It’s compact, portable, and driven by an LED light source. It has built-in Wi-Fi, LG’s Smart TV interface, and its streaming options include Netflix, Vudu, and Amazon Instant Video. At $1,199, it’s priced attractively for a 1080p-res projector with decent light output.

Geoffrey Morrison  |  Oct 21, 2013
Performance
Build Quality
Value
PRICE $1,795

AT A GLANCE
Plus
Includes lens and projector attachment mount
Accommodates 8- to 18-foot focal distance
Minus
Some loss of horizontal resolution
Finicky setup/installation process

THE VERDICT
The CineVista lens provides a brighter and more detailed-looking image for ultra-wide movies on a 2.35:1 projection screen.

High-def televisions and projectors have an aspect ratio of 16:9. And all native HDTV content comes in that same format, which is also known as 1.78:1. It’s a different situation, however, for movies. Many blockbuster releases from the 1950s onward have a much wider aspect ratio of 2.25:1 or 2.40:1 (often called CinemaScope). When you watch these on your TV, the result of the mismatch is black bars at the top and bottom of the screen.

Thomas J. Norton  |  May 10, 2012

Performance
Features
Ergonomics
Value
Price: $10,000 At A Glance: Superb resolution • Excellent color • Top-class video processing

Projection lamps: Can’t live without ’em, can’t shoot ’em. Until recently, that is.

Projection lamps are slow to turn on and off, hot, often unstable, and have a nasty habit of getting dimmer with age, while their color balance deteriorates. If you’re fussy about your video—and if you’re reading this review you should be—the 2,000-hour useful lifetime that’s usually specified (to half brightness) for projection lamps will likely be closer to 1,000 hours or less. With a replacement averaging around $400, that’s about $0.40 per hour of use, not including the bottom line on your electric bill.

Thomas J. Norton  |  Apr 24, 2012

2D Performance
3D Performance
(92-inch high-gain screen)
3D Performance
(118-inch standard screen)
Features
Ergonomics
Value
Price: $25,000 At A Glance: Superb 4K resolution • Excellent blacks and shadow detail • High-gain screen recommended for 3D

Editor's note: This is an addendum to our earlier review of the Sony VPL-VW1000 4K 3D projector, covering only its 3D picture quality. Click here for the orignal review.

In our February 2012 issue, we published an exclusive first look at Sony’s new top-of-the-line projector. In addition to stunning performance with conventional, high-defintion, consumer material, the VPL-VW1000 employs 4K imaging chips, offering four times the resolution of standard high-definition video.

Scott Wilkinson  |  Apr 04, 2012
Performance
Features
Ergonomics
Value
Price: $1,499 At A Glance: Poor blacks & shadow detail • Good color • Good detail with 1080p content • Very limited placement options

In my ongoing quest for low-cost projectors that perform well, I came across the H1085 from Vivitek. Unlike most such projectors, this one is available only through custom installers. How does it perform? Let's find out.

Scott Wilkinson  |  Mar 20, 2012
Performance
Features
Ergonomics
Value
Price: $1,495 At A Glance: Many advanced features • Superb detail and color • Deepest blacks we've seen at this price level • Poor shadow detail

A front-projection system is usually the display of choice for serious home-theater enthusiasts. But such systems are more expensive than most flat panels and rear-projection TVs, especially when you consider the cost of a good screen. So finding a low-cost projector that performs well is the Holy Grail for those who want a true home cinema without breaking the bank.

Thomas J. Norton  |  Dec 06, 2011

2D Performance
3D Performance   (See Review)
Features
Ergonomics
Value
Editor’s note: Click here for Tom Norton’s review covering the 3D capabilities and performance of the VPL-VW1000ES.

Editors Note: Home Theater is pleased to bring you this exclusive first review of Sony's VPL-VW1000ES, the world's first 4K projector built from the ground up for the consumer market. With more than four times the resolution of HDTV, 4K is already transforming digital cinema, and it now stands to create a more engaging and dramatic home theater experience as well.—Rob Sabin

Price: $25,000 At A Glance: Superb resolution • Excellent blacks and shadow detail • Four times the pixel density of 1920x1080 HD

Things could hardly be looking better for the video projector fan. The quality you can get today for under $10,000—or even under $5,000—is astonishing.

But the competition is fierce, and to stand out in the crowd, manufacturers are constantly on the lookout for the next big thing. True, 3D is still on its run as the NBT of the decade. Beyond that, 4K video lurks, waiting for its time in the spotlight.

Thomas J. Norton  |  Oct 13, 2011

Performance
Features
Ergonomics
Value
Price: $6,995 At A Glance: Satisfying brightness on a big screen • Excellent resolution and color • So-so black level and contrast

A few months back, we reviewed the Digital Projection HighLite Cine 260-HC (Home Theater, May 2011). But like most three-chip DLP designs, its $30,000 price could buy a nicely equipped new car. Some day, perhaps, the prices of such projectors may come down to earth, but until then, most of us are left to other options.

Scott Wilkinson  |  Jul 29, 2011
Performance
Features
Ergonomics
Value
Price: $1299 At A Glance: Good detail & shadow detail • Vivid colors • Not-so-great blacks • Excellent user interface

I've always liked Epson projectors—they generally produce an excellent picture for a reasonable price, which makes them a great value. The PowerLite Home Cinema 8350 is no exception, though it's not quite the home run that Epson's UB (ultra-black) models are. In fact, my primary complaint with the 8350 is its not-so-great blacks, which isn't helped much by the dynamic iris on real-world material. Granted, its blacks are better than those of the Optoma HD20, but they're still too bright to achieve a really great picture, especially in dark scenes. Also, colors are not spot-on accurate with this Epson, though I didn't find that bothersome when watching Blu-rays, DVDs, and TV programming. Another surprise—despite color fringing and softness I saw in certain test patterns, the detail in real-world content was quite good, if just a tad softer than the DLP-based HD20.

Scott Wilkinson  |  Jul 29, 2011
Performance
Features
Ergonomics
Value
Price: $999 At A Glance: Excellent detail & color via HDMI • Poor blacks & shadow detail • No lens shift • Excellent user interface

In some respects, the Optoma HD20 is an exceptional value, providing a razor-sharp 1080p image for just about as little money as any projector I know of. It's overall detail and color are excellent via HDMI, and it offers extensive controls, surprisingly advanced features, and a well-organized user interface. However, the lack of lens shift makes placement difficult without invoking the keystone control that can degrade the detail a lot. And even if you solve that problem, the shadow detail is poor, which causes dark scenes have large areas of solid darkness rather than subtle low-level details. Finally, at the largest image size I could manage in our studio given the lack of lens shift, the black level was quite high, which means the black of space was dark gray and letterbox bars were obvious. For better performance in this critical area, a larger image is a must.

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