Mamma Mia! Here We Go Again (that is, a sequel) opened in theaters this week. I didn’t realize that the first film, Mamma Mia! The Musical was a major hit when it was released in 2009, selling hundreds of billions of tickets to folks worldwide. I wasn’t of them, having a love/hate relationship with the Abba tunes featured in the film.
In fact I’ve always had a love/hate relationship with movie musicals. La La Land lost me after the first song and dance number from the otherwise appealing leads who could neither sing nor dance. And apart from that title and a few others (notably The Greatest Showmana recent release now available on a spectacular UHD Blu-ray), the musical hasn’t received a lot of film love in recent years. But it was, for decades, a movie staple...
Planet of the Apes is perhaps the longest running science fiction film franchise in history (unless you consider James Bond sci-fiand Star Trek originated as TV series that didn’t arrive as a theatrical film until 1979). The original Planet of the Apes movie, based on a novel by French author Pierre Boulle, produced by 20th Century Fox, and co-written by Rod Serling of Twilight Zone fame, was followed by four sequels. The budgets for these sequels were tight (miniscule by today’s standards) and the results progressively cheesier. But despite its special effects and makeup, state of the art for the time though primitive now, the original still holds up today. There were also two relatively unsuccessful TV series in the ‘70s, plus books, comic books, and other spin-offs.
Recently I completed one of my all too infrequent efforts to cull the herd of old magazines more than three years old; anything earlier worth finding is almost certainly available on-line. A few key older issues were kept for various reasons, and a complete set of the long-defunct Stereophile Guide to Home Theater is still hiding somewhere in the garage. But by accident I ran across my only remaining issue of Video Theater. Never heard of it? It was a magazine begun in the late ‘80s by J. Gordon Holt. Holt is best known as the founder of Stereophile magazine, which inspired a whole raft of competitors anxious to fill a pent-up demand for information on how equipment actually sounds, not just how it measures.
But Gordon was not only an audiophile. He was passionate about video as well in an era when home video hadn’t yet moved much beyond the 21-inch, CRT color TV. Video Theater was short lived, but was well served by Gordon’s unique observations and take-no-prisoners words. But the issue I found also had some pithy editorial observations about the road home audio had travelled, in Gordon’s estimation, and how this might predict the future of video beyond when these words were written, in mid-1990. Here they are:
Movie time has been in short supply at chez TJN recently. My home theater system is packed up for a pending long distance move. I’m down to a modest two-channel setup (Onkyo AVR, Revel Concerta M20 bookshelf speakers, no sub, flat screen HDTV) in my much smaller family room. Potential buyers can now see the former home theater as the living/dining space it’s supposed to be.
I suspect that Los Angeles has the greatest concentration of first-rate movie theaters in the country. True, there are fewer and fewer premier-quality movie houses even there than in the past. At least two have disappeared in the past 12 years. And every time I visit the Village or National in Westwood (two of the biggest and the best) I wonder how long the crowds (which rarely fill more than half of either theater, even for a hit movie on a weekend evening) can continue to support the maintenance of such a large space in such a pricey real estate market. Nevertheless, there more such theaters here than in any other large metropolitan area in the US. Which is, as you would expect, when you think about it.
For 2019, Sony has further refined the VPL-VW285ES projector I reviewed last year and is now calling it the VPL-VW295ES. I was able to spend some time to spend with it before heading off to CEDIA.
All full-range loudspeakers have a tweeter, apart from relatively uncommon, single driver designs. A tweeter's performance can vary widely, but generally reflects the budget and/or the intentions of the designer. Most buyers are happy with the tweeters in their loudspeakers, but are they missing something?
Aperion Audio believes they are. They offer three different super tweeters as add-on devices to your current loudspeakers. There are other super tweeters on the market, but as a category they're rare. Aperion sent me one of each the pure Aluminum Ribbon at $649 (shown in the photo above), the Planar-Ribbon at $399, and the pure Dual Aluminum Ribbon (radiating toward both the front and the back) at $999.
The August 2006 issue of <I>Popular Mechanics</I> devotes one entire page (!) to HD DVD. The main feature of the article is a comparison between HD DVD and the standard disc played back on a much less expensive, upconverting DVD player (an $80 Philips).
At the January 2022 CES in Las Vegas the latest version of HDMI, HDMI 2.1a was announced. What does it bring us, and perhaps more to the point, what will it demand from us?
High dynamic range source material (HDR) has been available for downloading for months now, but the offerings have been spotty and, like the other enhancements that comprise the new Ultra HD format (4K 2160p resolution and longer, lower and wider color) constrained by the often limited bandwidth of Internet delivery. While popular notions of ever expanding bandwidth and more efficient compression abound, no one can know the future. And even now not all areas of the country are served by even the minimum Internet bandwidth required for fully featured Ultra HD delivery, much less at the highest possible quality
Most Audiophiles have a pretty fair idea of how the human hearing system works, but there are always new readers who take "obvious" things for granted. I myself also recently learned a few of the finer points while perusing websites on the subject. Here's what I learned...
We assume you’re into home theater because you love movies, so this blog is the first in an on and off series of movie (and possibly TV-series) recommendations. I first wanted to dub them “Hidden Treasures and Guilty Pleasures.” But while I liked the alliteration, it was too long for a headline so I’ll have to settle for alternating between the two, as appropriate. [Ed. note: We worked a little magic to make the head fit.]
I have a broad taste in movies, from historical to science fiction and a lot in between. I’m not big on crime dramas, grisly horror movies (unless the sci-fi elements outweigh the gore, as in Alien and Aliens), or gross comedies that make me squirm more than laugh. But almost anything else is fair game. The Dish isn’t a story about Hollywood gossip, but rather an Australian film about a 100-ton satellite communications dish parked in a sheep paddock near the small town of Parkes in the rural Down Under. If that sounds boring, it’s anything but...
Yes, I do have an odd taste in movies. But there must be others who can equally enjoy science fiction and action films, animated features, and well-done historical dramas. Only recently I revisited the DVDs of Zulu (the 1964 film with a very young Michael Caine in his first major role), and the first episodes of Shaka Zulu (a late ‘80s mini-series with a riveting performance by Henry Cele as Shaka). The technical quality on Zulu was very good for a DVD (there is a Blu-ray release that has received mixed reports, but I haven’t seen it). The picture quality on Shaka Zulu (1.33:1) is poor, but watchable. Both have mediocre audio at best, but despite their technical limitations are superb.