A/V Veteran

While I have decidedly mixed feelings about big-box consumer electronics retailers getting into the TV calibration game (see the following story on Best Buy, and an earlier story that also touches on Circuit City's calibration promotion) the commercial pull of these giants is already having at least one unanticipated benefit.

It's already a month into 2008, but never too late to make predictions for the coming year or so—predictions of things that probably won't happen in the way we expect. If anything is certain, it's the uncertainty of the future. The volatile world of consumer electronics is no exception.

In the past, I've never actually tried using an ordinary wall as a screen for a video projector. Never really had to. Conventional wisdom states that a good screen is an equal partner with the projector in producing a great image. Or nearly equal, that is, if you're a projector manufacturer and not a screen maker!

Reviewers (who are almost universally inveterate collectors) tend to accumulate more software—videos, LPs, CDs, and soon music and video files, than your average bear. Digital files take up little space, but the others can soon grow to enormous proportions. Not only does this create a storage problem, it also makes it difficult to find that special disc we want to enjoy now. Of course, we all organize our collections in some rational form, don’t we? In a classic line from the (must see) movie High Fidelity, a record store owner is reorganizing his personal LP collection. A friend asks him how he’s doing it: alphabetical, by artist, by label, by genre? His answer: autobiographical.

Somewhere in the dim past I wrote a blog on whether or not you might want to work with a custom installer in designing and building setting up your home theater or media room. In a random search through my computer files (as messy as any physical file system on the planet!) on a different subject I came across it again. It appears to have been written for one of the newsletter in the now defunct Stereophile Guide to Home Theater/Ultimate AV. In the hope that it might be as pertinent now as it was then (given a significant update), here it is again...

And you thought it was already here. It's true that a number of films over the past few years have been digitally projected in a small number of theaters around the world, using primarily DLP technology (and occasionally LCoS). But these presentations have employed a wide range of formats. For example, 30 different release masters were reportedly made for the 30 theaters that showed <I>Van Helsing</I> digitally in 2003. This lack of standardization could never support the massive conversion to digital cinema (and the savings in print distribution costs) that the studios are hoping for.