Badly dubbed dialogue and exaggerated acting make martial-arts movies unintentionally funny (to Westerners, at least). But in Kung Fu Hustle (Sony; Movie ••••, Picture/Sound ••••½, Extras •••• ), director Stephen Chow sets out to grab laughs by mining the genre's clichés.
An edgy update, CHARLIE AND THE CHOCOLATE FACTORY (Warner; Movie •••½, Picture/Sound ••••, Extras ••••) takes several liberties with Roald Dahl's classic book, but it also manages to convey the story's dark humor.
Do clones deserve the same rights as their human progenitors? That's the ethical dilemma that director Michael Bay grapples with in the sci-fi foray The Island (DreamWorks; Movie •••, Picture/Sound ••••½, Extras ••).
David Lean's 1970 epic Ryan's Daughter (Warner; Movie •••½, Picture/Sound ••••, Extras ••••) gets the grand treatment in this two-disc special edition. Sourced from restored 65mm picture elements, the 2.2:1 transfer is consistently crisp, revealing every crag in stone houses.
The New World (New Line; Movie •••½, Picture/Sound ••••, Extras •••), Terrence Malick's film about the fateful collision of English settlers with Native Americans in 1607, is short on dialogue and long on trippy shots of sunlight leaking through virgin forests.
If something scared an audience the first time, it should work again, right? And the third, fourth, and fifth times, yes? Well, House of Wax (Warner; Movie •½, Picture/Sound ••••, Extras ••) steals its title from a Vincent Price vehicle, but it's little more than an amateurish excuse to slice and dice attractive teens.
The greatest kaleidoscopic experience without the benefit of hallucinogens, the terrific six-disc Busby Berkeley Collection (Warner; Movies ••••½, Picture/Sound ••••½, Extras ••••) has five of the choreography genius's best-known works: Gold Diggers of 1933, Footlight Parade (1933), Dames (1934), Gold Diggers of 1935
The Three Burials of Melquiades Estrada (Sony; Movie ••••, Picture/Sound ••••, Extras •••) didn't win any major American awards, but for many who saw the directorial debut of actor Tommy Lee Jones, this beautiful yet unsentimental take on the modern Western was the film to beat in 2005.
One was a gregarious actor who became a cultural icon. The other was an erudite, poetic soul hiding in a sadistic, foul-tempered drunk ... and arguably America's greatest director.
It's amazing how many ways a story can be told. Byron Haskin's 1953 version of THE WAR OF THE WORLDS (Warner; Movie ••••, Picture/Sound ••••, Extras ••••) has a completely different focus and tone than Steven Spielberg's gloomy take on the H. G. Wells fantasy.