Tower Speaker Reviews

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Daniel Kumin  |  Jan 30, 2012

It seems like there have been Paradigm Monitor-series speakers roaming the earth since shortly after Rice and Kellog patented the dynamic loudspeaker as we know it in 1924. (The original practical design was by Peter Jensen, co-founder of Magnavox, some years earlier.) And as the arrival of its “Series 7” might suggest, the Canadian maker’s Monitor family does in fact date back a couple of decades. Like the speakers that preceded them, Paradigm’s new Monitor models are benchmarks of performance/value quotient in the best Canadian-speaker tradition: rationally priced, excellent-performing, technically advanced designs that compete very effectively with some far more costly “high-end” designs.

So what has changed for Series 7? According to Paradigm, the answer is smaller, deeper, broader: The new models are smaller in size (and so more décor-friendly), yet thanks to redesigned waveguides and the adoption of aluminum bass/mid cones and tweeter domes, they offer improved low-frequency extension and smoother, wider off-axis response. In other words, just like before — but more so.

Daniel Kumin  |  Jun 05, 2012

History may one day judge “offshoring” to be the macroeconomic disaster that some pundits would have us believe. Still, you can’t argue that it’s been a microeconomics windfall for American consumers.

Brent Butterworth  |  Jun 24, 2013

Two years ago, SVS changed ownership, and you could say it’s simultaneously a remarkably unchanged yet very different firm. It’s unchanged in that many old hands are still with the company, and the concentration on high-performance home theater products remains.

Michael Fremer  |  Dec 23, 2006

Since veteran Acoustic Research loudspeaker designer Ken Kantor and Chris Byrne founded the company back in 1986, NHT has been tossed around like a corporate football: first to Jensen International in the early 1990's, then to Recoton, and to Rockford Corporation in 2002 following Recoton's failure. Finally, in 2005, Rockford handed it off to Colorado-based Vinci Group.

Michael Fremer  |  Dec 24, 2005

Manufacturers of many types of goods, from mattresses to consumer electronics, sell different products through different distribution channels. One channel might be the big chains like Best Buy and Circuit City. Another might be higher-end, specialty retailers like Harvey's and Tweeter, Etc. Yet another might be custom installers. In fact, some brands, like Triad, are available exclusively through the custom installers. You can't buy them at retail.

Michael Fremer  |  Aug 13, 2006

A decade ago Sonus faber introduced the Concert line, a series of loudspeakers designed to deliver Sonus faber performance and industrial design at a more affordable price point. That's what high-end companies do after establishing a strong reputation at the upper echelon of the marketplace. Once your products become the object of lust, you feed the hungry beast. And make no mistake: early Sonus faber products made waves both for their spectacular looks and their intoxicating sound.

Michael Fremer  |  May 13, 2007

Once upon a time loudspeakers were large, floor standing affairs, especially those designed to produce deep bass. Then came the acoustic suspension revolution and "bookshelf" loudspeakers were born, most of which ended up on stands in homes where sound quality counts. Many manufacturers specialized in one or the other, but a few offered both.

Fred Manteghian  |  Nov 14, 2002

In this case, Thiel isn't a color, it's a lack of color, and nothing impressed me so much during my time with these five Thiel CS1.6 speakers as their colorlessness. One color particularly notable by its absence is green, as in the minimal amount of greenbacks you'll have to peel off your roll—the CS1.6 is one of the more affordable floorstanding speakers in the Thiel line. For only $2390, you can get a pair finished on five sides in a wood veneer, like the beautiful natural-cherry ones I used for the front channels—or, if you want to save a cool grand on a quintet, the $1990/pair matte-black models I put in the rear are all the color you'll need.

Brent Butterworth  |  Aug 27, 2000  |  First Published: Aug 28, 2000
Jaded no more.

I've heard too many speakers. After 10 years of reviewing them, it's hard for me to remember what it was like to be surprised . . . astounded . . . amazed by a really good speaker. However, over the past couple of months, I've gotten a taste of what it was like when I first heard good speakers— when I first experienced broad soundstaging, precise imaging, and a neutral, natural tonal balance.

Shane Buettner  |  Jun 01, 2010
Price: $18,790 At A Glance: Unique design with proprietary components • Seamless topto-bottom coherence • Wide dynamic contrast • See-through transparency and clarity

Defining the Possibilities

Speakers sometimes remind me of cars. The marketing campaigns are built around uniqueness, but in a larger sense, most are far more similar than different. Most cars have combustion engines, four wheels that go around, and options that are more distinguished by the jargon that describes them than by their functionality. These days, many speakers are assembled from materials that are purchased from a handful of well-known source component companies. They often have much more in common with each other than people are led to believe.

Ultimate AV Staff  |  May 25, 2006

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Mark Fleischmann  |  Dec 31, 2006
2.1-channel home theater is more than mere reductionism.

Home theater is the union of big-screen television and surround sound. Those are the two bedrock principles on which this magazine was founded. So, it may seem heretical to even consider modifying that second requirement. After all, the whole notion of home theater has matured in tandem with advances in both video and surround technology.

Shane Buettner  |  Sep 13, 2006
  • Two-Channel System Price: $1,595/pr.
  • Ported two-way with one 5.5" mid/woofer and one 1" "textile" dome tweeter
    HWD: 35" x 6.3" x 9.5"
We know. This is Home Theater magazine for chrissakes! But not everyone we know (or you know) is able or willing to consider a full-on five or seven channel surround system in their space. In addition to that, some people are music lovers first, and to them the tradeoff of owning a single pair of reference quality speakers is trump compared to littering the room with speakers. And hey, you can add a center and surrounds later! Look into our December issue to see if the Totem passes the two-channel challenge!
Steven Stone  |  Jan 06, 2007

When I say, "horn loudspeaker," what do you think of first? Most longtime audiophiles immediately visualize big corner-mounted Klipsch K-Horns or Altec Lansing "Voice of the Theater" speakers. Although horn-mounted technology is not as common today as it was during the golden age of mono in the '40's and '50's, it still exists. The Triad InRoom Platinum speaker system ($29,850 as tested), for example, is very much here and now.

Steve Guttenberg  |  Oct 22, 2005
American beauties.

Flat-screen-friendly speakers, iPod-inspired microspeakers, and adorable HTIBs are selling like crazy, but Vandersteen Audio is immune to such flights of fancy. Their speakers are all plus-size beauties—the company's new VCC-5 Reference center channel measures a healthy 24 inches wide, 9.75 high, and 18 deep. So, sure, it would be a hell of a lot easier to sell a slimmer design, but the company's head honcho, Richard Vandersteen, doesn't play that game. He designs speakers for buyers who care more about sound than fashion. His stuck-in-the-1980s styling isn't a calculated stab at retro—the handsome 1C tower speaker was originally introduced in 1981 as the Model 1, and the "C" iteration debuted in 1996. You see, change for the sake of change isn't an option at Vandersteen Audio, and that extends to bucking the industry stampede to move production offshore. They still build every speaker in Hanford, California, and they test and measure every speaker in their own anechoic chamber. That's commitment.

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