In-Wall Speaker Reviews

Performance
Build Quality
Value

AT A GLANCE
Plus
Zip-Cliq mount for easy install
IPX6 rated for use in high-moisture locations
10-inch woofer
Optional billet aluminum Advanced Grille
Minus
Expensive

THE VERDICT
The overhead fruit of Bang & Olufsen’s partnership with Origin Acoustics combines superior, finessed sound quality with remarkably refined looks for any ceiling.

Although the story of its beginning may sound like it, Bang & Olufsen isn’t one of those up-and-coming startups that briefly create a lot of noise and then are never heard from again. B&O’s is a classic tale, though. Two engineers, Peter Bang and Svend Olufsen, tinkering in the Olufsen family’s attic (not garage) in Struer, Denmark, start building and selling radios. They didn’t do a Kickstarter campaign because, well, it was 1925, and Kickstarter hadn’t been kickstarted yet. The fledgling company’s first “commercially viable” product was the ominous-sounding B&O Eliminator, a device that allowed a radio to run off of AC (alternating current) from a wall outlet instead of DC (direct current) from expensive batteries. This early innovation set the tone for Bang & Olufsen ever since: be innovative, use quality materials, and above all (some would argue), do things your own (e.g., the Bang & Olufsen) way.

Performance
Build Quality
Value

AT A GLANCE
Plus
Tool-free twist-lock mounting
10-inch woofer fits an 8-inch cutout
Aimable tweeter and midrange
Minus
Requires 7.5 inches of mounting depth
Wants lots of power
Raised soundstage

THE VERDICT
No in-ceiling architectural speaker is perfect, but the D108 comes stunningly, spectacularly close.

Love him, hate him, or simply wonder what’s up with all the tattoos, there’s no denying the fact that Jeremy Burkhardt is one of those distinct personalities who has had a profound effect on the custom audio/video industry. Then again, he may be someone you’ve never heard of, unless you’re in the custom installation business. Unlike other notables—such as Polk, Carver, and Bose—Burkhardt isn’t the name of a speaker brand. Nevertheless, if you’ve listened to a set of in-wall or in-ceiling speakers, especially one of the bazillion or more models SpeakerCraft has produced over the past 25 years (including tons built for other brands), you’ve felt—or, rather, heard—Burkhardt’s influence on architectural audio.

Performance
Build Quality
Value

AT A GLANCE
Plus
Installer setup over IP
Options for wide, narrow, and frameless grilles
Six-band parametric EQ
Minus
Installation may be tricky for the uninitiated

THE VERDICT
Extensive tuning capabilities make for true high-end performance at an affordable price.

When it comes to architectural speakers, there are few companies I can think of that do things in a more focused, more insightful, and—most important when it comes to custom installations—more useful way than Triad. The company stands out in another way, too, in that most of Triad’s speakers are built to order in the U.S. (Portland, Oregon, to be specific) and are usually less than two weeks old by the time they arrive at the dealer’s warehouse door.

AT A GLANCE
Plus
Totally invisible installation
Can be covered with paint, wallpaper, or select specialized wall treatments
Good value
250-watt amplifier with low-pass filter
Outstanding build quality
Minus
More involved installation due to drywall finishing
Soft bass compared with traditional subs

THE VERDICT
Not the first choice for sheer sonic impact, but if aesthetics absolutely demand that no subwoofer or grille be visible, the B30G will get the job done.

Stealth Acoustics’ B30G subwoofer system is unlike nearly any other you’ll ever hold in your hands—or install in your walls. While “invisible” speakers are not a new thing, they’re still uncommon or, for most people, totally unheard of. A speaker that’s an integral part of your wall, one that can be painted, covered with wallpaper, or even done up with special wall treatments is such a seductive idea that it’s a wonder it’s not wildly popular as an architectural speaker design.

One of the more interesting things I overheard during this year’s CEDIA Expo in Indianapolis was an offhanded comment that “the sound quality of TVs today is worse than it was with TVs 20 years ago.” Think about that for a minute. A new, George Jetson–style, 50-inch flat-panel HDTV hanging on the wall makes one of those old, 50-inch, three-CRT, rear-projection (analog) TVs look like something even Fred Flintstone would pass on. But put those two sets side by side, close your eyes, and give a good, long listen to a movie, a football game, or even the nightly news running on each one of them. Despite the 20 years of technological “improvements” between them, my highly educated (I am a professional, after all) guess is that most people will pick that hulking behemoth 50-inch console rear-projection TV as the one they’d rather have if sound quality were the only concern.

Beaucoup Bass in a Box

Some days it’s just better not to defy the laws of physics or other important aspects of the universe. Gravity, the speed of light in a vacuum (but not in a Dyson), entropy, and Murphy’s Law are all there for good reasons. As my mother used to say (calmly petting the Schrödinger cat in her lap), “Pick another parallel universe out of the infinity of multiverses if you don’t like it here.”