LATEST ADDITIONS

Fred Manteghian  |  Mar 24, 2007

According to an AFP article at Breitbart.com, <a href="http://www.breitbart.com/article.php?id=070322121539.enwwmbqh&show_artic... target="new">Nielson Tracking</a> reports CD sales for (almost) the first three months of 2007 are down 20% over the same period last year. Only 89 million retail CDs were sold year to date, compared with 112 million sold during the same period in 2006. Downloads of albums were off too, dropping from 119 million to 99 million this year.

Aaron Dalton  |  Mar 23, 2007  |  First Published: Jun 23, 2006
Video: 3
Audio: 3
Extras: 2
Midcentury small-town homemaker Evelyn Ryan keeps her family of 10 kids fed and cared for with prizes from advertising writing contests. Julianne Moore carries the show as the titular prize winner, and Woody Harrelson inhabits his role as a drunken train wreck of a husband to the hilt. But, ultimately, the movie loses steam and becomes repetitive. Harrelson drinks away another paycheck, Moore wins another contest, the kids get to live on the ragged edge of disaster for another week. This harrowing film’s marketing as a “witty and engaging” comedy should be considered seriously false advertising.
Aimee Giron  |  Mar 23, 2007  |  First Published: Jun 23, 2006
Video: 3
Audio: 3
Extras: 3
In a world where one is not allowed to desire anything, Chiyo has secretly wished for just one thing. Fueled by her dream of seeing her beloved chairman again, she is driven to become a geisha, and, in the process, becomes the most sought after one of her time. Memoirs of a Geisha features Ziyi Zhang in her first English-speaking role.
Gary Frisch  |  Mar 23, 2007  |  First Published: Jun 23, 2006
Video: 4
Audio: 3
Extras: 3
What’s Dreamer got that the similarly themed, highly acclaimed Seabiscuit didn’t? How about the emoting of Dakota Fanning, playing the daughter of a distant father and broken-down horse trainer seeking redemption? Combine her heart-melting appeal with a broken-down horse, and you’ve got the family charmer of the year. That sound you hear isn’t galloping—it’s a family bonding.
Adrienne Maxwell  |  Mar 23, 2007  |  First Published: Jun 23, 2006
Video: 4
Audio: 4
Extras: 3
Pixar has spoiled me. Thanks to films like Monsters, Inc. and Finding Nemo, I don’t just want an animated movie to appeal to my inner child—I also expect it to engage me as a grownup. Chicken Little has all of the elements of a good animated feature: The story is fast and fun, the main characters are memorable, the animation is outstanding, and it’s got a high warm-and-fuzzy quotient. It just lacks that intangible quality that will inspire the same loyalty and repeat viewings in pre- and postpubescents.
Mike Prince  |  Mar 23, 2007  |  First Published: Jun 23, 2006
Video: 4
Audio: 3
Extras: 2
The Dying Gaul is an interesting little movie, written and directed by playwright Craig Lucas, in his feature-film debut. It tells the story of Robert (Peter Sarsgaard), a gay screenwriter who’s just sold his extremely personal script “The Dying Gaul” to studio executive Jeffrey Tishop (Campbell Scott). Jeffrey is married to Elaine (the always lovely Patricia Clarkson) but desires Robert, and they begin an affair. Elaine finds out, and soon deception and betrayal are afoot among the three, with Elaine pretending to be Robert’s recently deceased lover, whom his script is based on. The actors are all very good, if the story is a bit strange and the ending a tad unsatisfying.
Krissy Rushing  |  Mar 23, 2007  |  First Published: Jun 23, 2006
Video: 3
Audio: 3
Extras: 3
Viewing audiences and critics generally dismissed Jarhead when it rolled into theaters last year. That was a mistake—it’s one of the better unconventional war films ever made. This subgenre is championed by masterpieces such as Full Metal Jacket, Dr. Strangelove, and Apocalypse Now. These flicks actually explore the essence of war and its inevitable impact on the core of humanity. Jarhead measures up to the best of them specifically because the purported negatives critics hurled at it (cold, distant) is exactly the reason why it is great.
Adrienne Maxwell  |  Mar 23, 2007  |  First Published: Jun 23, 2006
Video: 4
Audio: 5
Extras: 5
As I watched The Lion, the Witch and the Wardrobe and made my way through the new Special Two-Disc Collector’s Edition DVD, there was something so familiar about it all. Maybe it was the fact that I’ve read C.S. Lewis’ book several times in my life, and director Andrew Adamson (Shrek) wisely chose to remain faithful to the original story, fleshing out certain details but never embellishing. Maybe it’s the archetypal good-versus-evil theme or perhaps the Christ allegory: A powerful but gentle hero chooses to sacrifice himself to fulfill the law and save others. Or maybe it was just so darn similar to The Lord of the Rings in its themes, music, locales, special-effects artistry, and even its DVD packaging.
Mark Fleischmann  |  Mar 23, 2007
What's the latest cinematic sensation? The New York Metropolitan Opera! The Met struck a deal with exhibitor chain National CineMedia for high-def theatrical telecasts of six operas. The first four--The Magic Flute, I Puritani, The First Emperor, and Eugene Onegin--sold out 48 of 60 houses, making Mozart, Tan Dun, Bellini, and Tchaikovsky more popular than Prince, Bon Jovi, and The Who. The fact that people are paying $18 per ticket, versus $10 for rock acts, brings even wider smiles to exhibitors. Next up are The Barber of Seville (Rossini) and Il Trittico (Puccini, set model by Douglas W. Schmidt pictured). While the telecasts have prospered in big cities like Los Angeles, Chicago, Boston, Miami, and Washington, they're also drawing crowds in smaller markets including Huntsville, Alabama; Pueblo, Colorado; Boise, Idaho; and Dayton, Ohio. The Met will continue its longstanding Saturday-afternoon FM radio and more recent Sirius broadcasts. Its public-TV exposure had dwindled in recent years due to union pressures, but thanks to a new profit-sharing plan with the unions, the same half-dozen productions listed above will air on public TV, in HD, with Dolby Digital 5.1 surround. There is, however, a window between theater and television. So if you just cannot wait for Rossini--or just like the social ritual of enjoying opera in the presence of fellow music lovers--check your local theater listings.
Shane Buettner  |  Mar 22, 2007  |  First Published: Mar 23, 2007

The first bitter disappointment associated with moving into my new home and reconfiguring my AV system came to fruition earlier this week when it was discovered that I can no longer use DirecTV as my source of TV and HDTV programming. While the southern exposure at my new place is good, a beautiful little patch of fir trees across the street blocks one of the satellites critical for HD programming. Looks like Comcast is the only game in town for me now. Ugh. Can't say I'm looking forward to it. Let me tell you why.

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