I would like to set up a conference room with audio/video capabilities. I am planning to use a 7.1 A/V receiver for audio and InFocus 5124 LCD projector for video. This would be used for training and presentations as well as watching an occasional ball game or movie.
Ideally, a presenter would be able to use the A/V system for a slide show from a computer (potentially with a sound track) and talk over it with a wireless microphone. However, most receivers only allow a single input source to be selected. I have not been able to find an A/V receiver that would let me mix a microphone with the 7.1 sound system and watch a slide show from a computer video input. Do you have any suggestions?
Price: $4,250 (updated 3/10/15) At A Glance: Superb sound on both music and movies • Wide, deep soundstage • Outstanding value
Cue the Qs
KEF’s Q Series, improved over multiple generations since 1994, has long been the British speaker company’s bread-and-butter line. The new Qs, which began shipping earlier this year, were designed in the U.K. and are manufactured in China.
Video: 5/5
Audio: 3.5/5
Extras: 2.5/5 Bobby Walker is living the proverbial American dream: great job, beautiful family, shiny Porsche in the garage. When corporate downsizing leaves him and co-workers Phil Woodward and Gene McClary jobless, the three men are forced to re-define their lives as men, husbands and fathers. Bobby soon finds himself enduring enthusiastic life coaching, a job building houses for his brother-in-law that does not play to his executive skill set, and perhaps - the realization that there is more to life than chasing the bigger, better deal.
Video: 4.5/5
Audio: 4.5/5
Extras: 3.5/5 "True Grit" is a powerful story of vengeance and valor set in an unforgiving and unpredictable frontier where justice is simple and mercy is rare. Mattie Ross, is determined to avenge her father's blood by capturing Tom Chaney, the man who shot and killed him for two pieces of gold. Just fourteen, she enlists the help of Rooster Cogburn, a one-eyed, trigger-happy U.S. Marshall with an affinity for drinking and hardened Texas Ranger LaBoeuf to track the fleeing Chaney. Despite their differences, their ruthless determination leads them on a perilous adventure that can only have one outcome: retribution.
John Smith (Alex Pettyfer) is an extraordinary teen masking his true identify to elude a deadly enemy sent to destroy him. Living with his guardian (Timothy Olyphant) in a small town, John encounters life-changing events such as his first love (Dianna Agron), powerful new abilities, and a secret connection to the others who share his destiny.
With a decent premise to build upon I thought Disney/Dreamworks had the possibility of a new teen franchise on their hands, but boy was I wrong. The paper-thin plot is predictable and bland, the acting is atrocious (especially the two teen leads), and I couldn't help feeling that I was watching the movie of the week versus a feature film.
We couldn't quite believe this when we read it. But apparently it's true: Movie theaters are leaving 3D equipment in place when showing 2D films. The result, says The Boston Globe, is an image with a fraction of the proper brightness.
Reports the paper: "A walk through the AMC Loews Boston Common on Tremont Street one evening in mid-April illustrates the problem: gloomy, underlit images on eight of the multiplex's 19 screens...."
Video: 4.5/5
Audio: 4/5
Extras: 3/5 Caught up in a feud between neighbors; Gnomeo and Juliet must overcome as many obstacles as their namesakes. But with flamboyant pink flamingoes and epic lawnmower races, can this young couple find lasting happiness?
During our visit to DreamWorks Animation for the Samsung reviewers' workshop, we weren't allowed to take photos inside any of the buildings (except the motion-capture stage where the event was held), but we were free to take pictures of the grounds. Here are a few of my shots to give you an idea of just how idyllic the place is.
I've always used the Spears and Munsil High Definition Benchmark Blu-ray disc to set up my TVs, and I find that there are many ways to skin a cat as far as settings are concerned. For example, I get the same result if I set contrast to 87 and backlight to 33 or brightness to 67 and backlight to 22. Is there any real difference as long as the result on screen meets the suggested result on the Spears and Munsil disc?
In a related question, does it make a difference in the cadence tests to use the deinterlacing of the TV versus the AVR ?