Lipinski Sound had an audio/video system consisting of five of its L-707 monitor speakers ($2495 each), five L-301 Lipinski amplifiers ($2995 each, set up in 2-channel, 300Wpc mode for bi-amping each L-707 speaker, but also bridgeable), and four L-240 Powered Stands ($595 each), each of them (apart from the center) designed to house one of the L-301 amps. This placed the amplification just a little over a foot from its associated speaker. The total cost of the power amp/speaker combination: $35,035. Building the amps into the speaker stands is a great idea that more manufacturers might want to consider.
Tom Norton | May 11, 2007 | First Published: May 12, 2007
Freddie G. beat me to the punch on the new Krell speakers, but they're worth a few extra words. At $35,000/pair the Modulare Duos are hardly cheap, but Krell's charter has always been cutting edge design, not designing to a price point. Based on the sound I heard from their two-channel setup in a relatively large demo room (plenty big enough for a home theater demo—helpful hint for next year!?) they are definitely cutting edge. I'm sure the Krell electronics used to drive them weren't hurting the overall result, either. Their pricey Scandinavian drivers and solid aluminum enclosures might just have been making the best sound I will hear at the show, though it's still too early to go that far. A lot of rooms are yet to be visited.
Tom Norton | May 11, 2007 | First Published: May 12, 2007
Aperion Audio, which like Outlaw sells through the Internet, is demonstrating two surround sound systems at very attractive price points. One of them is built around the Intimus 533-T speaker that just recently received a positive review in <I>Stereophile</I>. The Intimus 633-T tower speaker anchors the other system. The larger system will soon be receiving a new review in <I>Ultimate AV</I>. So it was no surprise to me that it offers great value for money. The setup being reviewed, the Intimus 633 Concert HD, normally sells for $2690, and is slightly less on a show special.
Tom Norton | May 11, 2007 | First Published: May 12, 2007
One of the interesting new features of this year's show is a variety of workshops, many of them to be presented more than once throughout the show. There are workshops on amplifier measurements, amplifier listening, speaker auditioning, speaker measurements, the peak power demands of music, and active loudspeakers. The Stereophile Analog Clinic also continues, as in past shows.
Tom Norton | May 11, 2007 | First Published: May 12, 2007
One well-attended seminar on Friday (presented once only) covered the listening room and its effect on the system. Chaired by Richard Bird of Rives Audio, it offered advice from four experts on room design and acoustic treatment. While much of the information will be old news to long-time audiophiles, the advice presented new listeners with a heads-up on the importance of the room.
The picture doesn't do it justice, but Logitech's $299 Squeezebox wins the prize here for the coolest looking display on a product. You can pick other display layouts, but the one with the digitally simulated analog VU meters dancing back and forth warms my cockles. (And let me tell you, they've been pretty cold lately...) The fact that it's a great device to use to propagate digital music throughout the house doesn't hurt, either. The $2,000 Transporter (the Squeezebox's audiophile big brother) was in the next room, but I was afraid to get too close for fear I'd like it too much and have to buy one.
See? I told you that the Sony Qualia rear pro in Outlaw's second room looked good. If this guy liked this picture any more, Outlaw wouldn have had to wipe the nose prints off the screen!
Ever have a neighbor dog's that just keeps coming back over to your house, and acts like he lives there? And if you put him outside, he just stays on the porch until you give up and let him back in? Well, demo disc of yesteryear, <I>Vertical Limit</I> is back at our collective AV house. This time as a Blu-ray Disc spun by Outlaw Audio at HE 2007, which TJN wrote about below. Badder, and louder than ever, and still plain bad as a movie.
Andrew Lipinski makes last-minute adjustments to a surround system based on the L-707 stand-mount horned speaker with amplification built into the stand. It sounded big and transparent, with effortless bass, and for $35,035 it had better be. The company will soon replace another manufacturer's external sub amp with its own.
Le Sphère from Cabasse was warm and natural with the sweet midrange of choral music and most impressive with the deep pitches of pipe organ. Bel Canto electronics clearly helped. Still, I couldn't get over the feeling of being watched. Pricing not announced; expect something stratospheric.