LATEST ADDITIONS

Josef Krebs  |  Jul 16, 2015
Picture
Sound
Extras
Written and directed by silly-but-serious cynical genius Preston Sturges, Sullivan’s Travels starts out with a dark and gloomy film-within-a-film showing two figures battling on a train crossing a bridge, symbolizing labor grappling with management to their mutual destruction. But as soon as we get out of the screening room, things lighten up both visually and in mood, the movie becoming a bright, witty slapstick satire on Hollywood and a pretentious, self-important director, Sullivan (Joel McCrea). This auteur wants to make a sociologically and artistically meritorious picture with messages about grim death, war, and the suffering of the unemployed during The Great Depression but, coming from a privileged background, he knows nothing about trouble. So he decides to go looking for it by dressing as a hobo and drifting across America.
Fred Kaplan  |  Jul 16, 2015
Picture
Sound
Extras
Are you curious? Really? OK then. Yes, Fifty Shades of Grey is a lousy movie, every bit the stinker that you probably expect: dull dialogue, vapid characters, no chemistry either from or between the actors. Here’s what you really want to know: Is the movie hot? Is it at least a little bit funny? And (since you are reading Sound & Vision) how does the Blu-ray Disc look and sound? Here’s the skinny, in that order. The actors who play Christian Grey and Anastasia Steele (the most improbably famous S&M couple on the planet) are very attractive; Dakota Johnson, as Ana, is hot; but their sex is pretty tame soft porn, even by Cinemax standards. (Showtime’s Masters of Sex is way sexier.)
SV Staff  |  Jul 16, 2015
Venture Beat magazine has reported that Samsung and Skybound Entertainment have started production on the first virtual reality movie made for Samsung’s $200 Gear VR headset.
SV Staff  |  Jul 15, 2015
Klipsch today announced the addition of two Atmos-ready speakers to its recently updated Reference Premiere series of speakers.
Mike Mettler  |  Jul 15, 2015
Leave it to Dave Edmunds to always want to take things a little bit left of center. “I’ve never liked listening to albums, and I’ve never liked making them,” admits the Welsh-born guitarist and producer known for his modern rockabilly sensibilities (see Rockpile’s Seconds of Pleasure and solo hits like “Slipping Away” and “Girls Talk”). “I’m a singles guy; always have been.” That said, Edmunds agrees he found the right album-length formula for the 15 songs he compiled for 2013’s …Again (RPM), but he decided to shift gears for the just-released all-instrumental On Guitar… Dave Edmunds: Rags & Classics (RPM). “The album tracks are pretty similar to the originals, but you’re shocked when a guitar comes in instead of a vocal,” he explains. I called Edmunds, 71, across the Pond to Wales to discuss the one-man-band approach to Rags & Classics, delve further into his stark view on loving singles vs. LPs, and find out what he thinks the two best-sounding songs of the rock era are. Subtle as a flying mallet, indeed.
Barb Gonzalez  |  Jul 15, 2015

Performance
Features
Ergonomics
Value
PRICE $180

AT A GLANCE
Plus
Speaker and remote respond to plain English
Voice control initiates music, weather, traffic, and more
Voice-command access to music by artist, song, or radio station
Shopping list and reminders transfer to companion mobile app
Minus
Best used with Amazon Prime membership
Tendency to push Amazon products

THE VERDICT
The most useful gadget since the invention of the remote control.

When Amazon first made the Echo available to a limited number of Amazon Prime users, it seemed like a novelty device possibly destined to end up in the Land of Forgotten Gadgets. Instead, this voice-controlled Bluetooth speaker has become the device I wouldn’t want to live without.

Daniel Kumin  |  Jul 14, 2015

T3 Speaker System
Performance
Build Quality
Value
SubSeries 300 Subwoofer
Performance
Features
Build Quality
Value
PRICE $11,855

AT A GLANCE
Plus
Reference-class sound reproduction
Near-perfect center- channel matching
Versatile dipole/bipole/double-monopole surrounds
Excellent finish quality
A bargain—for high-end speakers
Minus
Surround-mode change requires rewiring
Cheap for high end—but not cheap

THE VERDICT
A superb loudspeaker system from top to bottom—surely one of the best affordable high-end options available.

When you hook up a PSB speaker—pretty much any PSB speaker—you have a very good idea of what you’re going to get. To wit: balanced octave-to-octave response that fits a tight decibel window from the design’s lower limit to its upper; off-axis curves that are similarly smooth and “well bundled,” rolling off higher frequencies progressively at more extreme angles but without sudden discontinuities; impressive-for-size low-end extension without any enhanced, bass-sweetening pre-rolloff response hump; a reasonably unchallenging impedance curve for easy-to-drive amp-friendliness, and coherent, strong stereo imaging promulgated by carefully derived driver locations and spacings and by a diffraction-free cabinet design.

John Sciacca  |  Jul 14, 2015
I’ve been fortunate enough to watch nearly every Dolby Atmos encoded Blu-ray disc that has been released so far. While some of the movies are terrific (Gravity) others are more just things you suffer through (Jupiter Ascending). To save you some time trying to find the best scenes to demo, I’m gonna pinpoint each film’s marquee Atmos audio moment! (Some spoilers ahead…)

Ken C. Pohlmann  |  Jul 14, 2015
If you have a home theater, it's easy to see that commercial movie theaters are both your friends, and your enemies. On one hand, without them and the billions of dollars they generate, movie studios would never spend the hundreds of millions of dollars required to make a movie. We owe the content we watch at home to the commercial theaters. On the other hand, adversarially, these theaters get first dibs on all content, and we must impatiently wait for home media to eventually appear. Don't like waiting? Well, if things work out, you soon might be able to cut in line.

Bob Ankosko  |  Jul 13, 2015
In early April—a full nine months after Dolby Atmos had its coming out party in New York—DTS officially announced DTS:X, an “object-based, multi-dimensional audio technology” for commercial cinema and home theater. We spoke with Dave Casey, senior director of program management for DTS:X to learn more about the new format and find out how it differs from Atmos.

Pages

X