George Lucas had a dream of becoming a professional race car driver, but thankfully for the millions of Star Wars fans, he didn't perish in a horrific car accident after his high school graduation. Looking for a new passion, Lucas attended the film school at USC, won a scholarship to observe the making Francis Ford Coppola's Finian's Rainbow, and the pair eventually formed their own studio, American Zoetrope. Their first film was a feature-length version of Lucas's student film THX 1138, but Lucas eventually formed his own studio, Lucasfilm Ltd., and made American Graffiti, which went on to win one Golden Globe and garner five Oscar nominations.
Shortly thereafter, he began working on his next project that turned the small independent filmmaker from Northern California into a Hollywood legend. By luck (or fate) Lucas traded his guaranteed director's salary for a 40% share of the box office and all the merchandising rights (t-shirts, toys, etc.) in order to get Star Wars produced. The rest, as they say, is history.
For many years, the mantra in hi-fi design was "bigger is better." Your system didn't measure up unless you had a lofty stack of electronics and your speakers were tall enough to be called towers. Today, the reverse is true. It's a post-iPod world, where smaller is cooler. The iPod also advanced the notion that electronics don't have to be complicated; convenience is the new norm.
2D Performance 3D Performance Features Ergonomics Value
Price: $5,500 At A Glance: Bright, punchy images • Good (though not highly accurate) color • Middling black level and contrast
Many of us here at Home Theater are big on 3D, but a lot of front-projection fans have been holding off. Until recently, their only options in the $5,000 3D projector market were two identical JVC models (sold either through that company’s pro or consumer distribution channels).
It’s a long-held myth that the average human being can access only about 10 percent of their brain capacity at any given time. For me, it happens to be true, and that’s on a good day, but I digress. Now imagine if you could take a pill that would give you complete and total brain function. The possibilities would be, well, limitless.
This is a drug that’s so new it doesn’t even have a street name yet. This is life on fast forward, it’s David Fincher on acid, and it’s one hell of a ride. When the effect wears off, though, it’s straight back to Stupidville, and you’re royally screwed if your supply runs out. Bradley Cooper is the washed-up writer who happens upon the drug in a chance meeting, and his life takes some very drastic turns—for better and worse.
Netflix announced this week that they were splitting their business, DVD/BD rentals on one side, streaming on the other.
By all accounts, this seems like a perfectly crafted way to auger the company into the ground. Everyone hates it, customers are fleeing, there's no way it can work.
Laurie Fincham, senior vice president of audio research and development at THX, talks about the difference between live and reproduced music, the importance of exposing consumers to high-quality audio, THX's new analog power amp design that rivals switching amps in efficiency and small size, the theory and application of speaker line arrays, answers to chat-room questions, and more.
Price: $3,350 At A Glance: 90-by-60-degree Tractrix horn • Extremely focused imaging • More decibels for your watts
The story of Klipsch is often told, but the storytellers, myself included, typically fail to mention two of the three key principals. Every audiophile has heard of Paul W. Klipsch. He founded the loudspeaker company that bears his name in 1946 and spent several decades patiently perfecting his use of horn-loaded drivers to provide—and here I’ll just quote the Klipsch mantras—high efficiency, low distortion, controlled directivity, and flat frequency response. Paul was also known to take notes during sermons so that he could grill the minister afterward on the fine points of theology.
Price: $1,750 At A Glance: HVFR folded diaphragm tweeter • Dual woofers in slim enclosure • High sensitivity
There are no second acts in American lives,” F. Scott Fitzgerald gloomily mused. Don’t tell that to Sandy Gross. Having cofounded Polk Audio and Definitive Technology, he has recently formed a third Baltimore-based loudspeaker company called GoldenEar Technology. I’ve asked Gross more than once why he’s launched a third speaker brand when the first two have left him at a pinnacle of material success. He always starts his reply with a broad smile that says it all.