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Digital-cinema consultant David Reisner discusses the transition from film to d-cinema and the differences between them, such as resolution, colorimetry, cameras, production, and delivery as well as the creation of the Standard Evaluation Material (StEM) and Camera Assesment Series (CAS) of images, which are used to verify the performance of d-cinema projectors and help filmmakers select the right digital camera for each project, respectively.

Run Time: 56:00

Click below to see some graphics from the show and a list of scenes from various movies that David uses as test material.

A couple of weeks ago we mused on the qualitative audio experience offered by Blu-ray, and whether our friends family and neighbors know or care what they’re missing with the lossy audio options available from streaming applications. Today, I want to get your lively thoughts on the video quality of streaming applications. Before Netflix, Apple TV or Vudu we’d been preaching that not all high-definition content is created equal. The high bitrates and advanced compression used on Blu-ray is superior on large screens to critical viewers. It’s the gold standard. While I’ve not found the video quality of streams from Cable on-demand, Netflix or Apple TV to be impressive my question is whether you have? Do you find that the difference in video quality between streaming and Blu-ray is definitive on your video setup? What about your friends and family? When they come over and see Blu-ray on your system do they seem interested in going Blu? Or if they notice, do they shrug, and not want to spend the money on a player and discs? Or are there other barriers?

Are you bothered by TV commercials that seem louder than the program in which they are embedded? If so, you're not alone—the Federal Communication Commission (FCC) has received millions of consumer complaints about this, and in a rare moment of bipartisanship, the US House of Representatives passed the Commercial Advertisement Loudness Mitigation (CALM) Act last Thursday, following the Senate's unanimous passage in October. According to the reports I've read, this legislation empowers the FCC to require broadcasters to adopt industry technology—which Dolby has been working on for the last decade—that modulates sound levels and prevents overly loud commercials within one year.