I spent some time in the Lipinski / JVC room. Lukas Lipinski showed us a more stylized version of the L-707 speakers on custom stands that include stereo amps (either bridged and biwired or not-bridged and biamped – we're still a little confused). Tom Norton goes into more detail in his coverage below, so I won't repeat it here. Suffice to say, the sound from these speakers was, once again, very good, if a bit too loud.
Admittedly, this show is still very much Stereophile oriented, meaning more two-channel and less TVs and surround sound. So, what does a UAV reporter do? He walks around and listens to stereos like this one, loaded with ultra expensive and strangely pretty MBL gear. And yes, this gear has a sound that's as unique as its looks, with massive scale and dynamic swing.
I guess when you've been lauded in the pages of Stereophile you're not intimidated rolling into the HE Show with a network digital media server. You know, the kind of thing that plays the "M" word.
I asked the folks at Usher if their Be-718 monitor, sold for $2500/pair, would be available in odd-numbered surround configurations like five or seven. "What a great idea!" they enthused archly. Much hard work went into tuning the beryllium-oxide tweeter from which the speaker gets its name. It will ship soon with complementary center and sub. And at 87-88dB sensitivity, the system should run well with a good receiver.
Sometimes the secret to a great speaker is in the stand. The folks at CT-based Proclaim Audioworks say their spherical speakers (not shown) boast their best time-domain response when you arrange them on this versatile stand so that the output of each driver hits "the tip of your nose" at the same time. Pricing is $25,999 for, uh, a speaker or two or five.
Swedish patriots used Crown Princess Madeleine to lure showgoers into their demo room. Inside I found the QM-10 studio monitor which is expected to sell for $1850/pair starting soon and can of course be bought in a surround configuration with forthcoming sub. No, subs. The company thinks a system fit for a princess should have somewhere between two and four of them. Subs, that is, though the little monitors had an impressive amount of bass by themselves.
HP was not only here, it brought more than laptops to the booth. On the left are two 1080p LCDs, the 42" LC4276N and the 47" LC4776N. Both have three HDMI inputs, and a bevy of other impressive features. but the prices are total mainstream: the LC4276N is $1,899 with the LC4776N tipping the scales at just $2,499. We've liked what we've seen from HP's plasmas, so you can bet we're going to get a look at one of these LCDs.
Four terrified pillows huddle on a windowsill as three-inch-thick speaker cables from Magnan swarm on the floor. The nearby Gershman speakers are acting dignified and trying to ignore the reptile mating dance. It all sounded fab.
Lipinski Sound had an audio/video system consisting of five of its L-707 monitor speakers ($2495 each), five L-301 Lipinski amplifiers ($2995 each, set up in 2-channel, 300Wpc mode for bi-amping each L-707 speaker, but also bridgeable), and four L-240 Powered Stands ($595 each), each of them (apart from the center) designed to house one of the L-301 amps. This placed the amplification just a little over a foot from its associated speaker. The total cost of the power amp/speaker combination: $35,035. Building the amps into the speaker stands is a great idea that more manufacturers might want to consider.