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Scott Wilkinson  |  May 10, 2011
I just listened to episode 63 of your Home Theater Geeks podcast and heard that 3D may be making a move to 48 or 60 frames per second. Am I correct that this is a problem for Blu-ray because it cannot accommodate this higher frame rate? Does this mean we will soon see a new disc format?

Charlie Raskob

Michael Berk  |  May 10, 2011

Big news from the Pink Floyd camp today (a new site with full info should be relaunching today, so check back over the course of the afternoon).

Michael Berk  |  May 10, 2011

Following yesterday's YouTube announcement, Google should have even more big news today - the Google I/O developer conference kicks off today at noon, with the license-free

Mark Fleischmann  |  May 10, 2011
Netflix, previously the bane of content owners, is now wearing a halo of approval. What changed? Netflix is now willing to part with more of its burgeoning revenue for content acquisition.

One notable example is Time Warner, whose CEO Jeff Bewkes once referred to Netflix as the Albanian army. As in: "Is the Albanian army going to take over the world?" Then Netflix paid Time Warner $200,000 per episode for 100 episodes of Nip/Tuck. Now Bewkes refers to Netflix with "fondness."

Scott Wilkinson  |  May 09, 2011
Last Friday, video guru Joe Kane visited Grayscale Studio, where Tom Norton and I conduct most of our display reviews, to show us his latest test patterns, which are designed for 3D displays. The images were generated by a VideoForge test-pattern generator from Audio Video Foundry and sent to an Accell HDMI switcher/splitter, which fed two flat panels—a Samsung UN55D8000 with active glasses and LG 55LW5600, which uses passive glasses. (Interestingly, the Accell switcher/splitter can pass 3D from the VideoForge, but not from a 3D Blu-ray player.) The results of these tests were very interesting, to say the least.
Michael Berk  |  May 09, 2011

Following up on a post earlier today by YouTube head Salar Kamangar, the company formally announced the launch of its movie

Michael Berk  |  May 09, 2011

Samsung today unveiled the biggest 3D set to come to market (that's just the Korean market for now) thus far.

Scott Wilkinson  |  May 09, 2011
Other than auto-calibration, what's the difference between "traditional" EQ units like those from DBX and Rane and systems like Audyssey?

Theo Nicolakis

Michael J. Nelson  |  May 09, 2011
Sometimes, despite taking great pains to avoid it, one finds oneself having to go to the Internet for information. An inconvenience, to be sure, especially if one is trying to limit one’s exposure to ads for home mortgages that feature photos of hideously ugly deformed men, the kind you expect to see under freeway overpasses sitting in a shopping cart filled with rags and using a Ralphs Rewards card to eat generic franks and beans from a dented can. But if it’s trivia about Sid and Marty Krofft’s H.R. Pufnstuf you’re after (and I assume that represents more than 80 percent of Internet traffic), then you can be on and off in relatively short order and with a minimum of bother. (Oh, and I’ll spare you the searching. Yes, it’s drug inspired. And no, the Magic Flute was not killed in action in Vietnam.)
David Vaughn  |  May 09, 2011
Meeting in camp as teenagers, Adam (Ashton Kutcher) and Emma (Natalie Portman) almost had a hook-up, but Adam's advances were repelled at the time. Fifteen years later, the two meet again but with Emma's busy schedule as a resident doctor, she doesn't have time for a relationship. In lieu of that, she proposes that she and Adam become sex buddies with no strings attached.

Portman is one of my favorite female stars in Hollywood and I had high hopes for this one. Wow, what a disappointment, but I shouldn't be surprised when Kutcher's name is on the cover. How does he keep getting roles? He can't act worth a damn and virtually every project he's involved with stinks. The screenplay had some potential, but it drags way too much and the only reason to watch it is to see Portman romping around half-naked.

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