LATEST ADDITIONS

Michael Berk  |  Apr 16, 2012

Today we take a look at some more fallout from the personal listening explosion, with an assist from the vinyl revival and the continuing rise of electronic music. Visit a headphone retailer these days, you'll find a lot of models meant, supposedly, for the professional DJ - or at least meant to make the casual listener look like they might be the sort of person who spends a lot of time at the decks.

Brent Butterworth  |  Apr 16, 2012

Many audio manufacturers have addressed the changes that room acoustics afflict on our sound systems. But until a week ago, I knew of no audio manufacturers who’ve addressed the changes that our hearing causes on sound.

Scott Wilkinson  |  Apr 16, 2012
Are there any current or upcoming LCD, plasma, or OLED flat-panel TVs with a two-tuner picture-in-picture feature? Several years ago, many manufacturers offered this feature, but it seems to have disappeared. I do not choose to purchase another tuner device to obtain a PIP image.

A. Craigson

Scott Wilkinson  |  Apr 13, 2012
As I discuss in my blog this week, I just saw the new 3D conversion of Titanic. I enjoyed it more than I thought I would—and way more than the recent Star Wars Episode I conversion. I suspect this is largely due to the fact that writer/director James Cameron is a 3D fanatic, so he was bound to do it right.

How do you feel about converting existing 2D movies to 3D (assuming it's done well)? Is it worthwhile? If so, what movies would you like to see converted? Or do you think this is an abomination and all existing movies should be left alone?

Vote to see the results and leave a comment about your choice.

Is 3D Conversion of Existing Movies Worthwhile?
Scott Wilkinson  |  Apr 13, 2012
Last night, I saw Titanic in its new 3D release at an AMC ETX (Enhanced Theater eXperience) venue. Using two projectors and RealD passive glasses, the image was brighter than single-projector RealD and way brighter than Arclight's Xpand active-glasses system. So how was the 3D conversion?
Steve Guttenberg  |  Apr 13, 2012
LPs and 45-rpm singles remained the unchallenged music formats throughout the 1950s, 1960s, and well into the 1970s when the Compact Cassette really took off. Cassettes were more portable and didn’t suffer from scratches and surface noise issues (but tape hiss could be a problem). The cassette was also the first recordable format to garner a bona-fide, mass-market foothold.
Mark Fleischmann  |  Apr 13, 2012

Performance
Build Quality
Value
Price: $1,745 At A Glance: Sealed design controls bass • Satin-finish MDF enclosures • Factory-direct sales enhance value

Are you one of those people who can’t resist a supermarket circular? Do you trawl the Internet looking for coupon codes that can be pasted into online purchases? Loudspeaker pricing doesn’t often indulge us with the same feeling of satisfaction that we get from buying a jumbo jar of marinara sauce or a cashmere scarf at an extremely low price. But while researching this review last December, I couldn’t help noting that Emotiva’s factory-direct speakers offered some wiggle room to the timely shopper. The XRC-5.2 LCR speaker normally sold for $299/each—not a bad price to begin with—but was momentarily going for an introductory price of $239/each.

Geoffrey Morrison  |  Apr 13, 2012

If you haven’t listened to the brilliant Sound+Vision Radio program, you’re missing out. I say “brilliant” not in a self-serving, egomaniacal way.

Wait, of course that’s why I’m mentioning it. But don’t let my ego prevent you from enjoying the witty banter and in-depth discussions of all things A/V, music, movies and more.

Links to local affiliates where you can hear us, plus podcast links and such, after the jump.

Leslie Shapiro  |  Apr 12, 2012

We can bemoan the demise of audio quality all we want, but the truth is that good quality audio has always been at our fingertips. If our digital files have sounded bad, it's because we (and we're talking consumers and manufacturers) have been too stingy with our storage capacities. Wanting to cram as much music onto our devices as possible, regardless of how badly the signal had to be degraded to get it all in there, we ended up accepting things like 128 kbps MP3 files as passable. But our beloved iPods and iPhones have had the ability to store lossless and high bit-rate audio from the very beginning, as purists have known all along. You just need a way to get your high-quality files out of those little boxes.

Leslie Shapiro  |  Apr 12, 2012

We can bemoan the demise of audio quality all we want, but the truth is that good quality audio has always been at our fingertips. If our digital files have sounded bad, it’s because we (and we’re talking consumers and manufacturers) have been too stingy with our storage capacities. Wanting to cram as much music onto our devices as possible, regardless of how badly the signal had to be degraded to get it all in there, we ended up accepting things like 128 kbps MP3 files as passable. But our beloved iPods and iPhones have had the ability to store lossless and high bit-rate audio from the very beginning, as purists have known all along. You just need a way to get your high-quality files out of those little boxes.

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