HDTV Tech

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Michael Antonoff  |  Apr 04, 2013  |  0 comments
When the technical specifications of a new but humdrum TV fail to come up to snuff, the model almost certainly will be priced less than the one with better resolution, faster processing, more connections, and so on. Whether it’s manufacturer or retailer, nobody interested in making a buck will promote the TV as “nothing special”—even if that’s exactly what it is. Sellers will likely spin the spec as “great value.” But not always.
Geoffrey Morrison  |  Mar 16, 2013  |  1 comments

I occasionally peruse Internet A/V forums to see what the techier web denizens have to say about the latest news and reviews.

One thing I've noticed a lot of lately, especially after our big projector 3fer, is a fixation on black level, with no mention or thought about contrast ratio.

This is a big deal, as black level without contrast ratio can result in some pretty terrible picture quality.

Ken C. Pohlmann  |  Oct 24, 2012  |  1 comments

“What’s in a name? That which we call a rose. By any other name would smell as sweet.”

Quick! Name the play! It’s Romeo and Juliet, of course. And it’s certainly one of Bill Shakespeare’s best lines, particularly in the way it encapsulates Juliet’s whole Montague/Capulet dilemma.

Rob Sabin  |  Oct 19, 2012  |  1 comments
Looking for that perfect big-screen TV? Before you hit the stores, here’s everything you need to know in a quick-read format. Visit our How To Shop page for tips on shopping for Speakers, A/V Receivers, Blu-ray Players and more.
Geoffrey Morrison  |  Feb 03, 2012  |  0 comments

Did you read that headline in Seinfeld's voice? While contrast ratio, black level, and light output all rightly occupy the top of the list of specs one considers when purchasing a new display, color is often completely overlooked.

Good color reproduction usually won't make or break a display, but it can make one that's good into one that's great.

Yet for all its importance, it's rarely understood - and it's regularly done wrong.

Rob Sabin  |  Jan 31, 2012  |  3 comments
If you've got your heart set on a new big-screen for the big game, you're in luck. The days leading up to Super Bowl Sunday are the traditional last, best chance for retailers to dump their remaining inventory before new models hit shelves in the spring. The competition is as fierce among stores this week as it will be on the field this weekend. But your primary TV shouldn't be an impulse purchase, and jumping on the first hyper-bright picture or low pricetag that catches your eye is a recipe for long-term remorse. So, slow down, take a deep breath, and tackle these tips to guard against the dreaded Monday morning quaterbacking.

Thomas J. Norton, Rob Sabin  |  Dec 08, 2011  |  2 comments
Flat-panel HDTVs have undergone rapid changes in technology and pricing. There are now two types of 3D systems for you to decide between, screen sizes have continued to inch up, prices have come down, and the battle between LCD and plasma for image-quality supremacy has heated up, with the latest generation of top-line LED models challenging plasma’s long-held position at the top of the enthusiast heap.
John Sciacca  |  Nov 30, 2011  |  0 comments

Today, 3D has become a de facto feature on almost every higher-end TV and even many projectors, and it continues to make headlines. But the biggest news to come out of the CEDIA Expo trade show this past September wasn’t of the three-dimensional variety. The news that took many attendees by surprise was 4K.

Scott Wilkinson  |  Aug 11, 2011  |  0 comments

Buying a new TV ain't what it used to be—there are a lot more choices and features to think about than yesteryear, when the only decision you needed to make was screen size. Among the most common questions I'm asked these days is, "Should I get an LCD or plasma flat-panel TV?" If you want the quick answer, jump to the end of this article. But if you want to understand the answer, read on.

Rob Sabin  |  Jul 11, 2011  |  2 comments
It’s a given that most readers of Home Theater are that guy—the one friends and family call when they need a new HDTV. But it doesn’t stop there. Because after your 82-year-old grandmother finally tosses out that old Sylvania console and buys a 52-inch LCD on your expert recommendation, you still have to help with the picture settings. We can’t have nana blowing out her sensitive retinas on the factory torch mode, now can we? Oh, what those eyes have seen...
Shane Buettner, Thomas J. Norton  |  Nov 15, 2010  |  0 comments
It’s getting better all the time.

When we wrote this feature for last year’s HDTV Buyer’s Guide issue, the flat-panel HDTV market was much simpler. 3D was nowhere in sight, and much of our analysis boiled down to the pros and cons of LCD and plasma technology. This year, 3D is just one of the newer wrinkles in the market. The number of plasmas in the market isn’t what it was just a few years ago, but plasma is not only hanging on, the best plasmas still stake a legitimate claim to being the best flat panels available. With LCDs, manufacturers are aggressively using the backlighting techniques to market the sets. In fact, LCDs are getting more and more sophisticated and offering serious potential value. There’s a lot to learn, so let’s get going.

John Sciacca  |  Sep 10, 2010  |  0 comments

My dad called me the other day. He had just rented Avatar and he wanted to know if I had seen it and if the version I watched was in 3D and why his wasn't. A client sent me an e-mail asking whether he could use a new 3D TV to watch regular, non-3D programming.

Thomas J. Norton  |  Mar 14, 2009  |  0 comments
How does color accuracy measure up?

There’s more that goes into making a good display than accurate color, but it’s certainly one of the biggies. Color in a video display may seem like a relatively simple subject, but it’s not. In this Gear Works, I’ll outline the two most important factors in assessing and measuring the color accuracy of the HDTVs we review—color tracking and color gamut. I’ll also show you how we present this in the HT Labs Measures graphics that accompany our reviews. This article will shed some light on what these important measurements tell us about the color accuracy of the displays we test here at Home Theater.

Joshua Zyber  |  Feb 09, 2009  |  0 comments
In movies, one size never fits all.

By now, most home theater fans have undoubtedly grown used to seeing letterbox bars on many movies they watch. In today’s high-definition era, any content with an aspect ratio that’s greater than a 16:9 (a.k.a. 1.78:1) HDTV screen must be presented with black bars on the top and bottom of the frame. Blu-ray viewers have many examples of this. Approximately half of all modern theatrical films are photographed in the scope aspect ratio of 2.40:1. Iron Man, Tropic Thunder, and Wall-E fall into that category. Scope photography is sometimes referred to as 2.35:1 for reasons that are too complicated to explain in detail here. Just know that 2.40:1 is technically correct, although many people in the industry continue to use the term 2.35:1 interchangeably. At the other extreme, material narrower than 16:9 (classics like Casablanca and The Adventures of Robin Hood are 1.37:1) will have pillarbox bars on the sides. In the middle, movies composed for 1.85:1 (such as the The Sixth Sense, Hellboy, or Knocked Up) nearly fill an HDTV.

Peter Putman  |  Feb 02, 2009  |  0 comments
How time flies. It seems like we’ve been talking about the transition to digital terrestrial television broadcasting forever—waiting for stations to light up the transmitters, watching as more and more high-definition programming appeared on our TV screens, and shopping for a new flat-screen HDTV for our family rooms.

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