CES 2013

Sort By:  Post Date TitlePublish Date
Bob Ankosko  |  Jan 09, 2013  |  0 comments
Denmark’s Bang & Olufsen continues its long tradition of melding style and technology at CES with the BeoVision 11 LED-based LCD HDTV, featuring an unusually robust six-speaker sound system, and the ultra-slim BeoLab 12 line of powered speakers.

Available in 40-, 46- and 55-inch screen sizes with prices starting at $5,995, the 3D-capable TV is DLNA-compliant for streaming content from a smartphone or home network via Wi-Fi and has an ambient light sensor that automatically adjusts brightness and contrast. It also includes a motorized wall mount for adjusting the position of the screen via remote control. B&O offers a choice of six colors for the fabric panel below the screen, which can be framed in silver or black.

The BeoLab 12 speaker line now has three models: The 12-3 (shown) and 12-2, featuring an acoustic lens that disperses high frequencies in an 180-degree arc, and the new 12-1, which excludes the acoustic lens. Sound is reproduced by a flat 6.5-inch woofer and a 2-inch midrange/tweeter in the BeoLab 12-1, which packs 160 watts of power, while the 320-watt 12-2 and 480-watt 12-3 add a 0.75-inch tweeter (with acoustic lens) plus a second woofer in the 12-3. All are offered in silver or white and pricing is $4,613/pair for the 12-3, $3,120/pair for the 12-2, and $2,950/pair for the 12-1. The speakers can be mounted on the wall or placed on optional floor stands.

B&O also showed the nonconformist BeoPlay A9 wireless music system, featuring AirPlay and DLNA connectivity plus five powered speakers—pairs of 0.75-inch tweeters and 3-inch midranges with an 8-inch woofer—that deliver remarkably full sound; total power is 480 watts. A touch sensor lets you adjust the volume by running your hand along the top of the speaker. Fabric covers are available in six colors and the solid wood legs come in oak, beech or teak.

Bob Ankosko  |  Jan 09, 2013  |  0 comments
Just what the world needs: another wireless music system. Klipsch agrees, which is why it put audio quality first in the high-performance Stadium Music Center debuting at CES. The all-in-one system gets high marks for supporting connectivity via AirPlay, Wi-Fi, DLNA and the CD-quality aptX version of Bluetooth in a package that looks bold and sounds even bolder.

An on-the-fly demo with Red Hot Chili Peppers, featuring Flea’s muscular bass lines front and center, was impressive and had me looking around for a separate subwoofer. Not needed. The ring between the Stadium’s speaker modules joins a pair of 5.25-inch woofers that produce surprisingly deep bass to complement the rich sound delivered by pairs of horn-loaded 1-inch tweeters and 3-inch midrange drivers. The point of the system: You don’t have to sacrifice sound quality for convenience, according to Mark Casavant, senior vice president of product development. He’s not kidding.

Available this summer for $2,000, the system is housed in a brushed-aluminum cabinet with grille covers that come in several lifestyle colors.

Purposely resembling a mini band shell in a nod to the full-size Klipsch Music Center in the company’s home state of Indiana, the smaller Music Center KMC 3 will be available this spring for $400 in several bright colors. The system produces robust sound through a pair of 2-inch drivers and a 5.25-inch woofer, supports aptX Bluetooth and has a USB charging port and auxiliary input on its back panel.

Barb Gonzalez  |  Jan 09, 2013  |  0 comments
Linksys showed its new ultra-fast AC1300 Wireless Universal Media Connector at CES. Although a number of routers were launched last year with the new 802.11ac capability, few devices are available to take advantage of the faster speeds. Smart TVs, Blu-ray players, AV receivers, and media streamers can be connected to the AC1300 via Ethernet cables. The device receives the wireless signal from the router using 802.11ac and transfers the stream to the devices for higher quality HD video without lagging, long buffer times or other interruptions.

The previous 802.11n standard can connect at speeds up to 300 Mbps (megabits per second) on a home network. The new standard is capable of gigabit speeds with single wireless connections at up to 500 Mbps. While a Vudu 3D HDX movie only requires a speed of 9 Mbps to a streaming player, wireless speeds decrease drastically over distance. It's important that a wireless router is sending the signal as fast as possible as it can dip below the speed needed over relatively short distances within a home.

The AC1300 can receive the fast stream from the router making sure that your device doesn't downgrade your Netflix 1080p stream to a standard definition movie. This 802.11ac connector is available now for $159.

Mark Fleischmann  |  Jan 09, 2013  |  1 comments
A lot of compact wireless audio systems have crossed our desk over the last few years but the forthcoming Polk Woodbourne, named for a neighborhood in the company's native Baltimore, is different. It has a fiberboard (not plastic enclosure) and the enclosure is sealed (not ported). Wireless options include both AirPlay and Bluetooth apt-X. Power is 70 watts RMS for each woofer and 20 for each tweeter. The demo was impressive for its spaciousness, thanks to the outward-aiming mounting of tweeters on the far sides of the curved baffle. We could close our eyes and imagine we were hearing a larger system. Pricing will be $599 when it arrives between April and June. Polk also showed the new TSx series which replaces the TSi. There are three towers, two monitors, and two centers in cherry or black. Woofers are polypropylene impregnated with other materials so that the intrinisic resonances of any one material are canceled out. Their size has increased in the towers and the larger center from 5.25 to six inches for bigger bass. Pricing ranges from $199 for the smallest center to $999/pair for the biggest tower.
Mark Fleischmann  |  Jan 09, 2013  |  0 comments
Meridian's first on-wall speakers include the DSP 520 ($5000/each) and DSP 648 ($7000/each). Unlike most in-walls, but like other Meridian speakers, they are self-powered and loaded with DSP magic. They're also built with separate enclosures for the drivers, the electronics, and the back box. Our exclusive closeup shows buttons your installer can use to dedicate the speaker to left, center, or right channel use. Mount Meridian's Media Controller 200 to the back and you can control the system from your iPad.
Mark Fleischmann  |  Jan 09, 2013  |  0 comments
Tannoy's new Precision line includes continues to use a coaxial array—the company calls it a dual concentric array—with the tweeter mounted at the center of the midrange driver. But this new version is revoiced for greater efficiency and dynamic range. The line includes the Precision 6.4 tower, $3200/pair; the Precison 6.2 tower, $2400/pair; the Precision 6.1 monitor, $1200/pair; and the Precision LCR, $1000. All have six-inch woofers, hence all the sixes.
Mark Fleischmann  |  Jan 09, 2013  |  2 comments
The Revel Rhythm2 has an 18-inch aluminum driver with four-inch voice coil backed up with 2000 watts. Of course like any state-of-the-art sub it can be room corrected via USB, in this case with a third-party measuring tool. But this one is slightly unusual because it takes into account the bass output of the speakers as well as that of the sub. The demo was impressively powerful though marred by an unavoidable rattle in the room ventilation—if you want to own a sub this powerful, you may need to invest a little extra to make the room fit for it!
Barb Gonzalez  |  Jan 09, 2013  |  First Published: Jan 08, 2013  |  1 comments
D-Link announced a new router with StreamBoost technology for better high definition video streaming, and with a new dashboard to monitor and control your home network. The DGL5500 router is called a "gaming router" because it has low latency (no lag time) for online game play. This capability also makes it an excellent router choice for streaming movies.
Bob Ankosko  |  Jan 08, 2013  |  1 comments
You might mistake it for a high-end Blu-ray player at first glance but, no, the Parasound Halo CD 1 introduced at CES 2013 is definitely a Compact Disc player (remember those?) and it costs $4,500. Designed in collaboration with Holm Acoustics of Copenhagen, Denmark, the player uses a Linux-based computer running proprietary software and a CD ROM drive running four times the speed of a conventional CD drive to read and process data in a new way. Vast amounts of data are analyzed and read multiple times to reduce errors and, in turn, the negative effects of error concealment. The result is said to be a nearly bit-perfect data stream.

In keeping with the high-end legacy of the company's Halo line, the C1 has a heavily shielded aluminum chassis, separate power supplies for its analog and digital sections and several output options, including balanced XLR, gold-plated RCAs for analog, and digital audio via BNC, coaxial and optical connectors. A novel “Discrete OpAmp” selector offers a choice between listening to the analog outputs directly from the player’s low-noise op-amps or via discrete transistor output stages.

Mark Fleischmann  |  Jan 08, 2013  |  0 comments
Lacking the high-end street cred of a boutique brand, Sony probably won't get much credit for producing the best sound of CES 2013 (at least so far) with its new ES speakers. The NA-2 tower ($10,000/pair), NA-5 monitor ($6000/pair), N-8 center ($3000), and matching sub ($4000) have the same Scandinavian-made multi-chambered birch cabinetry of the existing AR-1 and AR-2. Note the triple tweeter configuration, shown here on the center but present on all the new models. No, you're not seeing two super-tweeters flanking a tweeter, just three tweeters, though they're not the same size and are not all getting exactly the same frequencies (we'll have to get into the intricacies some other time). Fed by Pass amps and high-res sources including vinyl and DSD, the tower established an instant comfort zone with its super silky sweet top end, fatigue-free and convincing midrange, and controlled bass. In addition to today's press announcement at the Venetian, Sony is also showing the ES speakers in a 9.2-channel configuration at its gigantic booth in Central Hall.
Mark Fleischmann  |  Jan 08, 2013  |  0 comments
If you want to see the future of Paradigm's Signature line, take a closer look at the 30th anniversary speakers shipping soon including the Tribute tower and Inspiration monitor. The wood veneer enclosures, a Paradigm first, will probably trickle down to Signature and the woofers come from the existing Signature. Shipping has been pushed from December 2012 to February 2013 and the originally envisioned limited run of 400 units may be increased though not much.
Mark Fleischmann  |  Jan 08, 2013  |  0 comments
ADA is best known for its world-class surround separates so it's a pleasant surprise to see it getting into receivers, or as the company calls them, integrated controller/amps. The Cinema Rapture ($5000, shipping this week) musters 150 watts into eight ohms and 300 into four ohms while the Cinema Rapture Jr. (price and shipping to be determined) offers 80 watts into eight ohms and 150 into four ohms. Both use Class D amp modules of ADA's own design. They are not licensed from someone else. We can't wait to hear how they sound in our own listening room.
Mark Fleischmann  |  Jan 08, 2013  |  0 comments
Morel's high-performing SoundSpot satellites have a new iteration in the SP3. It has a larger orb with a new 4.5-inch woofer that enables it to perform better at the low end, lowering the formerly 120-150Hz sub crossover to 90dB, so the sub won't have to do so much work (and call so much attention to itself). The Lotus grille pattern makes it acoustically transparent.
Tom Norton  |  Jan 08, 2013  |  0 comments
The major HDTV manufacturers fell all over themselves, as usual, trying to produce the most spectacular, eye-catching booth theme. But the grand prize goes to LG, which built on the 3D video wall first shown last year with some of the most eye-catching imagery seen at the show. The wall appeared to be made up of 140 sets, if my count is right (I counted them on site; a few sets re cropped off here) and each set appeared to be 55-inches. That's about 90 feet wide.

The images had to be viewed through passive 3D glasses provided to the attendees (the glasses were also needed inside the booth, where many displays were 3D). How, you may wonder, did I capture these images in 2D to show here without the double image effect? Simple: I held one lens of the 3D glasses in front of the camera lens, so only one eye-image came through to the camera's imager.

Tom Norton  |  Jan 08, 2013  |  0 comments
This is just one of the images that the LG video wall morphed into. The moving 3D images ranged from the surreal to the fantastic. It was the standout booth entrance at the show. LG provided the passive polarized lens of the 3D glasses over the camera lens.