Bob Ankosko

Walk into MartinLogan’s demo room at CEDIA 2013 and you walk into the past—specifically, the ‘60s, maybe early ‘70s. All-too-familiar glowing psychedelic posters line blacklight-lit walls accented by lava lamps and glowing tubes. Music blaring. It could be 1967, if not for the lack of a particular aroma and the 7.4-channel sound system. It was quad on steroids: Seven ElectroMotion ESL hybrid electrostats powered by five PrimaLuna DiaLogue tube amplifiers and four BalancedForce subwoofers, each with its own 850-watt amp, anchoring the corners of the room. The demo I walked in on wasn’t music of the ‘60s or ‘70s but a 5.1-channel mix of the Dire Staits ’80s anthem, “Money For Nothing.” The slow build and swell that introduces Mark Knopfler’s electronically processed guitar was like you’ve never heard before…If only I had more time to stick around and maybe listen to a little Pink Floyd.

Salamander Designs, the Connecticut-based maker of fine entertainment furniture and accessories, introduced hand-crafted center and LCR speaker options for its Synergy and Chameleon AV cabinet lines at CEDIA 2013. Featuring high-quality Peerless woofers and cloth-dome tweeters, the speakers are built to order by Michigan-based Leon Speakers and integrated into the cabinets on mounting brackets that permit the angle of the speaker to be adjusted for optimal sound dispersion.

Bang & Olufsen returned to CEDIA after a several year absence to announce a high-performance wireless speaker platform that supports up to eight channels of uncompressed 24-bit audio at sample rates up to 96 kHz. The platform is based on the WiSA (Wireless Speaker and Audio Association) open standard and incorporates proprietary processing.

Vantage demonstrated its Equinox family of home-automation control products in a posh 5,000-square-foot penthouse apartment at the Four Seasons hotel with spectacular views of downtown Denver. The homeowners are avid art collectors who use the residence as a second home when they’re in town and chose Vantage because they wanted an unobtrusive and easy-to-use control system for entertainment (music and TV), climate control, security, cameras, and—most important—lighting to accentuate dozens of prized paintings. Motorized shades and a TV lift are also covered under the Vantage control umbrella.