Daniel Kumin

Daniel Kumin  |  Jul 20, 2017

Audio Performance
Features
Ergonomics
Value
PRICE $600

AT A GLANCE
Plus
Fine amplifier sonics and power
Excellent, quick-responding home-network streaming plays most formats, including HRA and DSD
Speaker Relocation & Phantom Surround feature
Minus
Scales only 1080p/24 video to 4K

THE VERDICT
Excellent audio performance and a unique feature set counterbalance a somewhat quirky and (in a few cases) slow user interface.

It’s been several years since I’ve had a Sony AV receiver in my rack, so when the STR-DN1080 arrived on my porch, I was eager to see what the foundational brand’s 7.1-channel Dolby Atmos/DTS:X model had to offer. Sony has been synonymous with consumer electronics for so long that today—in the more specialized corners of the field, such as home theater—it’s easy to overlook the company that was such an early player in the game. But Sony still has an enviable market position, as well as design and engineering firepower aplenty to compete in any sphere they choose.

Daniel Kumin  |  Jun 16, 2017

Signature S60 Speaker System
Performance
Build Quality
Value

PSW125 Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,600 as reviewed

AT A GLANCE
Plus
Excellent range and tonal balance
Dramatic looks
Good blend from unusually low-profile center
Minus
Sub doesn’t add much to the towers alone

THE VERDICT
With the Signature Series, Polk successfully practices its long-held ethos of delivering high performance at affordable cost in a new, smartly designed lineup.

Of the three or four speaker brands that pumped the vast majority of air throughout the hi-fi boom of the 1970s, only one—Polk Audio—is still doing what they’ve always done (design and make loudspeakers), where they’ve always done it (more or less), and with very much the same ethos (value/performance, with value in italics). OK, so Polks, like virtually all other mass-market speakers sold in the U.S. are now actually manufactured overseas. But they’re still conceived here according to the old Polk standards—industrially designed in San Diego out of the corporate headquarters and engineered in Polk’s original hometown in greater Baltimore.

Daniel Kumin  |  Jun 08, 2017

Audio Performance
Features
Ergonomics
Value
PRICE $1,800, $2,950

AT A GLANCE
Plus
High power in compact, Class D package
Dynamic, uncolored sound
Runs relatively cool
Minus
Channel configurations not ideal for typical surround layouts

THE VERDICT
All the power most will ever need, with the sound quality you want in a slim, cool-running package.

Power amplifiers are God’s gift to the long-suffering audio reviewer, his (or her) compensation for all those A/V receivers, smart-streamers, net-connected speakers, and assorted other CPU-centric components that gray and thin our hair. No arcane MAC or IP addresses for the power amp; no obfuscatory wireless setup routines, stubbornly mute computer connections for auto-EQ procedures, or HDMI ports that refuse to shake hands with other HDMI ports. Whatever its provenance, the power amp demands little more than audio inputs, speaker outputs, and a power cord and calls it good.

Daniel Kumin  |  May 18, 2017

Pulse Soundbar
Performance
Features
Ergonomics
Value
Pulse Sub
Performance
Features
Build Quality
Value
PRICE $1,598 as reviewed

AT A GLANCE
Plus
Excellent musical sound quality
Notable bass extension, with or without sub
Many streaming capabilities, including hi-res audio
Multiroom system architecture
Visually outstanding
Minus
Some level and dynamics limitations
Occasional cumbersome or inconsistent operation

THE VERDICT
Accurate, dynamic musical sound, lifelike stereo imaging, and remarkable bass extension and control—plus extensive multiroom streaming abilities—easily counterbalance the few ergonomic quirks of a lovely, ultra-compact design.

Don’t look now, but the soundbars are gaining on us. Hardcore home theater heads like you and me can scoff all we want, but consumer electronics’ all-inone answer to audio for video is getting better, smarter, bassier, and popular-er, by leaps and bounds. High-end-ier, too.

Daniel Kumin  |  Mar 02, 2017

CG3 5.1 Speaker System
Performance
Build Quality
Value

Speedwoofer 10S Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,079 as reviewed

AT A GLANCE
Plus
Rigorously balanced sound
Plays surprisingly loud
Easy, excellent sub/sat blending
Minus
Sats can be a bit power-hungry in larger rooms

THE VERDICT
Given its low cost, solid dynamics, and impressive neutrality, it would be tough to find a better or more honest small speaker system for the price than RSL’s latest.

When it comes to loudspeakers, how big is big enough? How small is too small? What size is j-u-u-ust right? Speaker buyers have been asking these questions, and speaker makers have been answering them, ever since a certain Brand B shook the world years ago with micro-sized satellites employing 2.5-inch drivers that struggled to reach down to 200 hertz, mated with similarly challenged Lilliputian subs. Physics notwithstanding, buyers took to them in droves—and since then, the race to the bottom, cubicvolume-wise, has been on.

Daniel Kumin  |  Feb 22, 2017

Performance
Features
Ergonomics
Value
PRICE $699

AT A GLANCE
Plus
Good power in compact form
Outstanding app-enabled subwoofer auto-setup
Onboard 192/24 USB DAC
Minus
No line outputs for external amp
Small display

THE VERDICT
Elac’s Element EA101EQ-G amp/DAC nails the sweet spot of price, performance, and worthwhile features with surprisingly audiophile sound and the added value of auto-EQ and app-enabled subwoofer crossover/blending.

It’s an amplifier. It’s a USB DAC. It’s a room/subwoofer equalizer. It’s a headphone amp. It’s an app-enabled Bluetooth receiver. It’s all of these, and it’s only $699—and it’s from the revived German brand Elac, whose latest Andrew Jones–designed loudspeakers have won acclaim in these pages and elsewhere. Ultimately, Elac’s Element EA101EQ-G may be best characterized as what the stereo receiver is morphing into for the 21st century.

Daniel Kumin  |  Feb 01, 2017

Audio Performance
Features
Ergonomics
Value
PRICE $2,999

AT A GLANCE
Plus
Pristine audio plus 4K passthrough video
Clean, simple, eminently usable design
Excellent proprietary auto-setup/EQ system
DTS Play-Fi streaming/multiroom wireless capability
Minus
Lacks Bluetooth, USB playback
No legacy video connections or scaling

THE VERDICT
The AVM 60 has everything you want in an A/V preamp/processor—and less. The stuff that Anthem has left off their more affordable pre/pro model contributes to simplicity and usability, and most buyers will end up thanking them in the long run.

For much of the home theater epoch, system builders who (for whatever reasons) have favored a separates-based system— built around an A/V preamplifier/processor and a suitable amplifier or amps—and have preferred such a system over the more usual A/V receiver approach have had, in essence, two choices. They could select one of a few very expensive, esoteric, high-end American or European designs, with the knowledge that they would probably lag a generation or two behind in HDMI version and latest-greatest surround and video processing. Or they could select a latest-model Japanese offering—recently, this has meant, effect-ively, Integra/Onkyo, Marantz, or Yamaha—and get more up-tothe-minute tech and more digestible pricing, at a certain cost in audiophile street-cred and (perhaps, depending on your belief system) sonic refinement.

Daniel Kumin  |  Jan 26, 2017

Audio Performance
Features
Ergonomics
Value
PRICE $2,199

AT A GLANCE
Plus
Impressively dynamic, generous nine-channel power
Dolby Atmos, DTS:X on board
THX Select2 certified
Minus
Meh remote
Ocassionally unintuitive ergonomics
Some features still await firmware update
Premium pricing

THE VERDICT
This Onkyo has faultless amplification and solid usability, though you’ll pay extra for it.

Onkyo must not have gotten the memo about Class D–powered audio gear being smaller, svelter, lighter. The company’s new topmodel-but-one TX-RZ1100 is an imposing object 8 inches tall, and while the receiver’s 43-pound weight poses no challenge to the seemingly 100-pounders of yesteryear, it’s not exactly nothing, either.

Daniel Kumin  |  Dec 22, 2016
From time to time, in these pages—err, screens—and elsewhere, you’ll see references to amplifier “class”: Class A, Class D, and so on. What’s it mean?
Daniel Kumin  |  Dec 20, 2016

Performance
Build Quality
Value
PRICE $1,177

AT A GLANCE
Plus
Neutral balance with fine imaging
Very good center-channel performance, integration
Superb value
Minus
Towers may require substantial tilt-back

THE VERDICT
Emotiva’s new passive loudspeakers combine serious audio design and refinement with sufficient construction and finish quality to establish unprecedented value.

There’s been plenty of ink spilled, print and digital, in Sound & Vision and elsewhere, about Tennessee’s direct-to-consumer brand Emotiva and the disruptive pricing the company has brought to various audio categories. To date, this has been mostly focused on electronics, where power amps, preamps, pre/pros, and DACs have been offered up for surprisingly small sums that seem to belie their inherent engineering and build quality. Corner company founder Dan Laufman about how he does it, and he’ll enthusiastically share his prior life as an OEM for other audio brands (many of which you know well) and how he’s learned a few tricks about where and how to stretch raw material costs in the most meaningful ways.

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