The Onkyo TX-NR5009 ($2899) and TX-NR3009 ($2199) and their Integra equivalents are the only receivers that upscale to 4K x 2K. But they weren't as photogenic as the two docking systems, the iOnly Play, left, with cool sliding cover over the dock; and the iOnly Bass, right, which is large enough to accommodate an iPad. Pricing $249 for either.
The two big stories at the MonsterCable press conference were the introduction of a glossy powered speaker and a cloud-based initiative that makes powerline conditioners more versatile in operation.
The venerable Baltimore-based speaker maker showed three new monitors, two new soundbars, and three new subs. The three StudioMonitors include the SM65, an LCR with two 5.25-inch woofers ($449/each), SSM 55, a two-way design with 6.5-inch woofer, $299/each), and SM 45, two-way, 5.25-inch ($199/each). The two larger models have passive radiators on top; the smaller one is back-ported. All have woofer phase plugs whose rubber surfaces are dimpled to control air flow. These speakers are voiced for the audiophile on a budget, as opposed to the home theater buff looking for deep thrills, so the bass is said to trade off midbass force for greater extension. Shipping October. DefTech's two new soundbars include the XTR-SSA5 ($999) which has woofer-tweeter-woofer arrays for three front channels plus some extra drivers that sorta kinda contribute to surround effects (it's a long story). With Pink Floyd's "Money," the five-channel bar managed to break the cash-register effects free from the bar, about a foot out and to the sides. The three-channel version is the XTR-SSA3 ($799). Three new subs range in price from $599-799 and have remote controllable preset EQ modes. Coming this fall is the ProCinema 400 sat/sub set ($599).
The Talking Heads movie Stop Making Sense was crackling and rocking at the Induction Dynamics booth, benefiting from the dARTS DSP-based room correction developed by stablemate Phase Technology. The system with S1.8Td tower, C1.8d center, S1.8Sd surround, and SW2 sub totaled $55,000-60,000 depending on finish and config. The demo system pictured was in basic black but I loved the gloss rosewood shown in front of the booth. Are 63 different grille colors enough?
Why bolt a speaker onto a sub? Well, if you deploy five or more of them, your surround system's regular sub will have huge reinforcement, great coverage, no holes in bass response. That's what Procella does with products like the new P610. Thanks to shallow depth, it's not as bulky as it looks. Inside are a 10-inch sub driver at bottom with a 6.5-inch midrange and one-inch tweeter at top, the latter recessed deep into a waveguide. Price $3199 for the speaker half and $1499 for the sub half.
Atlantic Technology's Peter Tribeman was in no mood to mince words about the divergence of the video and audio industries. TV makers, he declared, "have thrown our industry under the bus." The occasion—and the solution—is a soundbar with killer bass that will "take the den and the livingroom back for the audio industry."
Price: $2,199 At A Glance: Spherical steel sats and rounded fiberglass sub • Attractive aesthetics, high construction quality • Outstanding sound quality
Life is full of strange synchronicities. Around the time my friends in the country were posting pictures of their spring mushroom harvests on Facebook, I just happened to be setting up Morel’s SoundSpot Music Theatre 2 Ultra, a 5.1-channel satellite/subwoofer set based on the adorably spherical SP-2 sat and PSW10 sub. Would Morels in my system sound as good as morels taste on pizza? In omelets or pasta? With steak or veal? With asparagus? In wine or cream sauces? In gravy?
Price: $1,100 At A Glance: Unique construction • YPAO auto setup and room correction • Bluetooth compatible with optional adapter
It must have been a dream. Suddenly, I found myself living in a world where young people were rediscovering vinyl, jazzing
up their iPods with audiophile earbuds, and even experimenting with tube amps. LP sections in record stores came back from the dead, steadily enlarging and proliferating. The once ridiculously overpriced CD suddenly became a bargain in wallet-box anthologies and affordable reissues. High-performance, high-value speakers became available over the Internet. I never wanted to wake up—until I realized I hadn’t really been asleep in the first place. All of this stuff is actually happening. We’re living in a new golden age of audiophilia, vibrant with lovingly excavated ideas and manic energy. An increasing number of people care about good sound again.
Price: $7,480 At A Glance: Two-way monitors with ribbon tweeters • High-quality parts including silver cabling • Three veneer and two lacquer finishes
No home theater system is complete without both a big screen and surround sound. But it’s no secret that the former is more popular than the latter. Surround’s Achilles’ heel is the audio/video receiver, with its peculiarly named features and labyrinthine menus. On the other hand, speakers are fairly straightforward. They usually have no controls aside from a few on the sub. Cable connection is red to red, black to black. Placement is key to performance but as much a matter of simple experimentation as knowledge. You don’t need to be a nuclear physicist to hear bass get louder when you shove a speaker toward a corner.
Price: $799 At A Glance: A/V receiver with integrated Blu-ray player • Energy-efficient digital amplifier • Good build quality • No video inputs
My review sample of the Harman Kardon BDS 5 Blu-ray receiver arrived shortly after the death of Dr. Sidney Harman. Let’s take a moment to celebrate the life of one of the audio industry’s founding fathers. Harman and partner Bernard Kardon pioneered the A/V receiver category in 1954 with the Festival D1000, the first audio product to combine the functions of a mono power amp, preamp, and radio tuner. The stereo version, the Festival TA230, arrived shortly afterward. By the time Harman retired in 2008, A/V receivers were wearing his name. Harman International eventually became an audio empire, not only continuing the Harman Kardon brand, but also encompassing JBL, Infinity, Lexicon, Revel, Mark Levinson, and others. Harman was a renaissance man: an activist, philanthropist, professor, and public servant, the quintessential tough businessman with a heart of gold.