Mark Fleischmann

Performance
Value
Build Quality

The story of Klipsch is often told, but the storytellers, myself included, typically fail to mention two of the three key principals. Every audiophile has heard of Paul W. Klipsch. He founded the loudspeaker company that bears his name in 1946 and spent several decades patiently perfecting his use of horn-loaded drivers to provide—and here I’ll just quote the Klipsch mantras—high efficiency, low distortion, controlled directivity, and flat frequency response. Paul was also known to take notes during sermons so that he could grill the minister afterward on the fine points of theology.

In A/V receivers, there are two prevailing philosophies when it comes to certain must-have features—room correction and dynamic volume modes being good examples. Some manufacturers prefer to develop their own in-house versions. This gives them the ultimate control over what they sell to consumers, sometimes offering greater versatility or an unusual spin. Others are content to license features from other companies. The advantage of resisting the “not invented here” philosophy is that technology licensors such as Audyssey devote all of their attention to making their stuff work and are constantly improving it.