Chris Lewis

The room-correction band-wagon is already rolling across the home theater plain, and it's rapidly gaining momentum with each new batch of model releases. Several products, from the highest-end pre/pros to the lowest-end receivers, are touting room assistance these days. This is hardly surprising—in fact, the more-surprising part is that it's taken this long for the broader run of electronics manufacturers to embrace the idea. After all, room interaction will always be the single most important factor, by far, in making an audio system sound right in its particular listening environment. Naturally, it's in the manufacturer's best interest to provide as much help as possible. Fair or not, the vast majority of users are going to blame the product, not the room, when they hook up their system and it doesn't sound good. Considering the challenges that the vast majority of users' listening environments are going to present, it's easy to see why even a little correction could go a long way.

Odd as it may seem for a speaker review, I must begin with my first visual impression of Paradigm's new Reference Signature speakers. Granted, I usually stress that a speaker's physical appearance means little—after all, we don't buy speakers to look at them. If the current trend is any indication, though, many people don't agree, as evidenced by the proliferation of smaller, prettier, and more aesthetically sensitive speakers.

Slowly but surely, more readers are asking questions about high-resolution, multichannel audio. They want to know what kind of progress the SACD and DVD-Audio formats are making. In most ways, I think they're right where we thought they'd be at this point, if not ahead in some respects. Sure, the naysayers are out in force, but it's entirely predictable that they would be. A technology's early days are the safest time for naysayers, as this is when all new technologies inevitably struggle. It wasn't so long ago that the DVD-Video detractors were out in force, and I think we all know how that turned out. Am I saying high-resolution/multichannel audio will ultimately have the impact of DVD-Video? Hardly, at least not in these videocentric times. Am I saying that SACD and DVD-Audio will change the world? Obviously not. But I am saying that it doesn't make much sense to dismiss a technology, or technologies, before they've had a chance to show what they can really do.

In case you hadn't noticed, the bell has rung, and the blows are flying in the $3,000-to-$5,000 range for electronics systems (i.e., preamplification, processing, and amplification). It's easy to characterize this as a melee between receivers and separates, which is a key component of what we're seeing at this price level. Receivers are sounding better and getting more expensive; separates are getting more user-friendly, offering more features, and dropping in price.