Chris Lewis

The fireworks are popping, the burgers are grilling, and the bourbon is flowing, which can only mean one thing: It's the end of another workday at the Lewis house. When that day falls early in the month of July, you can bet that some extra contemplation of all things American will be on the itinerary, as well. Let's face it: Is there anything more American than an underdog? I'll bet Ron Fone and Eugene Tang don't think there is, which may be why they decided back in 1998 to start Sherbourn right here in the USA—in Boston, no less. Sure, market size, the economy, and the fact that both men were already working for American companies were undoubtedly the real cause. But, somewhere in the back of their minds, they had to figure that, if a loose confederation of farmers, merchants, and castaways from all over Europe could defeat (or at least outlast) the greatest military power of the time and forge a nation that would quickly become a world superpower, then a small, sharply focused amplifier company just might be able to shoulder in with the big boys and get its piece of the pie.

It may be time to start asking the question that's asked of all pastimes with hobbyist roots when their popularity surges: Is home theater a permanent cultural phenomenon or just another fad destined to burn out before its time? Recent evidence certainly shades the former. DVD-Video has been the catalyst for an unprecedented boom in the popularity of home theater and should probably be credited with completing home theater's undeniable transition from novelty act to mainstream entertainment that began with Dolby Surround and the first inexpensive multichannel speaker system. But is home theater a cultural phenomenon the way that the computer is a cultural phenomenon? Do a majority of Americans actively seek to make it a part of their lives day in and day out? Not yet—but home theater's high-water mark is still to come.

It can be a daunting task for some: dipping your toes into the deeper end of the home theater pool and crossing over the $1,000, advanced-swim rope. Sure, we all know that there are people in our little world who will spend thousands of dollars on cable alone. However, the simple reality is that, for those who are unwilling or unable to spend as much money on an audio/video system as they might on a car or a house, stacking up that first pile of 10 or more C-notes for a single system element isn't a decision made lightly. Luckily, options abound at this level, especially in the receiver market. I don't know of a company that makes receivers that doesn't have at least one around the $1,000 price point, beckoning the frugal to dive in. Once you've decided to take the plunge, the only hard part is figuring out which one is right for you.

Killing time on an airplane is never an easy thing to do. Thankfully, over the past couple of years, I've developed an entertaining way to do just that on my return trips from our industry trade shows: reliving all of the bizarre things people have told me over the previous days. The source of these statements is broad-based: manufacturers, PR people, dealers, and even my fellow journalists (yours truly, of course, has never said anything dumb at a show—as far as you know). Maybe it's the long hours and lack of sleep or the rivers of free booze that wind their way through these events. At this year's CEDIA Expo, a representative from a large manufacturer (which will go unnamed) resolutely declared that, outside of the lowest price ranges, nobody is going to buy a DVD player that doesn't process DVD-Audio or SACD. Maybe he was trying to appeal to my well-documented affinity for these high-resolution formats, or maybe he hadn't quite sobered up yet. I imagine that my dumbfounded look made it clear that even a biased audio fellow like myself certainly couldn't agree at this stage in the game—if ever.