Call it the invasion of the on-walls. Or just call it a change in the way speaker companies think about design. Either way, the audio world is being overrun these days with speakers made to go with flat-panel TVs. What these systems have in common are shallow, wall-hugging cabinets.
Audiophiles and musicians alike will recognize the name Tannoy from the pro-sound world - the company's speakers are used in recording studios around the globe. So I was surprised to see speakers from such a serious outfit show up in a funky, fun package like the Arena system. The Arena's podlike satellites owe a debt to 1970s sci-fi style: think rounded, organic, and amoeboid.
For some time, I've been perplexed by the huge price gap between HDTV and EDTV Digital Light Processing (DLP) front projectors. It just never added up that models with Texas Instruments' high-definition 720p (progressive-scan) display chip, most of which cost $8,000 or more, should be priced so much higher than their enhanced-definition cousins costing $1,500 or less.
Unlike oxygen, food, or water, surround sound isn't necessary for survival. But if you recently upgraded to a slim, big-screen HDTV, you're probably feeling a need to update the audio part of your system with something equally tasty. Home theater used to mean huge tower speakers or chunky satellites paired with subwoofers that took up as many cubic feet as an SUV's gas tank.
When Sony debuted its $27,000 SXRD (Silicon X-tal Reflective Display) front projector a couple of years back, my first thought after drooling over its fine, filmlike picture was: They'll really have something if they can get this technology into a TV that sells for a few thousand dollars.
Badly dubbed dialogue and exaggerated acting make martial-arts movies unintentionally funny (to Westerners, at least). But in Kung Fu Hustle (Sony; Movie ••••, Picture/Sound ••••½, Extras •••• ), director Stephen Chow sets out to grab laughs by mining the genre's clichés.
When people think about flat, big-screen TVs, they usually think plasma rather than LCD. There's good reason for that - plasma sets were large and widescreen from the get-go, while LCD technology spent most of the past half-decade driving desktop computer monitors. But that situation is changing.