<A href="http://www.runco.com">Runco</A> has long stood at the pinnacle of high-end home-theater displays, making some of the finest projectors on the planet. What many folks might not know is that Runco also makes LCD and plasma TVs for the upscale market. In an ongoing effort to improve the state of the flat-panel art, the company recently announced several new plasmas that incorporate its OPAL (Optical Path Alignment) technology.
Goo for God Have you ever reviewed any paint-on projection screens? If so, how do they generally compare to an actual screen? Also, is there a brand you recommend? I'm thinking about going this route for my church, not a home-theater setup.
Living with a pair of La Sphère speakers from French maker <A href="http://www.cabasse.com/en/">Cabasse</A> might be a bit creepy—they look like giant eyeballs staring at you—but if you can get past that, you're in for a sonic treat. As Michael Fremer concluded in his <A href="http://www.stereophile.com/audaciousaudio/608cab/">Stereophile review</A>, "...La Sphère sets new standards, both measurable and audible, for accuracy in the reproduction of music."
If you've been reading about home theater for any length of time, you've probably heard of Stewart Filmscreen, the company that represents the lion's share of the consumer and commercial projection-screen market. Recently, Stewart conducted its first-ever factory tour for about 20 members of the press, which was an eye-opening—and, at certain moments, eye-watering—experience.
Press releases announcing new products to be introduced at the upcoming CEDIA (Custom Electronics Design and Installation Association) Expo are now flooding my inbox, so I'll be profiling several of these products leading up to the show. Among the most interesting-looking items so far is the Ferrari Art.Engine System, a single-piece stereo speaker from a boutique company called the <A href="http://www.dwcollection.com">David Wiener Collection</A> (DWC).
Feature Confusion I have an Integra DTR-5.8 receiver. The owner's manual mentions Audyssey as a way to initially set up the speakers. I was wondering if you could tell me more about the feature that matches the sound level of TV programs and commercials.
Norway somehow seems an odd place to find a high-end projector manufacturer. Yet there in the town of Fredrikstad—founded in 1567 at the mouth of the Glomma River an hour's train ride south of Oslo—<A href="http://www.projectiondesign.com">Projectiondesign</A> not only designs and manufactures high-end DLP projectors under its own name, but also for companies like Christie, one of several providers of DLP projectors for the commercial digital-cinema market. Last year, the company introduced its <A href="http://www.avielo.com">Avielo</A> line, including the flagship Helios, which puts out enough light to compete with the midnight sun.
Restorative Power When movies are restored for Blu-ray, why do some not look very good? Does it have to do with the film elements themselves? Why are some films harder to restore for Blu-ray? Are movies from the '50s, '60s, '70s, and '80s harder to restore in high-def than films of today?
The 2009 CEDIA (Custom Electronics Design and Installation Association) Expo is only a month away, and I'm starting to get lots of press releases about products that will be introduced there. Many of these announcements are under embargo until the show, but here's one that isn't—the M15HD surround preamp/processor from respected Canadian manufacturer <A href="http://nadelectronics.com">NAD</A>.
I clearly remember my first demo of Meridian's digital speakers at CEDIA several years ago. The star of that show was the company's first D-ILA projector, which looked fine, but I was even more impressed with the sound of those speakers.