<IMG SRC="/images/archivesart/patton.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Released in 1970, <I>Patton</I> is the cream of the crop of World War II films released recently on Blu-ray by 20th Century Fox. The film won eight Oscars, including Best Picture, Best Director, and Best Actor. George C. Scott, in the title role, famously turned down the honor as he didn't believe in competing with other actors. That takes nothing away from one of the most compelling performances ever put on film.
The right size, the right price, the right controls.
Video experts and video reviewers can be a cantankerous bunch. We’re always engaged in a tug of war with manufacturers about what we’d like to see in new HDTVs. We aren’t often successful, not necessarily because the manufacturers are stubborn (OK, sometimes they are), but because they’re more concerned than we are about the realities of the wider marketplace. We couldn’t care less about floodlight-worthy light output, a remote that will also start your car, or a little jig the TV plays when you turn it on or off. But we’re sticklers for good blacks, natural-looking detail, and accurate color.
Living as I do in a suburb of LA, it's hard to avoid movie news. The local rag, the <I>Los Angeles Times</I>, is awash in it. Its theater listings take up an entire section of the paper, which on Friday and Sunday can feature huge, double-page ads for major releases. So if a movie opens to big notices and reviews, good or bad, it's hard to avoid hearing about it around here.
As with many projector manufacturers, Epson's product line is heavily oriented toward business applications. In that respect, the company is consistently at or near the top in worldwide sales. But Epson also occupies a significant and growing share of the home-theater market.
Korea-based LG, which absorbed Zenith a few years back, is one of the world’s largest flat-panel HDTV manufacturers. The company is working on some exciting new stuff, including plasmas that meet the new THX video specifications. LG will also produce LCDs that employ local dimming, a technique that improves the black level and contrast of LCD sets. Some of these models will be in stores by the time you read this, or by the fall season.
A recent article on the <I>Electronic House</I> website offered three reasons to avoid jumping onto the Blu-ray bandwagon—at least for now. One of the arguments—that Blu-ray quality is still inconsistent—read as follows:
Modern display technology is becoming ever more complex. When I bought my first color television at Jurassic Electronics, it was a small 19-inch CRT job from Zenith. Remember Zenith? That set soldiered on for more than 20 years, the last eight or so performing second-string bedroom duties to a sleek new 25-inch Sony Profeel with a (drum roll, please) separate TV tuner. Both sets were CRTs. Remember CRTs?