Michael Gaughn

Here's a predictable plot: A world-famous director buys a mansion in the Hollywood Hills and immediately demands that his underlings bring forth a traditional screening room - an opulent show-place, sealed off from the rest of the house, complete with a hulking projector, Voice of the Theater-type speakers, leather recliners on shag-covered risers, red velvet curtains, and a touchscreen rem

While wrapping up an article on director Peter Farrelly's adventures trying to get a high-end movie room installed ("Heartbreak Home Theater"), I had a chance to talk to Farrelly about his new movie, The Heartbreak Kid, and about filmmaking in general.