The new Optoma HD8200 offers Dark Chip3 DLP technology from TI, a specified brightness of 1300 ANSI Lumens, and a peak contrast ratio of 20,000:1 with Dynamic Black iris control. $5000. The new HD808, with the same cosmetics, and only slightly less impressive specs (but no DarkChip3) is $3500. Both projectors are expected to ship this month
Panasonic has a wide range of new plasmas—and new LCDs, as well. The PZ85 series claims a peak contrast ratio of 1,000,000:1, though I’m not sure you can measure this!
Sony is launching the new Bravia XBR10 series at CEDIA, featuring an ultra thin design, wireless
transmission, an Ethernet connection for receiving Sony Bravia Internet Video over broadband, Motionflow 240Hz, and edge-lit LED backlighting but no local dimming. The only Sony local dimming models are the XBR8s, and they are being phased out. There may be new local dimming models from the company down the road, according to one Sony source, but I suspect not this year. The XBR 10s are available at 47-inches ($4500) and 52-inches ($5000).
A new projector or two every year is a CEDIA tradition from Sony, and they did not disappoint us this year. The new VPL-VW85 video projector offers significantly enhanced brightness compared to the VPL-VW70 (known as the VPL-VW80 in some markets), and deep blacks courtesy of a combination of SXRD chips with superior contrast and Sony's well-established Advanced (dynamic) Iris. It also has a variety of user-selectable gamma settings, custom gamma adjustment via an external computer program, a Motion Enhancer feature operating at a 96Hz frame rate with the option of either full brightness or darkened interpolated frames, and an aspect ratio for use with an add-on anamorphic zoom lens. $8000, in October. A review of the VPL-VW85 is currently scheduled for the November 2009 issue of Home Theater.
There's also a new, lower priced Sony SXRD projector, the VPL-HW15, with a claimed peak contrast ratio of 60,000:1 and 1000 ANSI lumens output at a suggested price of $3000. Also in October.
The replacement for the long-running PSB Stratus series should be available soon. Tentative named the T7 Series (the name Stratus may or may not be dropped), it includes multiple woofers (in the larger models), cabinets of extruded aluminum and wood, and the innovative engineering we have come to expect from PSB.
This new spectroradiometer was brought to my attention by William Phelps, video expert and currently working with Meridian on its digital projectors. A spectroradiometer is a sophisticated test tool used to measure and calibrate video displays (we use the Photo Research PR0650 in much of our testing). This SP-100 from Orb is not a product for the average consumer, but something for the calibration specialist, or well-healed video perfectionist, to know about. Not cheap at about $8000, it's nevertheless less expensive than much of its direct competition. According to Phelps, it compared favorably to a $30,000 Minolta device.
In an adjoining room, Thiel was demonstrating the new CS1.7 (estimate $5500/pair, available early in 2012), a replacement for the well-received CS1.6. They use the same woofers as the MCS1.2, below, and sounded superb driven by Bryston electronics. But I might add that Thiel has used this same room for the last three CESs, and it hasn't produced anything short of audio magic there yet.
This lucky manufacturer, who shall remain nameless, wins the prize for the most thirst-quenching product at CES. You can use it right away. No boiling or other purification required.
Some audiophiles cherish tubes, and even modestly powered tube amplifiers. From Napa Acoustics (which appears to hail from China, not a valley in California) comes the 40 watts per channel MM4 hybrid integrated amp (tube input stage, solid state output stage), at the amazingly low price (for those who know how much these things can cost) of $699. A larger, 35wpc all tube MT34 will set you back $1199.
Tom Norton | Jan 09, 2010 | Published: Jan 10, 2010
You can be forgiven if this looks like one of those odd, transparent speaker systems. But it wasn't put in the Avalon room to compete with the Avalon Time. Its a passive room treatment device from Acustica Applicata (sounds like a singing technique, like a capella), an Italian company. The visible "eye" is a mechanical iris diaphragm, which combined with a port in the base with an adjustable opening and an internal membrane can tune the device to between 26Hz and 60Hz. This is said to improve the low frequency resolution by tuning out bass problem areas over a narrow or broad range. $3600 each.