Epson showed four new projectors at the show. The PowerLite Pro Cinema 9500UB features Epson's COlor Isolation System (no filters needed to set Hue and Saturation), ISF certification with ISF Day and Night modes, more rapid changeover to different source resolutions, and an improved dynamic iris with a claimed peak contrast ratio of 200,000:1. Under $4000, November. The PowerLite Pro Cinema 9500UB offers many of the 9500UB's features, with a claimed peak contrast ratio of 36,000:1 ($2600, November).
A few years ago a friend acquired a heavy, bound volume of all of Audio magazine's 1960 issues. Riffling through the issues was fascinating as writers dealt with the introduction of the stereo LP and the associated equipment needed to create 2-channel stereophonic sound, which represented a significant leap over the single-channel mono format. Let’s see what else those early days of home hi-fi reveal.
The show floor was cheek-by-jowl with impressive flat panel displays, but none of them stopped me in my tracks faster than this display from Fujitsu. The new Aviamo series is still tentative for production. Reportedly, it was not scheduled to be shown until CES, but Fujitsu decided to bring the prototypes to CEDIA to see the reaction. There are three models, a smaller 1080p CD (37" I believe), and two 1080p plasmas. All three have the latest iteration of Fujitsu's AVM video processing: AVMIII.
Since the Sony VPL-VW285ES I recently reviewed was still on hand while I was reviewing the JVC DLA-X790R, a brief comparison was impossible to resist. The results were quite interesting…
Here's another DIY speaker from a clearly dedicated and talented enthusiast. As before, of course, we have no way of knowing how this intriguing design sounds. But the driovers here are among the most well-respected. I don't know the woofer, but the midrange is a 3" dome from ATC and the tweeter a ring radiator from Scan Speak, used in a number of very expensive speakers. Building this, in this configuration, would clearly be beyond the capability of most of us. But if it were a commercial design it would easily command high in the five figure range .
Sitting next to an assembled version of the JL Fathom f113 is the new JL Fathom f110 subwoofer ($2100). It definitely fits in the smaller than thou category,though at somewhat over a cubic foot externally it is a bit larger than the Velodyne shown a couple of screens back. It sports a 10" driver, weighs in at 67 lbs, and is said to respond down to 25Hz (-3dB).
Integra has a range of new AV receivers, but its most interesting introduction is probably the $1600 DTC-9.8 pre-pro. A quick look suggests that it features the same bells and whistles as the company's flagship THX Ultra2 flagship receiver, minus only amplifiers. There's also a matching amplifier, the DTA-9.4, at $3000.
<I>Final Fantasy: The Spirits Within</I> is a cross-genre blend of sci-fi and computer animation, more Japanese anime than cuddly Disney. Check out the flood of Japanese names in the end-credits. Released in 2001, it was one of the first attempts at photo-realistic animation, and in that respect, at least, was startlingly successful. While you'll never confuse the images here with those of real people, they're as close to it as anyone has come, either before or since. Unlike the more recent <I>Polar Express</I>, the characters here don't have creepy, zombie-like eyes.