The One, a limited edition speaker from Totem Acoustics, has been released to celebrate that Canadian company's 20th anniversary. A 2-channel pair produced a sound that defied their size, and the dynamics of the speaker suggested that five or seven of them would not be out of place in a home theater system, mated to a suitable subwoofer. For music, the bass of the subwoofer-free pair in the demo was also surprisingly solid. $3495/pair.
This 2004 remake of an early 1960s B-picture was underappreciated when it first came out, and with good reason. The original starred Jimmy Stewart. A remake of any film starring an icon from Hollywood's golden age has a very steep hill to climb.
The critical and box office verdicts on <I>Flyboys</I> weren't exactly glowing. Full of clichs with the usual assortment of standard characters…the dull subplot about the lonely American pilot falling for a beautiful young French girl…wooden dialog...a decidedly old-fashioned tone. Yadda, yadda, yadda.
This crank, located in the rear of the third generation Focal Grande Utopia (above) is provided to rotate the separate driver cabinets to the correct angular displacement, dependent on the listening distance.
Robert Deutsch very favorably reviewed the Focal Chorus 826W Anniversary Editiion late last year in Stereophile. Now there's an entire new Chorus W lineup (the W stands for the incorporation of Focal's sandwich cone material into the line--the standard Chorus models do not have this). The 826W ($3495/pr) is the second from the left in the photo. New are the bigger 836W ($4195/pr), the 807W bookshelves ($1495/pr), the CC800W center ($795) and the SW800W subwoofer ($1595).
AT A GLANCE Plus
Strong and clear sound
Excellent imaging
Made in France
Minus
Best with a subwoofer for action films
2-way center speaker
THE VERDICT
Unless it happened in the long forgotten, misty days of my earliest reviews, I can't recall ever before reviewing a Focal loudspeaker. But years ago, I did visit the Focal factory in France and was impressed by the company's forward, creative thinking. That remains true today, as the new Focal Vestia lineup clearly demonstrates.
Focal is a long-established, high-end French loudspeaker manufacturer that invests heavily in R&D to stay ahead of its competitors. While its flagship models have always commanded nosebleed prices, the new Focal Vestia line (three floorstanders, a bookshelf model, and the Vestia Center) tops out at $4400/pair in the U.S. for the Vestia No.4. Not exactly white van prices, but more than competitive in the international loudspeaker market.
The so-called Future Technology Pavilion was open for a press tour on Wednesday, press conference/setup day (the show formally opens on Thursday September 8). Much of the content here was of limited A/V interest, but will be of interest to custom installers who often add home automation and similar services to their repoitoire. The most interesting features here were those that offer a wide range of medical monitoring facilities, providing health and well-being warnings that can be transmitted to the appropriate agencies and individuals if needed. In other words, just the ticket for a granny-friendly house.
The area of the Future Technology display of most interest to home theater fans, however, involved this huge, 244.5-inch x 104-inch, 2.35:1 Stewart Aeroview 100 screen. It's a rear projection setup using six DLP projectors with edge blending. The image you can see here was only 16:9 for this preview, but 2.35:1 material that fills the screen is on the menu for the show days. The image was as impaired, as this photo suggests, by the ambient lighting, which is also higher on setup day than it will be during show hours. For more details, see the next post.
The magic behind the curtain for the Future Technology Pavilion's big rear projection screen (above) consisted of six Digital Projection D-Vision 30-1080 DLP projectors, each responsible for filling one sixth of the image, combined with edge blending to hide the transitions from one projector to the other. These projectors offer a short throw, permitting a short, 9-foot distance from projector to screen.
Once you divide the high definition source image into six segments, each of those segments will be far smaller in pixel count. Each of these segments must therefore be upconverted to match the projector's native resolution. The processing is further complicated by the fact that the screen used here is 2.35:1, not the 16:9 that would be a direct multiple of the six projectors' native resolutions. In addition, allowance must be made for overlap where the images meet. An overlap of about 13% is needed to provide for the edge blending. And the edge blending itself requires major processing power.
Will it surprise anyone to hear that Sony's booth was heavy on the 3D? One heavily featured attraction was 3D for video gaming, an obvious marketing opportunity.