The mini-wave that’s 8K video might well become a tsunami, so Samsung means to get out in front of it. At CEDIA Samsung demo’ed its new Q900FN series of 8K sets. They’re also said to be capable of 4000 nits of peak brightness, which if achievable after calibration could be more significant than the 8K pixel count. Today’s 4K UHD source material is mastered at either 1000 nits or 4000 nits, and a set capable of 4000 nits (a level OLED will likely never achieve) will not need tone mapping for those sources.
Samsung’s booth was very small (the same was true of both Sony and LG—common at CEDIA as the big TV makers guard their piggy banks until CES). While nothing was truly new, they did effectively demonstrate their sound-bar based Atmos audio system, and lined up three of their flagship KS9800 curved SUHD sets to wow the crowds.
I speculated a few months back that what the world needs is an Atmos soundbar. The industry must have been listening, because we now have at least two such products, one from Samsung and the other from Yamaha. I haven’t heard the Yamaha, but the Samsung HW-K950 was being demonstrated at this year’s CES...
As mentioned in another post, Samsung not only showed a new 8K, flat screen LCD TV but plans on it actually being available soon. In the US it will be offered only in an 85-inch size, though other sizes, down to 65-inches, will be available elsewhere...
With its fold-down front panel and uninspiring plastic case, the Sanyo PLV-Z3 suggests nothing so much as a large (okay, very large) clock radio. In a world where, not so very long ago, video projectors were expected to require three or four strong longshoremen to deliver and set up, the newest digital designs still generate a sense of wonder. Even now, audiophiles continue to equate size and mass with quality, and "longer, lower, wider" are still the watchwords with car enthusiasts (though it's no longer politically correct to actually say so in polite company).
Price: $3,295 At A Glance: Impressive resolution • Good blacks and shadow detail • Oversaturated color • Excellent value
Sanyo has long been a big player in the business projector market. However, while it has a serious presence in home projectors in many markets, it has remained relatively low key for U.S. consumers. This is especially true when you compare it with manufacturers who are more aggressive at beating their own drums. But the PLV-Z3000 proves that the company knows its way around home theater projector design.
Description
The Sanyo lacks the Ferrari-like curves that many of its competitors sport. Still, its relatively plain, boxy shape is functional and well executed. All mechanical operations (horizontal and vertical lens shift, focus, and zoom) are manual. This isn’t necessarily a bad thing, since these are usually set-and-forget operations. The zoom lens has a throw-distance range of 9.8 to 20 feet for a 100-inch (diagonal) 16:9 screen.
Most sci-fi fans have their favorite genre films from each decade. The 1980s had more than their share of them. There would be plenty of votes for the second and third Star Wars releases: The Empire Strikes Back, and Return of the Jedi. Star Trek TOS would also crash the party with perhaps the best sci-fi trilogy of all: The Wrath of Khan, The Search for Spock, and The Voyage Home. There were one-shot candidates as well, including Aliens, Cocoon, Inner Space, War Games, Enemy Mine, and, of course, E.T.
Yes, the ‘80s were a good time for sci-fi. Even more amazing is the fact that most of these films used only physical (practical) effects; CGI was barely a buzzword. But two live-action films from the first half of the decade hinted at what was to come. Tron made an attempt at using computer generated images, though many of the effects were supplemented by animation. But it was another film from the ‘80s that more clearly pointed the way to the future: The Last Starfighter.
We last wrote about the explosion of science fiction TV shows on DVD in a two part feature that appeared in the November 2004 and January 2005 print issues of Ultimate AV. Those features, which covered the gamut from Star Trek to Babylon 5, will be posted on the website in April. Watch for it.
The new LS-500 short-throw 4K Laser Projection TV system Epson introduced at CEDIA Expo 2019 includes an ambient light rejecting screen designed to work in "virtually any viewing environment."