The slipcover to the new release of the Back to the Future trilogy, just released on 4K Ultra HD Blu-ray for the first time, refers to the threesome as the “most popular movie series of all time.” I’m not sure about that; the trilogies of The Lord of the Rings and the original Star Wars (episodes 4, 5, and 6 in George Lucas’ bizarre numbering system) might have something to say about that. But The Lord of the Rings is a long slog for some viewers, running over 10 hours in its extended versions. And Return of the Jedi, episode 6 of Star Wars, with its army of cuddly teddy bears (can you say merchandizing?) was too cutesy by half.
But both of the latter trilogies were essentially serious endeavors, their heroes battling evil. Back to the Future, on the other hand, is a tongue-in cheek romp.
On a recent visit back to Los Angeles I took in the 2016 Newport, California hi-fi-show, more properly known as T.H.E. (The Home Entertainment) Show Newport (though it’s now actually held in Irvine). You can read my observations on the show, along with those from other Stereophile contributors (I write occasional reports and reviews for Stereophile, though Sound & Vision is my main beat) at Stereophile.com. Like virtually all such events (of which there are several in the U.S. each year under various management), this was a show for 2-channel audiophiles. Count me among them, but no more so than for multichannel music, movies, video, and home theater.
The only show in the U.S. that features video as it relates to home theater is September’s CEDIA Expo...
You know the gag. You see someone walking down the street and about to step on a banana peel. Do you shout "STOP," or remain silent and then applaud as he does an awesome pirouette.
Most equipment stands just hold your gear. The Bell’o Manhattan is one of two Bell’o stands to which you can add a fireplace module and keep things warm and toasty...
2D Performance 3D Performance Features Ergonomics Value
PRICE $1,199
AT A GLANCE Plus
Bright, punchy picture
Excellent color
Compact size
Minus
Mediocre blacks
High vertical offset with limited lens shift
THE VERDICT
You wouldn’t expect the type of performance this BenQ delivers for the price, but it will impress even a fussy videophile and blow away
the newbie.
Flat-screen 1080p HDTVs have been dropping in price. Nonetheless, short of a blowout sale, a really big-screen set—say, 70 inches diagonal or larger, even in plain old 1080p, will probably set you back a minimum of $1,500. Compared with prices even two years ago, that’s cheap, but for most buyers it’s still significant cash.
What if you discovered that for less money you could get a picture that’s three or more times the size (by area) of that 70-inch flat-screen set? How does $1,200 sound?
While separate projectors and screens are not for everyone, for many of us they define the essence of the true home theater video experience. A big-screen television is fine as far as it goes, and certainly appeals to a wide market. But nothing quite matches the thrill of watching a theater-like image on a really big screen in a darkened room.
The PE8700 DLP projector from BenQ has to qualify as the surprise product of early 2004. The first surprise is that it's made by a company I'd barely heard of before late last year. But with a claimed 13,000 employees worldwide, BenQ isn't exactly small. Its main corporate headquarters are in Taiwan, where the PE8700 is built.
I was mighty impressed by BenQ's PE8700 DLP projector, reviewed in the June 2004 UAV. Now its replacement, the PE8700+, has been launched, and it's no letdown. True, the price has gone up a couple of big ones over the PE8700's closeout price of $6000. But in compensation, the new model gives you the new Texas Instruments 16:9 DMD, the HD2+.