Simpler Sounds Better

I’m not sure I qualify as an Anglophile, but I do like most things British—except for spotted dick. Even after you know that it’s just steamed suet pudding, it still doesn’t sound any better. So I expected that I’d feel a continually growing affinity for the new Azur 650R AVR from Cambridge Audio (that’s the “other” Cambridge for you Massachusetters). Since it began in 1968, the company has made a well-respected, high-fidelity name for itself. It even built the world’s first two-box CD player. After a tough time in the mid-’80s, Cambridge Audio was acquired by Audio Partnership, which currently owns a number of other venerable U.K. brands. As I hear them tell it, this economy of scale is a good thing for Cambridge Audio—and something that most higher-end companies don’t normally enjoy—because such a spread of brands lets the parent company employ an unusually high percentage of engineers on their staff (almost 40 percent). They happily tell the fact as if it guarantees them success and good cheer. Or at least good gear. I certainly expected it to be that way. I was initially impressed by the specs and build quality, so it surprised me when I didn’t keep that warm and fuzzy-logic feeling after I first set up the Azur 650R. In fact, I began to think that maybe Audio Partnership had hired too many engineers.

For many years, European speakers-especially bookshelf models-have had the reputation for their inability to produce the quantity of bass that the majority of ears on this continent like to hear. Canton's AS subwoofer line-a range of powered subs aimed at providing affordable, yet substantial bass response to the sector of masses seeking better-than-average performance-ought to help lay that old notion to rest for good.