Among Monitor's 18 new products are three in-wall/ceiling models. From left to right they are the C380FX ($500/each), W380LCR ($600/each), and C380LCR ($600/each). The latter two feature coaxial driver arrays with an unusual twist: the woofer is convex, not concave, so it follows the shape of the dome tweeter. And the whole driver assembly swivels, so it has a better chance of hitting the right seating position.
Shortly after Steve Jobs became a music mogul, the iPod became something of a home audio server. This brilliant left turn has made everyone's favorite white object of desire a doubly useful device that entertains whether you're at home or on the go. Although a Mac is something of a technological island unto itself, the iPod is a more pragmatic creature. It's on speaking terms with not only—shock, horror!—Windows PCs, but with a variety of other devices, from staid-black surround receivers, to far-flung multizone empires, to slick standalone compact systems like Monitor Audio's i-deck.
While waiting to be briefed on Monitor Audio's GX Series, we couldn't help being fascinated by the incredible woofer excursion of the GX50 ($1795/pair, left) -- not to mention how little influence it seemed to have on the tweeter output. Turns out the GX Series is a re-do of the old Gold Series. All drivers are made of C-CAM, a ceramic powder coated aluminum magnesium. The high-res ribbon tweeter is crossed over at 2700Hz, indicating a healthy appetite for power. The 15-ply red bubinga woodgrain covering the one-inch MDF on the speaker was unusual, subtle, and lovely and the cabinet did well in the knuckle-rap test. Other GX models include another stand-mount, two towers, two centers, and sub.
Satellite/subwoofer sets and stand-mount speakers were conspicuous in their near-absence from this year's CEDIA but Monitor Audio showed three different (and differently shaped) sats. From left to right: The newest member of the family is Monitor's flagship sat, the Apex 10 ($1000/pair). Though the pic doesn't show it off well, the woofer has a dimpled surface that enables it to be both thin and strong, increasing clarity and reducing distortion. The MASS (Monitor Audio Satellite System), introduced at CES, is a 5.0-channel system selling for $699. Its fabric-wrapped polymer enclosure has a distinctive shape designed to inhibit bass-bloating standing waves. The Radius ($500/pair), an existing line, has been upgraded with a one-inch tweeter and four-inch woofer. Monitor's proprietary driver material is C-CAM, a ceramic-coated aluminum-magnesium blend. In all cases complementary centers and subs are available. Oh, and the speakers plug into their stands, with binding posts for cable at the bases of the stands.
Monitor Audio's SF3 in-wall ($399/each) uses a dyed sublimation process -- not Freudian as far as we can tell -- to allow reproduction of any high-res image on the grille, so it hardly looks like a speaker. Monitor also showed a couple of biamped idecks and new trimless in-walls with rounded corners reminiscent of Apple products.
Monitor Audio's Shadow on-walls come in four sizes, all with four-inch flat mid-woofers and the famous C-CAM tweeter used in company's other speakers, built into tough extruded aluminum enclosures. Prices range from $849 to $1649 per pair. They sounded mellower than is typical for Monitor and were home theater worthily dynamic.
There are loads of compact audio systems with AirPlay and Bluetooth wireless compatibility at CES, but how many of them include Monitor Audio's one-inch gold dome tweeter and four-inch aluminum woofer in a biamped configuration for a mere $500? The Airstream 5300 has wider dispersion than an earlier model, with tweeters pushed to the far sides of the baffle, and it has a threaded insert for wall mounting, a nicety you won't find in many competitors.
Monoprice, which started with cables and went on to offer tons more things at affordable prices, bowed three new subwoofers under its Monolith brand, maker of respected multichannel muscle amps.