Why is a handle protruding from this cutaway mockup of JL Audio's Fathom IWS in-wall sub? It's to demonstrate how the enclosure floats in a padded chamber, thus reducing bass-ruining resonance. Fathom IWS is available in two versions, one with a single amp and cabinet ($2500) and one with dual amps and cabinets ($4500). Both 2x4 and 2x6 construction are accommodated. This product was first demonstrated at CEDIA two years ago but is finally shipping this year.
Steve Jobs has finally found a situation he can't bluff or bully his way out of. He has, however, bought his way out of a longstanding tiff with Creative Labs, which holds valuable patents on the workings of music players—including the iPod. A $100 million settlement will end court battles and heal all wounds. Jobs' comment on the outcome is wry and brilliantly understated: "Creative is very fortunate to have been granted this early patent." And in case you were wondering, he adds: "This settlement resolves all of our differences with Creative, including the five lawsuits currently pending between the companies, and removes the uncertainty and distraction of prolonged litigation." The settlement will leave him freer to contemplate finer things, like warm batteries and cool Scandinavians. Folks at Creative, meanwhile, are looking forward to a harmonious future with Apple. Says victorious CEO Sim Wong Hoo: "Apple has built a huge ecosystem for its iPod and with our upcoming participation in the Made for iPod program we are very excited about this new market opportunity for our speaker systems, our just-introduced line of earphones and headphones, and our future family of X-Fi audio enhancement products." Unmentioned: Creative's Zen player, pictured. He's also pleased about the 85 cents per share Creative stockholders will reap from the settlement. Who wouldn't be?
Just in case you've been living in a cave for the past week--or perhaps just live a normal healthy life, in which case I envy you--then you've heard about the Steve Jobs DRM manifesto. Jobs wants to have his DRM and denounce it too. His adroit repositioning of himself in the public eye bodes well for the continued vigor of iPod sales. The first and most amusing reaction came from the Recording Industry Antichrist of America, which enthused: "Apple's offer to license FairPlay to other technology companies is a welcome breakthrough and would be a real victory for fans, artists and labels." It would also mollify various European regulators who object to the binding of iTunes downloads to iPods. Only problem is, Apple offered to do no such thing. The emailed missive has not appeared on the RIAA site. More relevant, perhaps, was EMI's announcement that a large percentage of its catalogue would become available via no-DRM MP3 downloads. Apparently the Norah Jones experiment was a success. Warning: While MP3 is immune to DRM, it is not immune to watermarking that would embed purchase information in the track metadata. If a download with your name on it ends up in the P2P moshpit, you could be in big trouble.
This story would be hilarious if it weren't for the pain and suffering inflicted on a hapless jogger toting an iPod. Caught in a thunderstorm, the Vancouver resident was struck by lightning and sustained serious injuries when the iPod and its cables conducted current into his body.
Coming soon to a computer monitor near you is Joost. Formerly known as the Venice Project, this new mode of video delivery was invented by the founders of Skype and Kazaa. No, it's not a video download service. Nor is it a file-sharing application. Instead, it delivers video in the form of P2P streaming. Among the components of the system are powerful data compression, a global index to coordinate the flow of data, and 40TB of server capacity to augment users' hard-drive cacheing, making this what the inventors describe as a "hybrid" system. Thousands of beta users in several countries are already having fun with it and the service will launch officially in June. The Joosties seem willing to make nice with content producers, with Warner Music in the fold, and you'll even see ads for T-Mobile and Wrigley chewing gum. Eventually the service may move from the Internet to set-top boxes. Official site, Wired feature.
The Joseph Audio people say their Insider is designed "to solve the fundamental problem of in-walls"--the tendency of tweeters and woofers to interfere with one another. There is secret sauce in the crossover and consistent off-axis response is a major benefit. Drivers are high-end stuff sourced from Norway. Presumably all that high-caliber design and materials justify the price of $2500/pair.
The big news from Monster Cable is that Monster Cable is no longer Monster Cable. It's just Monster, period. For the first time the company's well-attended press event made virtually no mention of cable products (aside from a press release on ISF-certified HDMI cables). We're guessing Monster is not withdrawing from the still lucrative cable market. It's just that Head Monster Noel Lee has found something even more lucrative and au courant: designer headphones.
Will better sound help a non-iPod product succeed in a iPod-centric world? JVC is
betting on it with the Alneo XA-HD500. Now, I’m not saying the iPod sounds bad. The
minis and nanos I’ve heard sound pretty good. But the Alneo has an edge in
transparency that becomes immediately obvious with a high-end classical recording like
Mozart’s Clarinet Concerto (K622), as played by the Michelangelo Chamber
Orchestra with soloist Antony Michaelson. Normally I don’t expect miracles from MP3
files, even when ripped at 192 kilobits per second, but I was amazed at the fragile
beauty of the string sound and the air that surrounded the solo instrument. I was
hooked.
Will better sound help a non-iPod product succeed in a iPod-centric world? JVC is betting on it with the Alneo XA-HD500. Now, I'm not saying the iPod sounds bad. The minis and nanos I've heard sound pretty good. But the Alneo has an edge in transparency that becomes immediately obvious with a high-end classical recording like Mozart's Clarinet Concerto (K622), as played by the Michelangelo Chamber Orchestra with soloist Antony Michaelson. Normally I don't expect miracles from MP3 files, even when ripped at 192 kilobits per second, but I was amazed at the fragile beauty of the string sound and the air that surrounded the solo instrument. I was hooked.