Mark Fleischmann

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Mark Fleischmann  |  Feb 23, 2009
Price: $2,144 At A Glance: Doughnut-shaped speakers fit just about anywhere • Withstands tough environments • Wireless sub makes your life one cable less complicated

Cornered and Wireless

Fade up on an open box of doughnuts. Are they Krispy Kremes or Dunkin? Leave that to the product-placement department.

Mark Fleischmann  |  Sep 15, 2008
Looking like a winner right out of the box.

Producing loudspeakers at mass-market prices is a thankless task. It takes the resources of a big company like Harman International to do it right. I’ve determined in one review after another that JBL has long been a budget-speaker champ. You could even call me a JBL fan. But I was still surprised when I took the ES20 loudspeaker out of its box. Its tapered non-rectangular form announced that this was no low-end junk-in-a-box speaker, even at $399 per pair. And the surprises didn’t end there. This is the first budget speaker I’ve reviewed that boasts a super-tweeter in addition to the usual tweeter and woofer.

Mark Fleischmann  |  Jan 10, 2007
The JBL Control On Air 2.4G is so eager to identify itself that it approaches incoherence. It's based on the way-cool rubber-clad indoor/outdoor Control1Extreme speaker (whose 1980s grandpapa is the Pro III) with a 2.4GHz wireless thing. Now the name makes sense, doesn't it?
Mark Fleischmann  |  Jan 06, 2011  |  Published: Jan 07, 2011
While it wasn't new, and didn't have the ultimate refinement of the Revel/Levinson system playing in the adjacent room, the imaging of JBL's massive horn-loaded Synthesis 1400 was striking and endlessly engaging. With two of these, you don't need a center speaker. With Mark Levinson electronics, the system weighed in at $44,500.
Mark Fleischmann  |  Jul 06, 2010

Performance
Value
Build Quality
Price: $4,694 At A Glance: Three-way monitor with horn-loaded tweeter and super-tweeter • Ebony/mahogany side panels • Tightly focused soundfield and good bass

Two-Horned Demon

Hey you. Did you notice what I just did when I yelled at you? I cupped my hands around my mouth. That guided my voice’s acoustic output toward your ears. It also limited its off-axis response to reduce room interaction, enabling you to hear me better. You probably noticed that it also introduced an added coloration to the sound of my voice. But you heard me, didn’t you?

Mark Fleischmann  |  Sep 15, 2006
These two JBL sat/sub sets are so cute, I couldn't decide which picture to run. The sexy globe at top left is the CS480 ($700 for a 5.1-channel set). The inverted wine bottle at bottom right is the CS6100 ($1000/5.1-ch set). Both are two-way designs with 3.5-inch woofers and come with 12-inch subs. You, the reader, decide--which one should I review?
Mark Fleischmann  |  Nov 14, 2014

Studio 230 Speaker System
Performance
Build Quality
Value
Studio SUB 250P Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,630

AT A GLANCE
Plus
Efficient, high output
Vocal clarity and defined soundfield
Affordable price
Minus
Thin, accentuated top end
Best at low-to-moderate volumes

THE VERDICT
Although their bright voicing may not be for everyone, the JBL Studio 2 speakers combine high efficiency with excellent detail retrieval.

What if the solution to room-interaction problems resided in your loudspeakers? Wouldn’t that be a great alternative to the ills of receiver-based room correction systems? Those are some potentially interesting questions posed by JBL’s Studio 2 series.

For starters, who needs room correction anyway? Well, when it’s hard to catch the dialogue, and imaging smears all over the place, the room correction program in your A/V receiver can mitigate those problems (depending on the receiver and the room). But quite often, it also introduces new artifacts and errors. For my own part, in my own room, I find that many room correction systems thin out the overall tonal balance and induce fatigue. That’s why some audiophiles shun room correction and choose to live with the acoustic character of their room, for better or worse—usually both.

Mark Fleischmann  |  Sep 22, 2009
The high-end audio industry mourned as Jim Thiel, who cofounded the speaker brand that bears his name, died last week. He was 61.
Mark Fleischmann  |  May 21, 2007  |  Published: Apr 21, 2007
Brains, brawn, and bombast.

"Eventually," one of my musical idols once told me in an interview, "everything you said you'd never do, you do. If you're lucky, you get to shake hands with Arnold Schwarzenegger." Those words of Robyn Hitchcock came back to me as I wrestled the JL Audio Fathom f113 subwoofer out of its carton. (The Governator himself couldn't weigh much more.) I've told other manufacturers that I just couldn't see myself working up a thousand-plus-word lather about a sub. What was it about this one that made me change my mind?

Mark Fleischmann  |  Sep 17, 2006
The best thing I heard at the show was the JL Audio demo. Partnered gear included a SIMS2 projector, Screen Research screen, HALCRO Logic disc player, Dynamat acoustic treatment, and Tributaries cable plus JL's speakers, subs, and electronics. The demo had everything that matters including big bass, non-abrasive midrange, and wide dynamics. Subs are extremely adjustable, using either an automatic setup routine or manual controls.

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