Chris Chiarella

Ridley Scott is putting us through much the same ringer with the Alien franchise he began, famously returning for 2012’s technically accomplished but overly complicated Prometheus (also newly available on 4K). And now he’s back again with Alien: Covenant, which might just be the nadir for the series.

You’ve seen me write in these pages about the allure of the Microsoft Windows Vista operating system for PC, with its integrated Media Center application for serious next-generation living rooms. And you probably have one or more techy friends who extol the virtues of their multimedia PC, with its countless hours of stored music and video, TV recording, and the benefits of Internet access. But beyond custom-building your own rig or buying a traditional tower to stand next to your stylish A/V rack, how can you introduce a home-theater-friendly computer to your HDTV? Several manufacturers offer PCs with a form factor in the realm of traditional consumer electronics, namely a horizontal box with a remote control and a front-panel readout. The release of Alienware’s first such machine, the DHS-321, kicked off an evolution from that “digital home system” to their new high-definition entertainment center, code-named Hangar18.

The problem with writer/director David O. Russell’s most recent outing, Amsterdam, might be summed up as “too many”: too many famous faces cast as too many characters possessing too many quirks to the point that it feels like a great big party for them but rather a chore for us, especially considering the two-hour-plus runtime. Much like his overwrought American Hustle, it combines a fictitious storyline intertwined with historical events, and this time at least it sheds light on some forgotten but worth-remembering chapters from our past.