Chris Lewis

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Chris Lewis  |  Nov 17, 2005  |  0 comments
A new page—or is it the first page—in the annals of Japanese-Danish collaboration.

It's a true testament to the international character of home theater, circa 2005, that so many of our Spotlight Systems include equipment from different countries—which usually provides a convenient opening angle in the process. Some of these worldly connections have been easier to make than others, and I already thought I was stretching things in our August 2005 issue by trying to come up with a compelling storyline for England and Japan. This time, I'm officially stumped. If you can come up with an introduction-worthy link between Japan and Denmark, then consider yourself truly educated in world affairs. I certainly like to imagine a band of Vikings and a band of Samurai trading blows on the battlefield, but, somehow, I don't think that ever happened. It's possible that these two countries squared off on a soccer field at some point, but I'd be the last person to know about that. Maybe this is finally a sign that I should stay more focused on what we're all really here for anyway—what these countries do when they get together in the listening room. Point taken.

Chris Lewis  |  Apr 09, 2002  |  Published: Apr 10, 2002  |  0 comments
Who says HTIBs have to sound bad?

I can still remember the first time I heard the phrase "high-end home-theater-in-a-box" uttered in public and the reaction it brought at a press conference. Half of the crowd simply laughed off the idea, and the other half began muttering about the demise of civilization, openly pondering the oxymoronic nature of what they had just heard. Admittedly, I counted myself in the former group. While I didn't take the announcement as confirmation that the apocalypse was upon us, I did chuckle, make a few sarcastic remarks to those around me, and begin setting an over/under in my mind for how long it would take for this piece of marketing magic to expire. After all, who was going to pay thousands of dollars for a system that came in a single package?

Chris Lewis  |  Jan 18, 2005  |  Published: Jan 19, 2005  |  0 comments
Polk's LSi Series in an out-of-sight, out -of-mind variety.

I've come to look at home theater's many worlds much like various animals of the same species—common bonds clearly exist, but, at the same time, differences abound. Home theater works the same way. You've got high end and entry level, hobbyist and mass market, retail and custom install, and so on. They're all similar but distinctly different—particularly custom-install components. Anyone familiar with custom A/V systems will tell you that, if you'll allow me a bad pun, they're a very different animal.

Chris Lewis  |  Oct 15, 2004  |  Published: Oct 01, 2004  |  0 comments
Custom sound for those who care about sound.

To the casual observer, the home theater world probably looks relatively homogenous. After all, home theater isn't big enough, established enough, or varied enough to break itself into endless sub-categories yet, is it? The truth is, categorization has been a part of home theater from the beginning, and the gap between its two main sub-categories—let's call them conventional products and custom-install products—is wide. When it comes to speakers, the gap is only getting wider.

Chris Lewis  |  Jul 14, 2003  |  Published: Jul 15, 2003  |  0 comments
Revel with a Cause: Innovative drivers are the core of Revel's next Performa generation.

A successful loudspeaker is, of course, the sum of all of its parts. As important as the cabinet, crossover network, and other elements are, though, drivers are the foundation. It's hardly surprising that the quest for the perfect driver began even before the debut of the first loudspeaker. The ultimate goal, for dynamic drivers at least, is getting the cone to act like a pure piston, preventing the diaphragm from changing form in any way as it moves in and out. Cone material is vitally important in several ways, not least of which is walking the fine line between having the low mass and speed necessary to respond to even the most subtle electrical cues and having the strength to endure punishment and the stiffness to avoid distortion-inducing cone breakup.

Chris Lewis  |  Jul 11, 2002  |  Published: Jul 12, 2002  |  0 comments
Who says small companies can't make big waves?

The fireworks are popping, the burgers are grilling, and the bourbon is flowing, which can only mean one thing: It's the end of another workday at the Lewis house. When that day falls early in the month of July, you can bet that some extra contemplation of all things American will be on the itinerary, as well. Let's face it: Is there anything more American than an underdog? I'll bet Ron Fone and Eugene Tang don't think there is, which may be why they decided back in 1998 to start Sherbourn right here in the USA—in Boston, no less. Sure, market size, the economy, and the fact that both men were already working for American companies were undoubtedly the real cause. But, somewhere in the back of their minds, they had to figure that, if a loose confederation of farmers, merchants, and castaways from all over Europe could defeat (or at least outlast) the greatest military power of the time and forge a nation that would quickly become a world superpower, then a small, sharply focused amplifier company just might be able to shoulder in with the big boys and get its piece of the pie.

Chris Lewis  |  Jul 20, 2005  |  0 comments
The high end of high-end universals.

There are essentially two types of high-resolution audio: that which comes out of a high-end player and that which doesn't. Now, before I go on extolling the virtues of high-end players—and when I say high-end, I'm not talking about price alone—I should point out how impressed I am even by what inexpensive players can do with SACD and DVD-Audio. I've heard these formats sound good coming out of sub-$500 players, and that, to me, is one of the most telling indications that these formats are indeed living up to their promise of significantly higher-quality digital sound. But, as with CD, vinyl, or any other format that preceded SACD and DVD-Audio, they sound that much better through a top-shelf player. You can't say you've truly experienced a format until you've experienced it from a high-end system, and a true high-end system starts with a high-end player.

Chris Lewis  |  Jul 02, 2001  |  Published: Jul 03, 2001  |  0 comments
The Highs and Lows of Super Audio: Sony's SCD-CE775 five-disc SACD player offers high resolution for a low price.

We know all too well that there are lots of new formats out there. We also know firsthand that this means a lot of spending and a whole lot of studying to try to keep pace. If everything falls into place as it should, there will come a day a couple of years from now when you'll slide into that easy chair, throw some high-definition television on the screen or some high-resolution audio into the speakers, and smile from ear to ear, wondering how you ever lived without either. No one ever said change was easy; however, from what I've seen and (more importantly) heard over the past couple of years, I have no doubt that this change will be worth it.

Chris Lewis  |  Jun 16, 2005  |  0 comments
The $500 receiver thicket gets thicker.

It's odd that when you're really good at one thing, people tend to forget that you might be good at other things, too. Take Babe Ruth. Everyone remembers the bat, but not everyone remembers that he was strong in the field, as well. The guy even pitched in the majors, winning 23 games one year. Let's see Barry Bonds do that, with or without steroids. Sony's situation is somewhat similar. Play quick association with the word Sony, and you'll most likely get the word "video," if not "televisions" specifically. Their video reputation is well deserved, but people sometimes forget that Sony has some solid audio products as well—products that are bigger than Walkmans and headphones.

Chris Lewis  |  Oct 01, 2003  |  0 comments
The name says it all.

It's funny to me that so many people try to convince you that the high end is a relatively insignificant factor in the grand scheme of all things audio. Admittedly, if you put the sales figures of one large, mass-market manufacturer next to those of even several high-end manufacturers combined, the former will dwarf the latter every time. But when has audio ever been about sales figures? I certainly don't have space here to elaborate on everything that high-end audio companies do for the middle and lower ends, both tangibly and intangibly. However, one of those benefits is particularly relevant here: the issue of perception. It's hard to overstate the significance of high-end manufacturers getting into the receiver business. Certainly, high-end manufacturers have raised the receiver bar in terms of performance, the quality of internal componentry, and features, but they've also had a tremendous impact on the way that people look at receivers, legitimizing a form that many people consider to be inherently compromised for the sake of convenience and price.

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