Chris Lewis

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Chris Lewis  |  Nov 07, 2004  |  Published: Nov 01, 2004  |  0 comments
Room correction as it was meant to be.

The room-correction band-wagon is already rolling across the home theater plain, and it's rapidly gaining momentum with each new batch of model releases. Several products, from the highest-end pre/pros to the lowest-end receivers, are touting room assistance these days. This is hardly surprising—in fact, the more-surprising part is that it's taken this long for the broader run of electronics manufacturers to embrace the idea. After all, room interaction will always be the single most important factor, by far, in making an audio system sound right in its particular listening environment. Naturally, it's in the manufacturer's best interest to provide as much help as possible. Fair or not, the vast majority of users are going to blame the product, not the room, when they hook up their system and it doesn't sound good. Considering the challenges that the vast majority of users' listening environments are going to present, it's easy to see why even a little correction could go a long way.

Chris Lewis  |  Dec 15, 2004  |  1 comments
Post-time for B&W, Dynaudio, Phase Tech, and PSB.

The odds of finding a horse for $3,000 that will win the Kentucky Derby are about as good as they are of me hitting the Pick 6 at Santa Anita Race Track—in other words, it ain't gonna happen (although, in the case of the latter, it won't be for lack of trying). Even Seattle Slew, one of the great bargains in horse-racing history, carried an initial price tag of $17,500.

Chris Lewis  |  Jul 02, 2001  |  Published: Jul 03, 2001  |  0 comments
Part two in our high-resolution-audio series introduces SACD and DSD. The CD is dead. Long live the super CD.

You must allow me a bit of hyperbole for the sake of a powerful opening statement (which, as I assume they say in journalism school, is important). The truth is, the CD is about as dead as the analog television, which means it's alive and kicking just as it has always been. Still, the writing is on the wall for both formats. While the CD can at least take consolation in the fact that it doesn't have government mandates guaranteeing its demise, the future of audio has most definitely arrived (as with television) in the form of high-resolution. Let's not forget multichannel, either. While the hard-core music lovers are salivating over the potential of high-resolution, most are well aware that popular acceptance in America usually requires the new and different to be as big and flashy as possible. On many systems, the multichannel format is undoubtedly going to represent a more-noticeable change in the way people listen to music.

Chris Lewis  |  May 09, 2002  |  Published: May 10, 2002  |  0 comments
Our first look at Ultra 2 and the first certified system from Snell and Pioneer.

It may be time to start asking the question that's asked of all pastimes with hobbyist roots when their popularity surges: Is home theater a permanent cultural phenomenon or just another fad destined to burn out before its time? Recent evidence certainly shades the former. DVD-Video has been the catalyst for an unprecedented boom in the popularity of home theater and should probably be credited with completing home theater's undeniable transition from novelty act to mainstream entertainment that began with Dolby Surround and the first inexpensive multichannel speaker system. But is home theater a cultural phenomenon the way that the computer is a cultural phenomenon? Do a majority of Americans actively seek to make it a part of their lives day in and day out? Not yet—but home theater's high-water mark is still to come.

Chris Lewis  |  Sep 04, 2001  |  Published: Sep 05, 2001  |  1 comments
Pondering an age-old home theater question.

Simplicity, where have you gone? Let's be realistic for a moment: This little home theater hobby of ours, circa 2001, is usually confusing, occasionally mind-boggling, and flat-out intimidating to the uninitiated. Do we love it any less as a result? We certainly shouldn't. While we should always expect the equipment manufacturers and software providers to make things as simple as they can, the bottom line is that, in the A/V realm, confusion is often only a temporary state, brought about by increased opportunity, quality, and flexibility. These are confusing days because they are evolutionary (and occasionally revolutionary) ones. Granted, it may not be easy to get a grasp on several new soundtrack-processing formats, two entirely new audio formats, new video formats and technologies, and a radical overhaul of our television system—all at the same time. However, if you can't see some good in all of this (and if you don't find it all to be at least as exciting as it is perplexing), maybe you'd better find a new hobby.

Chris Lewis  |  Nov 07, 2004  |  Published: Nov 01, 2004  |  0 comments
Toshiba gets in on the universal-for-everyone game.

If you sift through the Home Theater archives over the last few years, I think you'll find that I've been as optimistic as anyone about the future of universal disc players. That's saying something, too, because optimism isn't exactly my natural state. Still, even as sure as I was that universal players had a bright future, I wouldn't have dared predict that, a couple of years after the debut of the first model, there would be so many others to swell the ranks. It's not just the proliferation of players over that time period that's noteworthy, but also that they exist in healthy numbers at all price points, from the four-figured high-end realm through the around-$1,000 middle range and right down to the priced-so-that-almost-anyone-can-afford-them territory that we're exploring here.

Chris Lewis  |  Dec 27, 2000  |  Published: Dec 28, 2000  |  0 comments
Progressive isn't just a buzzword anymore.

The march of technology has always been a double-edged sword. On one edge, progress brings new and, on most occasions, better products that give us a higher-quality viewing and listening experience with more options, increased ease of use, etc. On the other edge, new technology has a way of making its predecessors (that we often paid a lot of money for) old-fashioned at best—and, at worst, obsolete. Technology manufacturers do seem to be getting more empathetic about this. Computers are considerably more upgradeable than they were a few short years ago. Even in the consumer electronics world, we're seeing more and more attention being paid to futureproofing the current crop of upgradeable preamplifier/processors and televisions—two product groups that are probably the most susceptible to change these days. As tough as deciding what to buy in any technology-based market is determining when is the best time to buy it.

Chris Lewis  |  Feb 02, 2002  |  Published: Feb 03, 2002  |  0 comments
It sounds much bigger than it looks.

The question is an old but still fundamental one: Can you make small speakers perform like big speakers? This isn't necessarily the question that creators of small speakers ask themselves during creation, nor will it probably enter the mind of the small-speaker consumer at the time of purchase. Still, I'll wager that it's the first question your ears will ask when you place them in the middle of your new compact home theater system. Let's face it: All other factors being equal, it's easier for large speakers to do certain things, and many of these things are especially critical in your home theater.

Chris Lewis  |  Feb 24, 2003  |  Published: Feb 25, 2003  |  0 comments
Nice little sub, nice little price.

It's funny when I think back now about how long I resisted getting a cell phone. Maybe it had something to do with living in Los Angeles and watching people in their spotless, scratch-free SUVs: latte in one hand, cell phone in the other, chattering away to someone they want us to think is their agent but is more likely their dog's therapist—or no one at all. Now that I have one, though, I don't know how I lived without it. The same

Chris Lewis  |  Oct 01, 2003  |  0 comments
Wholehouse systems are primed for a run, and one-box solutions may be the trigger.

Every year, predictions that the fully connected home has almost arrived resound across the country. To hear it told, someday soon, we'll all look back and laugh at how barbarian we were back in the dark ages before we could walk into a room, hit a button, and instantly be swept up in music or movies that originate in a remote closet or basement that never offends the eye with its black-box contents. Why does the optimism continue year after year without blockbuster results? Because it is true. Wholehouse audio/video and home networking are going to explode; it just hasn't happened yet.

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