Bookshelf Speaker Reviews

One of the home theater industry’s greatest sins is modesty. If excessively modest people hide their lights under a bushel, speaker and receiver manufacturers go them one better, hiding their achievements in boxes. Boxes with drivers on the front, boxes with buttons and knobs that sit in a rack—boxes. True, surround speaker packages that break away from the boxy norm are slowly making inroads into the conservative milieu of home theater, just as some clever surround receivers boast digital amps and slim form factors. This month’s Spotlight System does none of those things. To divine what’s special about it, you’ll have to look deeply into its soul.

"The only thing constant is change" is a corollary that surely applies to consumer electronics, as new technologies and products are regularly brought to market. Loudspeakers are no exception; however, it seems as though some speaker designs remain timeless. A good example is coaxial speakers that have passed the test of time because they work. The French manufacturer Cabasse produces an entire line of speakers built around the coaxial design, and their latest offering is the Eole 5.1-channel speaker system.

I'm a bit reluctant to say this, but my experience with Boston Acoustics goes back a long way – to the days when the Boston Acoustics A40 and A70 speakers were the giants of the bookshelf speaker world. In fact, most of the Boston A-series speakers back then were highly regarded when it came to sound quality. Build quality was so-so but decent for late-1980s vinyl-wrap box cabinets. Just about any store that carried them sold tons of Boston Acoustics' bookshelf and floorstanding speakers, and they were proud to do it, too.

Nowhere is the universal human desire to get something for nothing more evident than in consumer electronics. While I'm always amenable to reviewing mass-market gear that offers high value to the consumer, I also spend a large portion of my time convincing more discerning listeners that an investment in higher-priced gear is really worth it. Why, then, would I work up a froth of enthusiasm for a modest subwoofer/satellite set like the DCM Cinema2? It would be convenient simply to say that I heard it and liked it, but the truth doesn't always lend itself to a glib lead.

Why do people who spend for- tunes on their cars look askance at high-end audio equipment? They wouldn't be seen dead backing a budget SUV out of their driveways. But, when they choose the gear that mediates their relationship with music and movies, they condemn themselves to poverty. Audio systems are shadows to them. They're all the same, so why pay more? These sad people drive their $70,000 cars to Circuit City and pay three figures for a mediocre HTIB. I once wrote about portable audio for an outdoorsy men's magazine. When I suggested that high-end headphones are as valid as high-end hiking gear, the editor gave me a perplexed and somewhat dirty look.

At some point in the evolution of home theater, someone noticed that the phrase includes the word home. At that point, weird and wonderful things began to happen. Speakers morphed into smaller, more rounded, and occasionally more imaginative shapes. The surround receivers that fed them maintained their black-box identities but moved discreetly into closets. Back panels began to sprout extra jacks, the better to interact with touchscreen interfaces, second zones, and other niceties that have become staples of the connected home.

I've come to appreciate that, when it comes to evaluating speakers, first impressions count—big time. Immediate gut reactions typically run from, "I like them," to, "Yuck, turn them off." The latter tend to instantly put the kibosh on any prospective speaker purchase, but initial positive responses usually get revised as you hear different kinds of music and movies—something along the lines of, "Wow, the bass is amazing," or, "The imaging is spectacular." My first brush with Boston Acoustics' new Reference E Series E70 speakers took place at D&M Holdings' facility in Mahwah, New Jersey. (D&M is the parent company of Boston Acoustics, Denon, and Marantz, along with McIntosh, ReplayTV, Snell Acoustics, and a few other brands.) I saw and heard a lot of cool products that day, but I was instantly smitten with the E Series' transparent sound and sleek good looks. The E Series lineup includes the flagship E100 tower speakers ($2,500 each); two L/C/Rs, the E70 ($800 each) and E50 ($500 each); and two monitors, the E60 ($600 each) and E40 ($400 each).