Projector Reviews

Walking around at CES 2006 it wasn't difficult to ascertain what's coming down the road in video: 1080P and lots of it. While in years past it's been simple to embrace 720P front projection due to the lack of 1920x1080 HD sources, that argument is losing some steam. There's more HD on satellite and cable all the time, and according to the companies involved HD DVD and Blu-ray will arrive in the first half of this year. And Marantz and all the other companies who are in the 720P DLP business made it clear that this year will see them enter the 1080P DLP business.

While my <A HREF="http://ultimateavmag.com/videoprojectors/1205sony/">December 2005 review of this video projector</A> was complete in most respects, the absence of our Photo Research colorimeter (in the shop for repairs) did leave a few holes in the formal measurements. These were promised for this Part II.

<I>When our Photo Research PR-650 SpectraScan Colorimeter&mdash;the tool we use to calibrate most of the projectors we review&mdash;went into the shop for repair recently, not destined to emerge until mid January, a decision had to be made. The Sony VPL-VW100 is one of the hottest video products to hit the market this year. Do we wait until January to post our full review, or bring you what we have now&mdash;observations based on using the user controls, a test DVD or two, and experience with other well-calibrated displays&mdash;followed up later by additional details, including a full calibration. I decided on the latter, to bring you the information we have just as soon as possible, making this first-ever </I>Ultimate AV<I> two-part review that doesn't involve more than one product. Part two of this review can be found <A HREF="http://ultimateavmag.com/videoprojectors/206sony2/">here</A>.&mdash;TJN</I>

All videophiles are looking for the holy grail&mdash;a video projector that will blow everything else out of the water and cost next to nothing. Short of the industry adopting the business model used for computer printers (charging $100 for the projector and $4000 for a replacement lamp), that next-to-nothing price will likely remain a dream. But manufacturers are competing hard to make good home theater projectors much more affordable, if not exactly cheap.

In 2001: A Space Odyssey, we were introduced to HAL 9000—a plucky computer that likes long walks at night, organization, and things not named Dave. In 2010, we found out that we were going to need a bigger boat and that HAL had a sibling: Bob. Or it may have been Phil. It certainly wasn't Knight Industries Two Thousand. It turns out that four years after and five years before, a middle sibling has been discovered: PJ. (Lame, I know. I'm sorry.)

While separate projectors and screens are not for everyone, for many of us they define the essence of the true home theater video experience. A big-screen television is fine as far as it goes, and certainly appeals to a wide market. But nothing quite matches the thrill of watching a theater-like image on a really big screen in a darkened room.