CEDIA 2010

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Tom Norton  |  Sep 27, 2010  |  0 comments
Also by Monitor Audio was a new line of Monitor Audio premium in-or-on-walls (available in either form factor). The Soundframe 1iW, shown, utilizes a coaxial driver from 250Hz up. A con-shaped, convex midrange surrounds Monitor's signature gold-colored tweeter. This driver technology should be a natural for the mid/tweeter response in a conventional box horizontal center flanked by a pair of woofers. The Soundframe 2iW, not shown, actually does use this configuration, but with a single woofer. The 1iW and 2iW sell for $800 each.
Ultimate AV Staff  |  Sep 21, 2010  |  0 comments
Scott Wilkinson will be reporting live from CEDIA Expo 2010 at the Georgia World Congress Center in Atlanta, Georgia starting September 22nd.

The CEDIA (Custom Electronic Design & Intallation Association) Expo is where many high end audio/video manufacturers preview upcoming products for the media, dealers, and installers of custom home theaters and whole-house audio/video systems.

Darryl Wilkinson  |  Sep 22, 2010  |  0 comments
CEDIA is giving Joel Spira, founder of lighting control manufacturer Lutron Electronics Co., Inc., the organization’s 2010 Lifetime Achievement Award. The award “recognizes an individual who has exhibited outstanding, creative, innovative, and visionary leadership in the growth and advancement of the residential electronic systems industry”. What has Mr. Spira done to deserve such an honor? For starters, he invented the world’s first dimming device back in 1959, which launched Lutron as a company, as well as helped revolutionize the lighting control industry. In the years since, Lutron estimates they have made it possible for owners of the company’s lighting control devices billions of dollars in energy costs – not to mention all the personal benefits of convenience and enhanced lighting ambiance.
Darryl Wilkinson  |  Sep 24, 2010  |  0 comments
The background stories of most trade shows typically involve too much walking, too much drinking, and too much hyping. And there’s plenty of that to go around here at CEDIA. But one of the good parts of being in the custom installation industry is that, for the most part, the people involved are usually decent, good people. It didn’t take long for me to discover that sometimes forgotten fact on Thursday when I reached down to find my phone not snuggled close to my hip in its holster. After a brief period of panic during which several people heard me cry for my mommy, I ran into friend and past HT Mag contributor, David Birch Jones, who explained that there was such a thing as calling your own phone to see if anyone who might have found it would answer. (I was dumbfounded at the concept!) It didn’t take more than two rings before CEDIA Samaritan, Andrew Bransby of MD Central Vacuums (www.builtinvacuum.com), answered to say that he had indeed found it and was holding it safe at the MD Central Vacuums booth (right across from LG). Thanks, Andrew, you’re a lifesaver!
Tom Norton  |  Sep 25, 2010  |  0 comments
No Cell-chip based 3DTVs, previously shown at CEDS, were in evidence at this year's Toshiba booth.
Mark Fleischmann  |  Sep 24, 2010  |  0 comments
The front of the Classé CT0M600 mono-block amp does double duty as faceplate and ventilation panel, with heat vented around the dove grey center papel. The 600-watt amp costs $6500 -- multiply that by five, seven, or whatever. To go with it you may want the SSP-800 pre-pro which is HDMI 1.4 compliant and goes for $9500. The company also showed the CP-800 stereo preamp with iPod-savvy USB input, jitter reduction, and bass management, the latter unusual and welcome in a two-channel piece. Price TBA.
Tom Norton  |  Sep 25, 2010  |  0 comments
Yes, it's only 2-channel, but the new Classe CP-800 preamp may be a taste of the future for such devices. Scheduled to ship in January 2010 for under $6000, it incorporates digital inputs, including coaxial, optical, and USB (asynchronous with proprietary clocking, a significant feature for us audio propeller heads), with on-board D/A conversion. Full support for Apple's transportable iProducts is also included. There are analog inputs as well, which can be set up for direct analog pass-through analog sources—or even as a pass through for the front channels of a full surround system. The outputs can even be programmed to drive one or more subwoofers, together with bass management and parametric EQ. The subs can be set up to operate on some inputs but not others. Both remote control and a graphical user interface with a touchscreen are part of the package.
Tom Norton  |  Sep 24, 2010  |  0 comments
If you don't know the drill, you will soon. That 3DTV from brand A will only work with the glasses from brand A, not from brand B, C, or D. But Monster Cable has an answer. The new Monstervision Max 3D glasses are said to work on any 3DTV.
Mark Fleischmann  |  Sep 23, 2010  |  0 comments
Definitive Technology has long been a leader in bipolar loudspeakers (with drivers on both sides) so the BP8000 ST Series carries on a long tradition with four towers, including active side-mount subs, at prices from $599-1499/each. Just as novel are the XTR on-walls (pictured) with their extruded aluminum enclosures and both active and passive drivers. They go for $499-899/each.
Mark Fleischmann  |  Sep 24, 2010  |  0 comments
Want to use AirPlay to connect your Denon XX11-series a/v receiver to your iTunes library? There's an app for that, and while it's a $49 value, you can get it as a free upgrade for awhile starting in November. Denon also has a separate receiver-control app for iThings.
Tom Norton  |  Sep 25, 2010  |  0 comments
Digital Projection offers so many models it's hard to keep them straight. They range in price from around $5000 to the sky's the limit, and include 3D designs, LED-lit models, and much more. The only common thread is that they are all DLPs, both single-chip and 3-chip. Most important, however, is the high quality we've consistently seen from them on the screen, both at shows such as this one and in our own in-house evaluations.
Scott Wilkinson  |  Sep 30, 2010  |  1 comments
At CEDIA, Digital Projection introduced a product so new, it doesn't even have a name yet. It's a 1080p, LED-lit DLP projector expected to list for about $10,000 and designed for extremely short-throw situations—in the demo from which this photo was taken, the projector was directly above a 6-foot-wide Stewart Studiotek 130 screen at a throw distance of only 12 inches! The light from the lens bounces off an integrated mirror and onto the screen at a severe angle, which means there must be some pretty sophisticated geometric processing going on. It also provides wireless HDMI connectivity, though the rep I spoke with didn't know which type. Unfortunately, it was difficult to judge image quality in the brightly lit show-floor environment.
Mark Fleischmann  |  Sep 22, 2010  |  0 comments
It includes 35 test patterns for everyone from beginners to experts and will be available November 2 on both Blu-ray and DVD. BD copies disappeared almost instantly from the press room. See TWICE and Disney press release at Engadget HD.
Tom Norton  |  Sep 24, 2010  |  0 comments
Sandy Gross is well known in the industry as the founder or co-founded both Polk Audio and Definitive Technology. Now he is on his third launch, GoldenEar Technology. The first product range is spearheaded by the Triton Two Tower, consisting of a built-in, DSP-controlled digital amp, two bass drivers and two passive radiators, and two 4.5" bass/midrange drivers flanking a centrally-located High Velocity Folded Ribbon tweeter. The latter is based on the classic Oscar Heil tweeter first employed in the 1970s.
Mark Fleischmann  |  Sep 22, 2010  |  0 comments
Dolby Digital Plus hasn't gotten much attention since its debut a few years ago. But it's the best lossy surround codec from Dolby Labs, with greater efficiency, scalability, and the potential for finer-grained sound quality than its older brother Dolby Digital. Now it's finding relevance via Vudu, one of the licensed ways that IP programming is getting into TVs. The DD+ stream can also convert to old-school DD for decoding in legacy gear, but with DD+ capable surround products (most of them nowadays) you'll get near-lossless quality.