AT A GLANCE Plus
Compact Design
Plenty of output above 30 Hz
Wallet-friendly street price
Minus
Weak output below 30 Hz
A bit boomy
THE VERDICT
If you’re on a tight budget and aren’t looking for subterranean bass output, the XT10 will provide some oomph down to 30 Hz for a wallet-friendly price.
Polk Audio is an American manufacturer of high-performance audio products, founded in 1972 by Matthew Polk, George Klopfer, and Sandy Gross. The company quickly made a name for itself in the audio industry by introducing innovative technologies such as the first ever satellite speaker for home use...
The Power Sound Audio XV15’s sole concession to design is that, besides the stock satin-black finish, you can get the sub in your choice of five wood finishes for an extra $150. Otherwise, it’s a big, ugly box, standing 23 inches high and weighing 75 pounds. It packs a 15-inch woofer — the biggest of any sub in this test — powered by a BASH amp rated at 500 watts RMS, 1,000 watts peak.
AT A GLANCE Plus
Very powerful on music
Outstanding build quality
Small size
Minus
Tepid output at the very bottom
THE VERDICT
One of the most musical subwoofers I’ve ever auditioned, and it’s damn pretty, too!
Founded in 1972 in Ontario, PSB Speakers has grown from one man’s passion for audio into an international speaker company with more than 50 distributors and approximately 1,000 dealers. Paul Barton got his start in audio when he was just 11 years old, making speakers with his father. As he became more confident with his designs when he was in high school, he started to sell his speakers to college students at the nearby University of Waterloo. From the beginning, Barton’s goal was to create high-performance, highvalue loudspeakers for music and, eventually, for home cinema applications.
AT A GLANCE Plus
Décor-friendly form factor
Beautiful build quality
Surprisingly easy installation
Minus
Low output
THE VERDICT
The Habitat1 has a terrific industrial design that may work where a traditional sub won’t, but don’t expect miracles.
Almost every subwoofer on the market today is a boring, bulky black box, designed with hardly a thought about how the thing’s going to look in a living room. With its new Habitat1 subwoofer, REL joins the small group of manufacturers who’ve put serious thought into making their subwoofers blend in with room décor.
Price: $1,799 At A Glance: Front-firing active driver with down-firing passive radiator • Independent volume controls for simultaneous use of high- and low-level inputs
So, who the hell is REL Acoustics? That’s a question you might be asking yourself if your favorite places to shop for the latest in A/V gear happen to be Sears, RadioShack, or Big Jim’s Family Pawn & Gun Shop. I’m not saying there’s anything wrong with those establishments (well, Big Jim’s might be a little iffy), but REL’s subwoofers are not a cash-and-carry kind of thing. As a matter of fact, REL—a British company that makes only subwoofers—claims its products “are not traditional subwoofers, but true sub-bass systems.” Starting with this slightly different concept of what a subwoofer should be, it’s no wonder that REL subs require a somewhat out-of-the-ordinary setup and that the company recommends parameter settings that are a bit unusual. As a result, REL subwoofers are found only at retailers that have silk-robed salespeople who have been trained by mystical, shoeless REL Zen Bass Masters to be highly skilled in the ancient acoustical arts of transducental bass reproduction.
Last year, my family and I moved from our little house near a noisy city airport to a more pastoral setting where, aside from a nearby neighbor who likes to bulldoze anything with leaves on it, the loudest thing is an old four-wheel-drive F250 pickup we bought for hauling things (including our butts) around the farm. Although it's in surprisingly good shape, some things don't always work, like the original factory radio, for instance.
Price: $599 At A Glance: Compact cube houses 8-inch long-throw woofer • 125-watt class A/B amplifier • Simultaneous high-level and LFE inputs with independent level controls
Small Acorn, Big Tree
In a 1970s television commercial, storm clouds brewed and thunder rolled ominously after an embarrassed Mother Nature tasted Chiffon margarine and pronounced it butter. “It’s not nice to fool Mother Nature,” admonished the announcer, Mason (“with a name like Smucker’s”) Adams.
Held up against the $3,499 Velodyne DD-12+ and other high-end 12-inch subwoofers that populate the CEDIA Expo, the $399 Cadence CSX-12 Mark II seems incredibly affordable.
Speaker ads are getting to be as misleading as online dating profiles. Just as someone with a borderline-obese body-mass index of 30 might claim their physique is "average," speaker manufacturers are claiming their new lines of on-walls have profiles as slim as those of the very latest flat-panel TVs.
On Monday, when I reviewed the NXG NX-BAS-500 subwoofer, I recallled a time 20+ years ago when the only companies that made really good subwoofers were M&K and Velodyne. The "K" in M&K stood for Kreisel-Ken Kreisel, to be specific.
Check it out: 12-inch driver, 150-watt amp, and a really nice-looking curved enclosure, all for a mere $84.10 (plus $9.72 shipping and handling). If you asked me how inexpensively someone could sell a 12-inch subwoofer—and I’m talking everyday prices, not blowouts on eBay or Amazon — I’d have probably guessed $200, and that would be for something really ugly and cheap-looking.
I can remember when there were only two companies, M&K and Velodyne, that made good subwoofers. Thanks to the explosion in Chinese manufacturing, there are now so many companies making subwoofers-and so many making good ones-that it's impossible even to be aware of them all, much less have hands-on experience with all their products.
Since my first lengthy experience with Sonos products, I've been recommending them as a simpler, lower-cost alternative to traditional multiroom audio systems. It's just so much easier. Plug in a Sonos component, go through a simple config, and you have great-sounding music and Internet radio in any room (or many rooms) in a matter of minutes, all controlled by your smartphone or computer.
But there's one thing a Sonos system doesn't deliver: bass. Now that's fixed.
Since my first lengthy experience with Sonos products, I’ve been recommending them as a simpler, lower-cost alternative to traditional multiroom audio systems. It’s just so much easier. Plug in a Sonos component, go through a simple config, and you have great-sounding music and Internet radio in any room (or many rooms) in a matter of minutes, all controlled by your smartphone or computer.
But there’s one thing a Sonos system doesn’t deliver: bass. Now that’s fixed.
Bob Carver has always been a speaker designer who thinks outside the box, and also one who tends to ignore so-called experts when they tell him something can’t be done. As the founder of Phase Linear in the 1970s, Carver in the 1980s, and, more recently, Sunfire, Bob has been proving “experts” wrong for over 40 years.
A great example of his unconventional thinking is the Sunfire True Subwoofer, first launched some 15 years ago. Using a brute force approach, this design bent the rules that traditionally defined how much bass you could get from a given size of driver and enclosure, in the process creating what has gone on to become one of the most imitated subwoofers of all time. Now that same mindset has been applied to creating the Dynamic Series SDS-12 — a lower-cost brother for the True Subwoofer, with an asking price 75% less than the original.