Subwoofer Reviews

PRICE $1,200

AT A GLANCE
Plus
Compact design
Plenty of output above 35 Hertz
Very musical
Minus
Tepid output below 27 Hz
Limited controls and no app support

THE VERDICT If music is your main passion, you'll love what the ForceField 40 brings to the table, but movie lovers searching for foundation-shaking bass may want to look elsewhere.

As longtime readers of Sound & Vision know, I have a passion for bass. Some might say I need to seek professional help in this regard—well, at least that's what my wife tells me! I've reviewed products for nearly 20 years and had dozens of subwoofers in and out of my theater during that time, and I am generally easy to please. Surprisingly, in all that time, I've never had the pleasure of reviewing anything from GoldenEar, even though the company boasts a broad line of loudspeakers and subwoofers. Well, the time has finally come.

Doing one thing well is an effective strategy for success in business, and one that appears to have been followed by Hsu Research. Headed by Singapore-born, MIT-trained (Ph.D. in civil engineering) Poh Ser Hsu, Hsu Research has been in business for more than 10 years now, and has not wavered from its single-minded mission of offering high-quality, low-cost subwoofers to the public. Hsu produces subwoofers and only subwoofers, resisting the temptation to come out with a line of speakers, cables, amplifiers, digital processors, etc. They have also stuck to the principle of offering products that the average audiophile can afford, selling factory-direct with prices staying below $1000.

PRICE $1,100 each; $2,200 as reviewed

AT A GLANCE
Plus
Powerful bass for a compact sub
Performs extremely well with music and movies
Minus
Lacks last half-octave of deep bass you can get from larger subs

THE VERDICT
If you’re limited on space but have adequate funding, this is the strongest-performing compact sub I’ve auditioned.

It’s another American business success story. A couple of kids, Jim Birch and Lucio Proni, begin building home loudspeakers during summer break in 1975. More than 40 years later, Jim and Lucio are still going strong, having seen JL Audio become one of the most respected consumer electronics brands in the world, branching out from the home to mobile and marine applications. I’ve experienced their products at some custom shops and have read glowing reviews of their subwoofers over the years. My favorite review was by my colleague Darryl Wilkinson, who said the company’s Fathom f212 sub could play a 20-hertz test tone loud enough to liquefy his bowels! High praise, indeed.

PRICE $3,500

AT A GLANCE
Plus
Powerful output for a compact model
Onboard Digital Automatic Room Optimization
Dual-sub setup option
Minus
Lacks below-20Hz extension
Gloss black finish attracts dust

THE VERDICT
The f110v2 lacks the output and extension of a larger sub, but packs quite a punch given its modest size.

According to Merriam-Webster, a fathom is a unit of length equal to six feet that's used to measure the depth of water. But for JL Audio, Fathom is a family of subwoofers that dig deep into the lower depths of the audio spectrum. The company, which has been around north of forty years, was started by Jim Birch and Lucio Proni, who started building loudspeakers during their summer break back in the 1970s and never stopped.

Brains, brawn, and bombast.

"Eventually," one of my musical idols once told me in an interview, "everything you said you'd never do, you do. If you're lucky, you get to shake hands with Arnold Schwarzenegger." Those words of Robyn Hitchcock came back to me as I wrestled the JL Audio Fathom f113 subwoofer out of its carton. (The Governator himself couldn't weigh much more.) I've told other manufacturers that I just couldn't see myself working up a thousand-plus-word lather about a sub. What was it about this one that made me change my mind?

Price: $6,300 At A Glance: Automatic Room Optimization (A.R.O.) with microphone • XLR output to connect one or more slave f212 subwoofers • Dual 12-inch active drivers

Unless you live in South Florida or are heavily into car audio, there’s a good chance you don’t recognize the name JL Audio. That’s because while these guys make dozens of products for automobiles and boats, they only make a few for home theaters. And the cheapest ones—the just announced 10-inch E110 and 12-inch E112, cost $1,300 and $1,600, respectively.