Subwoofer Reviews

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Darryl Wilkinson  |  Mar 13, 2012  | 

Performance
Build Quality
Value
Price: $1,799 At A Glance: Front-firing active driver with down-firing passive radiator • Independent volume controls for simultaneous use of high- and low-level inputs

So, who the hell is REL Acoustics? That’s a question you might be asking yourself if your favorite places to shop for the latest in A/V gear happen to be Sears, RadioShack, or Big Jim’s Family Pawn & Gun Shop. I’m not saying there’s anything wrong with those establishments (well, Big Jim’s might be a little iffy), but REL’s subwoofers are not a cash-and-carry kind of thing. As a matter of fact, REL—a British company that makes only subwoofers—claims its products “are not traditional subwoofers, but true sub-bass systems.” Starting with this slightly different concept of what a subwoofer should be, it’s no wonder that REL subs require a somewhat out-of-the-ordinary setup and that the company recommends parameter settings that are a bit unusual. As a result, REL subwoofers are found only at retailers that have silk-robed salespeople who have been trained by mystical, shoeless REL Zen Bass Masters to be highly skilled in the ancient acoustical arts of transducental bass reproduction.

Darryl Wilkinson  |  Mar 13, 2012  | 

Performance
Build Quality
Value
Price: $799 At A Glance: Infrared remote control included • Optional wireless kit • Disappearing alphanumeric display behind grille

At $799, the diminutive Definitive Technology SuperCube 4000 isn’t “recycle enough aluminum cans and buy it” cheap, but it’s still in the reasonably affordable price range for a large percentage of home theater enthusiasts. Although Def Tech calls it a SuperCube, the actual dimensions are 11 inches wide x 11⅞ inches tall x 12 inches deep, which isn’t strictly a cube according to my high school geometry book. Evidently, SuperApproximatelyACube and SuperCubeLike were already trademarked, so Def Tech had to settle for the close-to-accurate SuperCube. Regardless, the compact size makes it super easy to place in a room, and fairly inconspicuous wherever you place it. Don’t let the SC4000’s small form factor fool you, though, because it’s one of the most feature-packed and easiest-to-set-up subwoofers I’ve encountered, regardless of price. It’s also surprisingly heavy (around 25 pounds) for its size.

Brent Butterworth  |  Mar 07, 2012  | 

Some home theater enthusiasts see automatic equalization as a sonic savior. They believe it guarantees great sound. But it doesn’t.

Michael Berk  |  Nov 11, 2011  | 

Over the course of this past week, our reviewers Brent Butterworth and Michael Trei examined six current subwoofer offerings, ranging from the simple to the feature packed, from Monoprice's $84 MSUB-A122 to Wisdom Audio's genre-defying $4,000 SCS, with entries from sub mainstays Velodyne, Cadence, SVS, and Sunfire along the way.

Brent Butterworth  |  Nov 11, 2011  | 

Held up against the $3,499 Velodyne DD-12+ and other high-end 12-inch subwoofers that populate the CEDIA Expo, the $399 Cadence CSX-12 Mark II seems incredibly affordable.

Brent Butterworth  |  Nov 11, 2011  | 

Calling a product “the best X ever” is a foolish mistake for a reviewer to make — but it’s a mistake I’ve made on more than one occasion. There was that projector that looked really great but was completely outclassed by a less-expensive model just one month later.

Michael Trei  |  Nov 10, 2011  | 

Bob Carver has always been a speaker designer who thinks outside the box, and also one who tends to ignore so-called experts when they tell him something can’t be done. As the founder of Phase Linear in the 1970s, Carver in the 1980s, and, more recently, Sunfire, Bob has been proving “experts” wrong for over 40 years.

A great example of his unconventional thinking is the Sunfire True Subwoofer, first launched some 15 years ago. Using a brute force approach, this design bent the rules that traditionally defined how much bass you could get from a given size of driver and enclosure, in the process creating what has gone on to become one of the most imitated subwoofers of all time. Now that same mindset has been applied to creating the Dynamic Series SDS-12 — a lower-cost brother for the True Subwoofer, with an asking price 75% less than the original.

Brent Butterworth  |  Nov 09, 2011  | 

Check it out: 12-inch driver, 150-watt amp, and a really nice-looking curved enclosure, all for a mere $84.10 (plus $9.72 shipping and handling). If you asked me how inexpensively someone could sell a 12-inch subwoofer—and I’m talking everyday prices, not blowouts on eBay or Amazon — I’d have probably guessed $200, and that would be for something really ugly and cheap-looking.

Thomas J. Norton  |  Nov 07, 2011  | 

Performance
Build Quality
Value
Price: $879 At A Glance: Unique setup features • Sealed or ported operation • Powerful, subterranean bass

Dr. Poh Ser Hsu designed and sold his first subs around 1991. They were tall, tube-like structures, built from the forms used to pour concrete pillars. The tubes were made of relatively thin fiberboard (roughly 0.125 inches thick), and their cylindrical shape made their walls tremendously strong and resistant to flexure. More important, they were relatively light, which was ideal for Hsu’s direct-from-the-factory sales plan.

Brent Butterworth  |  Nov 07, 2011  | 

In order to get the transition between your subwoofer and your main speakers close to perfect, you need measurement gear. Measurement makes your sub setup faster and more accurate. Instead of listening to bass lines to gauge the evenness of your bass response, you just run a quick measurement and get a precise result.

Brent Butterworth  |  Nov 07, 2011  | 

One could argue that it’s silly to make a subwoofer look nice. Most subs get shoved into out-of-the-way places where even the most exotic wenge veneer, doused in seven coats of hand-rubbed lacquer and applied to gracefully arcing side panels, won’t really look any better than the cheapest black vinyl wrap glued over a plain rectangular box.

Those who find ugliness a virtue in subwoofers will love SVS’ new $769 PB12-NSD, which is about as plain as subwoofers get.

Brent Butterworth  |  Nov 03, 2011  | 

Most subwoofers are large, roughly cube-shaped black boxes that look about as elegant as a Vietnamese potbellied pig.

Michael Fremer  |  Jun 20, 2011  | 
Price: $599 At A Glance: Compact cube houses 8-inch long-throw woofer • 125-watt class A/B amplifier • Simultaneous high-level and LFE inputs with independent level controls

Small Acorn, Big Tree

In a 1970s television commercial, storm clouds brewed and thunder rolled ominously after an embarrassed Mother Nature tasted Chiffon margarine and pronounced it butter. “It’s not nice to fool Mother Nature,” admonished the announcer, Mason (“with a name like Smucker’s”) Adams.

Brent Butterworth  |  Jun 16, 2011  | 

I would never do what SVS did with its new subwoofer, the SB13-Plus. The company originally sent me a review sample last fall, but despite the fact that it sounded (and measured) great, SVS asked me to hold the review while its engineers tweaked the sub’s Sledge STA-1000D amplifier. It took months for the new amplifier to arrive.

Shane Buettner  |  May 23, 2011  | 
Price: $9,000 At A Glance: Room- and house-threatening LFE bass for movies • Surprising rhythm, pacing, and articulation for music • Relatively small footprint for a behemoth sub

Because You Can

So, I’m wheeling this ginormous 230-pound Paradigm subwoofer down and around the side of my house, to the double-door, daylight basement that serves as my home theater room. Being impatient, I’m doing this by myself and hoping like hell I don’t tip the thing over and watch it roll end over end down the slope in my backyard. About this time, it occurs to me to wonder, “Why am I even reviewing something this big?” The answer that came to mind is probably the same reason people will buy this $9,000 powder keg of bass. Because I can.

Of course, there’s more to it than that. At CES 2010, the best home theater demo I saw and heard was in the Anthem room, with Anthem’s electronics and sister brand Paradigm’s speakers and subwoofers. The bass was sensational, thunderous, and room shaking, and yet it was strikingly refined. That was the first time I saw the SUB 2, a 4,500-watt subwoofer (rated RMS, and never mind if you can actually get that out of your wall), with six 10-inch woofers arrayed in pairs, firing out of three sides of the cabinet. You read that right. I was every bit as awestruck as you probably are now. Why would Paradigm design and build such a thing? Because they can. In home theater and in life, it’s my firm belief that anything worth doing is worth overdoing. If that’s your philosophy too, read on, because the SUB 2 is a helluva ride.

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